Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.
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Like I said in the review title, if you're like me, you're 15-20 minutes into the movie, and you're wondering if 1) you should turn it off, and 2) if anything ever happens. So you're checking IMBD reviews. My answers to those questions are 1) maybe, and 2) kind of. About 45 minutes in, there is a scene that is legitimately scary. Past that, there are a few scenes that are scary as well, but more than scary, the movie is just creepy and disturbing. You can feel reassured that yes, it does ratchet up in intensity.
If you like movies that are "abstract" or "artistic", where there are many interpretations, and simultaneously they're all correct, yet also none of them are correct, then you should finish the movie. If that doesn't sound interesting, and you prefer movies that provide clear answers, then turn it off.
This movie is not overly concerned about plot, though there are hints of plot in it. It is more concerned with style, and creating a specific dream/nightmare-like feeling.
I would say it is quite effective at accomplishing that, though I ultimately found the movie somewhat unsatisfying. The plot summaries about children in a house with disappearing doors and a monster sounds like the book "House of Leaves", which I loved. But there isn't nearly as much plot as in "House of Leaves". You barely see any characters, you barely understand any plot.
I can't say that I liked it, though ultimately I think it was a "good movie".
The reason I ultimately gave this movie a somewhat positive review is because it gave me something to think about. I read some articles and posts about it afterwards. I read two different articles like "Skinamarink Ending Explained", and they both provided very different summaries of the events that happened in the movie, let alone the ending. The movie is very open to interpretation, and I liked that aspect. There were a few scenes and images that are hard to forget. But the movie is also too long and repetitive and boring a lot of the time. I appreciate the movie, and what the creators were trying to accomplish, and I'll be curious to see what the director can do with more than $15,000.
If you like movies that are "abstract" or "artistic", where there are many interpretations, and simultaneously they're all correct, yet also none of them are correct, then you should finish the movie. If that doesn't sound interesting, and you prefer movies that provide clear answers, then turn it off.
This movie is not overly concerned about plot, though there are hints of plot in it. It is more concerned with style, and creating a specific dream/nightmare-like feeling.
I would say it is quite effective at accomplishing that, though I ultimately found the movie somewhat unsatisfying. The plot summaries about children in a house with disappearing doors and a monster sounds like the book "House of Leaves", which I loved. But there isn't nearly as much plot as in "House of Leaves". You barely see any characters, you barely understand any plot.
I can't say that I liked it, though ultimately I think it was a "good movie".
The reason I ultimately gave this movie a somewhat positive review is because it gave me something to think about. I read some articles and posts about it afterwards. I read two different articles like "Skinamarink Ending Explained", and they both provided very different summaries of the events that happened in the movie, let alone the ending. The movie is very open to interpretation, and I liked that aspect. There were a few scenes and images that are hard to forget. But the movie is also too long and repetitive and boring a lot of the time. I appreciate the movie, and what the creators were trying to accomplish, and I'll be curious to see what the director can do with more than $15,000.
At first I was enjoying this movie. I expected it to be scary. It wasn't really and eventually it got boring. Just when I had my fill there was still like way to much of the movie left. It has no business being this long. Most of the scenes in this film are highly irrelevant. They're just filler for atmosphere. Although the atmosphere presented was intense it over stayed its welcome. I don't regret watching this movie but I would not recommend it and will never watch it again. It did however make me feel like the concept might be nice to see if better executed in a shorter movie. If you chose to watch this movie. Just know the entire movie is just how the beginning is. You never really see any actors at all. Just empty rooms with voices. Specifically the children in question. It does not flesh out into anything bigger at all. If you do not feel the movie 30 minutes in, don't expect it to change. It will not.
"Skinamarink" (2022) is a unique and unsettling horror film directed by Kyle Edward Ball. The film revolves around two young siblings, Kevin and Kaylee, who wake up one night to discover that their parents are missing and all the windows and doors in their house have mysteriously vanished. As they navigate this eerie situation, they are haunted by a strange voice that becomes increasingly sinister, leading them into a nightmare that challenges their perception of reality.
The film is heavily influenced by childhood fears and nightmares, with Ball drawing inspiration from recurring nightmares shared on his YouTube channel. The narrative is minimalist, focusing on atmosphere and psychological terror rather than traditional horror elements like gore or fast-paced action. The grainy, indistinct visuals and the slow-burn tension create an experience that is more about evoking a primal sense of dread than delivering straightforward scares.
"Skinamarink" has been described as a "microbudget cult movie" that has gained significant attention on social media platforms like TikTok, where its haunting imagery and cryptic plot have sparked widespread discussion and speculation. The film's ambiguous nature allows for various interpretations, especially concerning the strange voice that haunts the children and the mysterious ending that leaves viewers with more questions than answers.
Despite its unconventional approach, "Skinamarink" has been praised for its originality and its ability to tap into deep-seated fears, making it a standout in the horror genre. It's particularly recommended for fans of psychological horror who appreciate films that linger in the mind long after the credits roll.
The movie premiered at the Fantasia Film Festival in 2022 and later became available for streaming on Shudder in 2023.
The film is heavily influenced by childhood fears and nightmares, with Ball drawing inspiration from recurring nightmares shared on his YouTube channel. The narrative is minimalist, focusing on atmosphere and psychological terror rather than traditional horror elements like gore or fast-paced action. The grainy, indistinct visuals and the slow-burn tension create an experience that is more about evoking a primal sense of dread than delivering straightforward scares.
"Skinamarink" has been described as a "microbudget cult movie" that has gained significant attention on social media platforms like TikTok, where its haunting imagery and cryptic plot have sparked widespread discussion and speculation. The film's ambiguous nature allows for various interpretations, especially concerning the strange voice that haunts the children and the mysterious ending that leaves viewers with more questions than answers.
