IMDb RATING
5.3/10
4.5K
YOUR RATING
On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them.On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them.On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them.
- Awards
- 8 wins & 10 nominations total
Featured reviews
Slow. So sloooooow. And not a slow burn. I hate to say this, but I found it boring. I love bleak, atmospheric movies, but this one just made me sleepy. I really wanted to like it, so much so that I will probably give it another chance once it's released.
However, I had to close my eyes/ears/heart to the unnecessary, severe animal cruelty. It served little purpose and should have been handled differently.
I was excited to watch this film because I loved "Let the Right One In" and liked "The Worst Person in the World" but this film was a letdown.
Some of the atmospheric cinematography was nice but it was also slow and sleepy. I appreciated that it wasn't your typical jump-scare mainstream nonsense, but this movie really lacked heart. It lacked character development. I wanted to care more about the lives of the characters, but didn't.
The acting was good. The cinematography good, as mentioned. But the whole film was really lacking overall.
And the animal cruelty was disgusting/a cheap shock value gimmick. Does Norway have the same standards for animal welfare as the U. S./Hollywood? I sure hope so. Otherwise, I hope they are eventually slapped with hundreds of fines. That rabbit was clearly under severe genuine distress, in the very least.
An unfortunate waste of our $25 Sundance screening cost.
However, I had to close my eyes/ears/heart to the unnecessary, severe animal cruelty. It served little purpose and should have been handled differently.
I was excited to watch this film because I loved "Let the Right One In" and liked "The Worst Person in the World" but this film was a letdown.
Some of the atmospheric cinematography was nice but it was also slow and sleepy. I appreciated that it wasn't your typical jump-scare mainstream nonsense, but this movie really lacked heart. It lacked character development. I wanted to care more about the lives of the characters, but didn't.
The acting was good. The cinematography good, as mentioned. But the whole film was really lacking overall.
And the animal cruelty was disgusting/a cheap shock value gimmick. Does Norway have the same standards for animal welfare as the U. S./Hollywood? I sure hope so. Otherwise, I hope they are eventually slapped with hundreds of fines. That rabbit was clearly under severe genuine distress, in the very least.
An unfortunate waste of our $25 Sundance screening cost.
First of all, I love what John Ajvide Lindqvist does. I read almost all of his books and every time it was a pure pleasure. However, he's very, very, extremely unlucky with the movie adaptations of his books. This particular movie... I don't know what it is and why it was made. For those who read the book it will be a torture, for those who didn't - just a dead-boring piece of crap.
Also, I don't think anyone in the team had any idea of what they were doing. The meaning of the book was completely different, and I mean 100% different. Why is there the Satanic cross on the poster? What Satan has to do with this movie and with this book?
Also, I don't think anyone in the team had any idea of what they were doing. The meaning of the book was completely different, and I mean 100% different. Why is there the Satanic cross on the poster? What Satan has to do with this movie and with this book?
Disappointed by many of the reviews that don't give enough credit for the inventive twist in the zombie genre, and the subsequent emotional heft of Handing the Undead. Granted, the film does move at a glacial pace, and the entire screenplay was probably under 3 pages. A very quiet and somber drama, and other than a couple of forays into common zombie territory towards the end, this is a study in grief, loss, loneliness and hope. The story - as the rest of the film - unfolds slowly, but it reveals emotional depth I wasn't expecting. Expectations are tricky and in this case, I think the movie will be enjoyed by those approaching with an open mind and patience.
I had the chance to see this for the Sundance film festival. I wish I had chosen something else. Anything else. This was almost the slowest thing I'd ever seen, and I just followed it up by watching "The Stalker" by Tarkovsky, so when I say slow--I mean sloooooooow. At least Tarkovsky had a meaning and philosophy being told as part of the story for you to ponder during slow scenes. This movie left you wishing everyone in it would die a horrible interesting death because their lives were so monotonous. There wasn't a single likeable character besides the innocent Kian, and he had essentially no lines! In fact there was hardly any dialogue of any kind in the entire movie. Hardly anything happened at all, then when something sorta kinda does, it ends abruptly. I've got the book, and "Let the Right One In" is one of my favorite movies and books, so it's not as if I'm not the right demographic here. This just has nothing going for it. I regret the time spent on it, the money spent, and the hours of backlash I had to hear afterward from my husband who was equally upset by the time he so rarely gets being wasted watching nothing happen. Boring doesn't even begin to describe it. More like mind numbing. Don't say I didn't warn you.
No pun intended - talk about Arthouse ... about personal film and all that. The director told us as much (video message at the festival), before the movie started. I understand what she tried to do - and I get that this is slow paced ... but it is not even the lack of "exciting" stuff happening ... it is maybe slightly the bunny stuff ... I mean the fate of it to call it that ... you don't hand(le) stuff like that the way they did ... still, suspension of disbelief and all that.
There have been other movies with (un)dead coming back ... also slow paced ... but with more story elements of sorts. The long shots are really not helping at all ... since this won some awards (and the actors really did their best), you really have to have the patience of an angel ... or multiple angels, to not want this to get going at one point or another (or all throughout). Still it has quality to say the least.
There have been other movies with (un)dead coming back ... also slow paced ... but with more story elements of sorts. The long shots are really not helping at all ... since this won some awards (and the actors really did their best), you really have to have the patience of an angel ... or multiple angels, to not want this to get going at one point or another (or all throughout). Still it has quality to say the least.
Did you know
- TriviaFor years Kristian Petri was attached to direct the film, being John Ajvide Lindqvist's preferred director. Ajvide Lindqvist wrote on his now defunct old official forum that the film was in development hell due to the production company he signed the rights to wanting to sell them to an American company rather than making the film themselves. Petri eventually gave up on the project and when the rights reverted to Ajvide Lindqvist he sold them to Einar Film.
- SoundtracksThe Moon is Awake
- "Mah Bidareh"
Written by Matin Peymani and Patricio Pock-Steen Fraile
Performed by Soho Rezanejad
Courtesy of Orange Blue Publishing
- How long is Handling the Undead?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Справи із нежиттю
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €4,500,000 (estimated)
- Gross US & Canada
- $26,208
- Opening weekend US & Canada
- $7,470
- Jun 2, 2024
- Gross worldwide
- $260,627
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 2.35 : 1
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