After awakening in a mental asylum, a patient plans an escape to freedom, but finds an even more disturbing, supernatural world on the outside, one that threatens to keep him trapped in madn... Read allAfter awakening in a mental asylum, a patient plans an escape to freedom, but finds an even more disturbing, supernatural world on the outside, one that threatens to keep him trapped in madness forever.After awakening in a mental asylum, a patient plans an escape to freedom, but finds an even more disturbing, supernatural world on the outside, one that threatens to keep him trapped in madness forever.
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This Has A Very Love-Craftian Taste To It (Although There Is No Reference) But I Thought This Was A Bit Of A Good Surprise ... An Escaped Patient Tries To Make Sense Of The World Outside The Asylum As Everyone Sees Him As Someone He Isn't ... As The Truth Of What Is Going On Unravels Itself He Finds That To Make Things Right He Must Delve Deeper Into The Insanity ... The Acting Is Not Top Notch But The Story Is Interesting And Captivating ... Fans Of H.P Lovecraft Would Enjoy This One ...
A funny & evil low budget film with a biblical message.It would be scary if it was in the 70's- now in 2020 its very funny. I was laughing the whole time instead of being freaked out!
Oh wait for the credits that roll upwards going down..
Oh wait for the credits that roll upwards going down..
I haven't seen a film this strange in a while and appreciate it's attempting to be different. Does it succeed as a good movie though? Depends on what your looking for. Positives: the lead performances were all convincing for a low budget genre title. Nick Baldasare had the arduous task of portraying a person on the edge of sanity. His performance could have warped into a lot of cliché "crazy" type acting, but he made it believable. Richard Hatch also delivers the goods in one of his final roles. I thought the look of the film was also a plus and the effects, while old school, had a nice retro feel that added to the fun. The only negative was the film's length. I thought it could have been cut by 20 minutes and been a little better experience. All in all, you will like this movie if you don't need details and plot points spoon-fed to you. Expect the unexpected and enjoy!
The concept/idea was interesting but really stretched out being a 2 hour movie, acting is pretty bad and some of the scenes are ridiculous- maybe a once off watch but definitely wouldn't watch again and would not recommend
Dwight Stroud (Nick Baldasare) is a dangerous psychiatric prisoner who breaks out of the asylum and assumes another man's life, but he's tortured and haunted by crazy visions that may or may not be delusions.
Writer/director Jay Woelfel has never gotten the budget or recognition of Croenenberg or Lynch, but like those filmmakers, he's got a unique style all his own. Most of his films are slowly paced, hallucinogenic, psychological mindforks with very low budgets, some amateur Ohio actors, and a Lovecraftian creature. If you're down with that, Asylum of Darkness is an enjoyable ride, but if you want a more "Hollywood" movie, look elsewhere for your entertainment.
Up front, I gotta say, the film's title and poster are misleading. Only a tiny fraction of the film takes place in an asylum, and the poster makes it look like some fast-paced monster movie. That's bad marketing, hence the low IMDb rating from folks who expected something very different.
The story and tone zigzag in a way that's engaging if you can roll with it. Every time it seems like the plot's settling into normality, something really weird happens -- but it feels a little long and could stand to be tightened by 15 minutes. The practical FX are generally very good, and the ones that aren't are serviceable.
Nick Baldasare has grown as an actor since "Beyond Dream's Door" and "Heartland of Darkness" (both shot in 1989), and he does a fine job in the lead. Amanda Howell is genuinely charming as his love interest, Richard Hatch camps it up as a crazed doctor, Tim Thomerson is Tim Thomerson, and likewise, you get what you'd expect from Tiffany Shepis.
All in all, I enjoyed it and don't feel like it was a waste of 2 hours, but I knew what I was getting into with this director.
Writer/director Jay Woelfel has never gotten the budget or recognition of Croenenberg or Lynch, but like those filmmakers, he's got a unique style all his own. Most of his films are slowly paced, hallucinogenic, psychological mindforks with very low budgets, some amateur Ohio actors, and a Lovecraftian creature. If you're down with that, Asylum of Darkness is an enjoyable ride, but if you want a more "Hollywood" movie, look elsewhere for your entertainment.
Up front, I gotta say, the film's title and poster are misleading. Only a tiny fraction of the film takes place in an asylum, and the poster makes it look like some fast-paced monster movie. That's bad marketing, hence the low IMDb rating from folks who expected something very different.
The story and tone zigzag in a way that's engaging if you can roll with it. Every time it seems like the plot's settling into normality, something really weird happens -- but it feels a little long and could stand to be tightened by 15 minutes. The practical FX are generally very good, and the ones that aren't are serviceable.
Nick Baldasare has grown as an actor since "Beyond Dream's Door" and "Heartland of Darkness" (both shot in 1989), and he does a fine job in the lead. Amanda Howell is genuinely charming as his love interest, Richard Hatch camps it up as a crazed doctor, Tim Thomerson is Tim Thomerson, and likewise, you get what you'd expect from Tiffany Shepis.
All in all, I enjoyed it and don't feel like it was a waste of 2 hours, but I knew what I was getting into with this director.
Did you know
- TriviaThe last film Richard Hatch completed before his death. Hatch started other films, some of which were completed, but his part in those films was less than intended due to his dying before those films were completed.
- Crazy creditsThe end credits roll the opposite of the standard way, scrolling from the top of the screen to the bottom.
- Alternate versionsOriginally screened under the title "Season of Darkness" (which is the title of Artemis Finch's autobiography), but the distributor changed the name to "Asylum of Darkness."
- ConnectionsReferences The Escape (1980)
Details
- Runtime1 hour 57 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content