Despite its unconventional approach, "Skinamarink" has been praised for its originality and its ability to tap into deep-seated fears, making it a standout in the horror genre. It's particularly recommended for fans of psychological horror who appreciate films that linger in the mind long after the credits roll.
The movie premiered at the Fantasia Film Festival in 2022 and later became available for streaming on Shudder in 2023.
Well, there are three types of viewers that come out of a viewing of Skinamarink. First we have the people who praises it as the next best thing since sliced bread. Then we have the people who absolutely detest this movie. And lastly there are the people who respect the effort and the new approach but felt that there is a lot lacking. I'm leaning towards the latter. Yeah the movie has an interesting presentation and some neat sound engineering. But like others said before the 100 minutes runtime is stretching the goodwill, even for people who are familiar with arthouse movies.
The movie has a lot of gaps in it's narration and it's up to the viewers imagination or personal experience to fill those gaps and ultimately enjoy the movie. For some people it hits very close to home and they have no problem doing so. Others are bored to tears. So I have to admit, it is a unique movie in it's own right and I highly respect that, although I personally didn't enjoy it as much as I wanted.
It shares certain similarities to a videogame called Gone Home. It also plays in an empty house with missing parents and you have to figure out the story by pure observation and patience. But it had a decent story and an interesting ending. For people who are disappointed by this movie for the lack of a coherent story but like the ambience, I can recommend at least this game.
The movie has a lot of gaps in it's narration and it's up to the viewers imagination or personal experience to fill those gaps and ultimately enjoy the movie. For some people it hits very close to home and they have no problem doing so. Others are bored to tears. So I have to admit, it is a unique movie in it's own right and I highly respect that, although I personally didn't enjoy it as much as I wanted.
It shares certain similarities to a videogame called Gone Home. It also plays in an empty house with missing parents and you have to figure out the story by pure observation and patience. But it had a decent story and an interesting ending. For people who are disappointed by this movie for the lack of a coherent story but like the ambience, I can recommend at least this game.
I did not dislike this movie. It was more or less exactly what I expected. As a fan of the creepy aesthetic of David Lynch and movies that challenge the audience I wasn't too disappointed. I love the concept and appreciate the approach but ultimately if you are going to ask an audience for 90-120 minutes of their time I think a film should give them more than Skinamarink delivers. Still, from a first time filmmaker it's an admirable effort.
I far prefer slow burning horror films that play to the fear of the unknown and an have an underlying sense of dread (The Witch, Hereditary, and The Blair Witch Project are personal faves). Skinamarink tries to play in this arena but doesn't effectively use any cinematic tools to build tension or make the viewer anxious. No soundtrack, very little camera movement, and not enough dynamic use of light and shadow. All things that I think probably could have been achieved, even with a miniscule budget. Thematically it starts in a very minable vein but then doesn't actually develop what amounts to a fairly universal experience of fear (i.e. Being a defenseless child abandoned by caregivers). We feel isolated and alone with the children but are distanced from the sense that anything frightening is happening I think because so little of the film takes place from the children's perspective. It did get me thinking about how to make a horror movie driven by fear of the unknown. If you want to make something universally scary how much do you need to show the audience to prime them to be afraid and how much can you leave to their imaginations? In the end Skinamarink asks the individual viewer to fill in too many blanks for it to be an effective horror movie in my opinion. Truly neurotic people will probably find it unnerving and anxiety inducing but aside from a couple of cheap jump scares nothing particularly interesting happens. My impression was that the vast majority of people will most likely find the movie a waste of time and for that reason I cannot recommend it. But if you like a challenge, are home alone on a stormy night, and/or are capable of letting your imagination run wild then, sure, give it a shot.
I far prefer slow burning horror films that play to the fear of the unknown and an have an underlying sense of dread (The Witch, Hereditary, and The Blair Witch Project are personal faves). Skinamarink tries to play in this arena but doesn't effectively use any cinematic tools to build tension or make the viewer anxious. No soundtrack, very little camera movement, and not enough dynamic use of light and shadow. All things that I think probably could have been achieved, even with a miniscule budget. Thematically it starts in a very minable vein but then doesn't actually develop what amounts to a fairly universal experience of fear (i.e. Being a defenseless child abandoned by caregivers). We feel isolated and alone with the children but are distanced from the sense that anything frightening is happening I think because so little of the film takes place from the children's perspective. It did get me thinking about how to make a horror movie driven by fear of the unknown. If you want to make something universally scary how much do you need to show the audience to prime them to be afraid and how much can you leave to their imaginations? In the end Skinamarink asks the individual viewer to fill in too many blanks for it to be an effective horror movie in my opinion. Truly neurotic people will probably find it unnerving and anxiety inducing but aside from a couple of cheap jump scares nothing particularly interesting happens. My impression was that the vast majority of people will most likely find the movie a waste of time and for that reason I cannot recommend it. But if you like a challenge, are home alone on a stormy night, and/or are capable of letting your imagination run wild then, sure, give it a shot.
Did you know
- TriviaIn an interview, Kyle Edward Ball stated that he spelled the movie's name slightly differently than the song the movie is named after so kids wouldn't accidentally find his movie when searching for the song.
- GoofsDespite the movie taking place in 1995, the orange LEGO brick separator is shown in some shots, which was not introduced until 2011.
- Crazy creditsThe makers of this picture would like to express their sincerest gratitude to the family of Joshua Bookhalter. Without their kindness and understanding, this picture would not have been completed.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Skinamarink
- Filming locations
- Edmonton, Alberta, Canada(Main House)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- CA$15,000 (estimated)
- Gross US & Canada
- $2,052,272
- Opening weekend US & Canada
- $818,943
- Jan 15, 2023
- Gross worldwide
- $2,116,254
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