Stage Fright

So that you know, there is a film out there about a summer camp for kids that's owned by Meat Loaf, with fully choreographed song and dance numbers – including lines like 'I'm gay, I'm gay but not in that way' - and a kabuki-masked, falsetto-screaming, guitar-squealing, knife-wielding slasher who hates musical theater and wants to kill the cast of a make-shift production of some-such copy-right-friendly version of 'Phantom of the Opera'. The gore was vivid, the laughs were steady, and I honestly don't think I need to report anything else to help you decide if this one is for you; it definitely has an audience and made for a very strange Late Night Picture Show.

A snobby musical theater camp is terrorized by a blood-thirsty killer who hates musical theater.

The film has plenty of nice references early on to "Phantom of the Opera" and "Fantomas", with the "Phantom" theme throughout. Some have said the film draws from Argento's "Opera", but that is not necessarily the case. Beyond the generally theme (which is "Phantom"), there was very little "Opera".

The supporting cast is solid, with the amazing Meat Loaf and even a brief but powerful performance from Minnie Driver. Allie MacDonald as the lead is amazing, and do not be surprised if she gets big really fast after this.

The film widely received negative reviews, and the reasons are clear. The blend of humor, music and horror is not always flawless, and some of the songs are definitely better than others. Some probably enjoyed the heavy metal parts and disliked the rest (or vice versa). This is not on the same level as "Repo: The Genetic Opera", for example.

Not a fan of musicals at all but this is great! I love the makeup so much, the kills, masks, beautiful women, and the cast is excellent! I saw this once a few years ago and now loving it more. I must admit the original Stage Fright is better purely cause it doesn't have singing and it's a 80's cult masterpiece. It's really cool that Minnie Driver and Meat Loaf are in this; Douglas Smith, and Allie Macdonald is so damn pretty. Very good horror for what it is.

Nothing is more important than musical theater, not even murder.

Camilla Swanson and her brother Buddy work at Center Stage, a summer camp for musical theater ingenues run by their guardian Ron McCall. This year the camp's final show will be The Haunting of the Opera, the musical their mother was the lead actress in when she was brutally murdered. Camilla wishes to be like her mother but auditions are cutthroat, literally, and there is a kabuki masked madmen with a murderous disdain for Broadway belting.

Stage Fright is a film set in a summer camp that can only be described as campy. It is ridiculous and funny, self-awaredly mocking all the musical theater stereotypes. Everyone sings Sondheim-esque tunes, even the killer, but his musical styling is about as far from the brassy Broadway musical theater genre as it can get.

With any hybrid genre film, one is typically more dominant than the other. Stage Fright is both horror and musical though forty minutes pass by where it is straight musical movie before any real carnage occurs. Luckily writer/director Jerome Sable keeps Stage Fright light and amusing.

Stage Fright makes you endure Glee-like show-tunes in order to get to the bloody massacre of these theater camp adolescents. The deaths in the film are not nearly as campy as the first half of the film, unfortunately, and I wanted them to be a bit more far-fetched and ridiculous. Stage Fright fulfills the niche market for musical theater horror.

Audiences will leave with the knowledge that it's not wrong to sing and dance when someone just died, the show must go on and nothing is more important than The Theatre.

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Today, we are five decades removed from the strong emergence of the slasher film as a staple sub-genre of horror in cinema. It's fair to assume that the pool of ideas had been running thin if one considers the abundance of remakes from classic franchises which already had more than a handful of sequels under their belts. Where does this leave us and the slasher film today, in 2014? It puts us in the theater, for a musical, in Stage Fright. Combining the behind the scenes process of what it takes to put on such a production within the narrative arc of the overarching movie which is also a musical, there are some clever dance and song numbers…that's really not what I was expecting to be complimenting this movie on before I watched it, but credit must be given where credit is due. Dancing and cleverness aside, this movie shines its brightest when it's at its darkest. A Kabuki mask-wearing hair metal-singing psycho is out to spoil the show, and in doing so he may very well be giving us a new slasher icon. The brilliance of this movie is how quickly and smoothly it brings the story between hilarity and tension, sometimes even merging the two. The musical aspects of the movie are excellently done. Each character or setting has a theme, which get intermingled and blended at appropriate times. Singing was really excellent where it needed to be, and intentionally sub-par or bad when called for as well. Best of all was the contrasting punch between the cheery musical score and the 80's power-chord heavy metal screaming that beefs up all the grisly gory shreddin' fun from our killer.