The Chemistry of Death

Recently the "reboot" of CSI:VEGAS (2021) ran into a tiny spot of trouble. No viewers. To solve the problem, the producers coaxed some of the original stars out of retirement to put in cameos, trying to create a "bridge" between the old show and the new one. And that, in a nutshell, is the key to CHEMISTRY OF DEATH. It is not MORSE. It is not LEWIS. In fact, nothing about the show is done in a way that is intended to appeal to viewers who grew up on the traditional "English" mysteries. The pace is faster. The editing is faster. Voice-overs replace music. Shocking the viewer with jump-cuts and "big reveals" is not only acceptable, but actually encouraged. This is indeed a new generation of mystery show, and its success or failure will most certainly hinge on the charisma of Harry Treadaway. The same actor whose strong performances in MR MERCEDES, and STAR TREK PICARD, mesmerized viewers during his limited screentime. Clearly, the producers here felt that it was time to give Treadaway his own show, stand back, and see what happens. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

I am a huge fan of Simon Beckett and seeing that the books got finally a chance, to be on screen excited me extremely.

Of course, the books will never be topped, the details Simon Beckett put into it is just insanely good and you get a sense of the smell in the air and it seems like you are there with David.

The darkness of David's story is captured well, I do wish tho, that it would have been a bit more. To understand the character better. Through out the series of the books, it gives a better understanding of who he is and how he deals with his demons.

Yes, the accents are missing and it could have been a bit better handled, but through and through I am hoping for a new season.

If you want the whole feeling for the character, you have to start reading the books.

I give it a 7/10 because I was feeling excited through out watching the show even as I have read the books.

I really wanted to like this because I generally like mysteries, and I'm a fan of Amy Manson. But I don't like shows that focus on the brutalisation of women, and still managed to weather through three episodes, and wow... tedious. Unrealistic script, awful directing and cinematography, and it positively plods along half the time. Far too many closeups of the Doc's tortured face. He's in constant pain and it's simply overwrought, with his constantly invasive thoughts on his family. Nearly everything about the show is clichéd, including his narration of "the chemistry of death". I should've known because the title was not a good choice. Still, I'll give it one thing in addition to the actors doing their best: the scenery is stunning, particularly when we get to the islands.

The best about this show is undoubtedly the cinematography. Many times, it just takes the breath away. And not just the landscapes, but rather how they use it to depict characters, the scene, the environment they are in, the mood, the atmosphere. That is outstanding, 10/10. The story is arresting, dark from the very start, and just goes on and on to build up the protagonist of the series, a forensic pathologist riddled with guilt about his past. I would say, that's the less convincing - however, vital - element of the character, the theme about it well overused (in my opinion). The score is good, original and well in sync with the cinematography. One of the best English series in recent years. You won't be disappointed if you watch it, for sure.

A great book with an adaptation that lacks a bit of suspense - What the audience is offered is nothing that you haven't seen in other British crime series in one form or another: from the investigator who is tormented by private demons, to the village one Setting with dense forests and aging pubs where everyone knows everyone else, all these elements have long been seen in much more interesting implementations. The acting isn't particularly good either. What is reproduced in the original book through interesting and professional monologues by a forensic scientist only works like annoying talk in the series.

The biggest weakness of the series, however, is that the pacing is simply not right here. The first episode babbles along lamely, in the second the events roll over - cliffhangers included - before everything is dealt with very quickly in the third and Hunter is sent to his next investigations just as briskly as he is unmotivated. Real tension, for which the name Simon Beckett actually stands for fans, never wants to arise there. Maybe a movie would have been better than a series. All in all an average crime thriller that could have been much better with the excellent book template.