Derrière la colline

The film is technically a masterpiece. The long periods of silence succeeding natural sounds incorporate the viewer into the scenery and the atmosphere.

The key to the comprehension of the movie is the closeted parallel of this archaic in manners Turkish family with the modern state. What prevails is suspiciousness against imaginative external enemies as well as hidden guilt between the members of the inner family. The outcome is quite tragicomic and indicative of the obsessions and artificial dead ends which point at the "foreign" as the source of all our woes.

I also underlined the scene where the little girl with all its innocence states that we are also nomads, so "these" nomads won't do us any harm. The mature man replies that "they are bad nomads" and so differ from the morally immaculate family.

I was very fortunate that EYE Film Museum Amsterdam ran this movie during the Turkish Beat festival. Must say that I really really loved this movie. It is the sort of movie keeps you thinking within a couple days after you watch it. And I'm not talking gets you thinking out of not understanding the story but more like wanting to really know what is really "behind the hill".

The story take place in a remote village in East of Turkey where a family with complicated internal relationships constantly struggle with the villagers on the other side of the hill. You never see them but you only see their actions- or the actions that are attributed to them. From the start to the end, it's all wrapped with tensions of the unknown and how the villagers find ways to deal with them.

I do want to write so much more but I hate the spoiler reviews so I will leave it at this. For all I know, I still am not sure what was behind the hill.

Gorkem

One of those Turkish not so easily and pace running movies. VERY slow and boring cinematography.

I get surprised to find Beyond the Hill being treated as master class in film making cause it's very bad in directing and acting.

Have had so many similar story telling and director of photography waiting so much from its audience, sound editing is outrage and beyond new era film making.

Being living abroad and expecting what my country can make really sucks. Don't give me award winning excuse cause really not sure how they get prizes but can only convince 7-8 theaters for screening. There must be something wrong somewhere! I hate to say it's hard breaking to watch a film long enough where it should have been only 15 Min's...

Emin Alper's Beyond the Hill is a master class in film making and in particular the use of sound in movies. With a soundtrack composed of only natural sounds found in nature and without any music (except at the very last scene) Alper manages to build unbearable tension.

A small landowner has punished some people living beyond a hill whose goats were grazing in his land by taking one of their goats and killing it to make a feast for his son and grand sons who are visiting him. Will those people now take revenge and what form would that be? From the moment the landowner's family arrive Alper builds up the tension expertly and manages to maintain this tension throughout the film.

In the Q&A after the screening Alper confirmed that his film is a political allegory about Turkey and its neighbors. In parts it is reminiscent of Once Upon a Time in Anatolia and clearly Emin Alper is a name to watch out for.

The film tells usabout the creation of enemies and by the way this is excatly how politicians make enemies. And then people start believing that there is an enemy and they canalize all their hatred to there. Modern societies need that. Just turn on your TV and look at the news all the politicians have someone to hate. and they make people hate them too.