The full lineup for the 2013 Cannes Film Festival was announced today, and it looks like a really great group of films will be screening in the south of France later next month. Official selections include Steven Soderbergh’s Behind the Candelabra, Joel and Ethan Coen’s Inside Llewyn Davis, Nicolas Winding Refn’s Only God Forgives, Alexander Payne’s Nebraska, Roman Polanski’s Venus In Fur, and James Gray’s The Immigrant (previously titled Low Life). Additionally, the Robert Redford man vs. nature film All Is Lost will premiere out of competition, and Sofia Coppola’s The Bling Ring, James Franco’s As I Lay Dying, and the Sundance hit Fruitvale Station (previously titled Fruitvale) will screen Un Certain Regard. A number of these titles are early awards contenders, and I’m particularly interested to hear the reaction for the Coens’ Davis and Payne’s The Descendants follow-up Nebraska, which...
- 4/18/2013
- by Adam Chitwood
- Collider.com
With less than a month to go before the festival kicks off out in France, the official line-up has finally been unveiled for this year’s 66th Cannes Film Festival.
The festival is, of course, one of the most prominent events of the year for the industry, with a handful of films launching their status as strong awards contenders out on the Croisette.
Last year, it was Wes Anderson’s Moonrise Kingdom, Michael Haneke’s Amour, Thomas Vinterberg’s The Hunt, Benh Zeitlin’s Beasts of the Southern Wild. The year before that, it was Michael Hazanavicius’ The Artist, Terrence Malick’s The Tree of Life, Nicolas Winding Refn’s Drive, and Woody Allen’s Midnight in Paris.
This year, Baz Luhrmann’s highly anticipated The Great Gatsby has been chosen as the Opening Night Film for Cannes, following its theatrical release in the Us the previous weekend. And bookending...
The festival is, of course, one of the most prominent events of the year for the industry, with a handful of films launching their status as strong awards contenders out on the Croisette.
Last year, it was Wes Anderson’s Moonrise Kingdom, Michael Haneke’s Amour, Thomas Vinterberg’s The Hunt, Benh Zeitlin’s Beasts of the Southern Wild. The year before that, it was Michael Hazanavicius’ The Artist, Terrence Malick’s The Tree of Life, Nicolas Winding Refn’s Drive, and Woody Allen’s Midnight in Paris.
This year, Baz Luhrmann’s highly anticipated The Great Gatsby has been chosen as the Opening Night Film for Cannes, following its theatrical release in the Us the previous weekend. And bookending...
- 4/18/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
Day six of the 21st Annual Whitaker St. Louis International Film Festival is upon us!
Sliff’s main venues are the the Hi-Pointe Theatre, Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University’s Brown Hall Auditorium and the Wildey Theatre in Edwardsville, Il
The entire schedule for the 21st Annual Whitaker St. Louis International Film Festival be found Here.
http://cinemastlouis.org/sliff-2012
Here is what will be screening at The 21st Whitaker St. Louis International Film Festival today, Tuesday, November 13th
Band Of Sisters
Band Of Sisters plays at 5:00pm at the Tivoli Theatre
nspired by Vatican II (a 1962-65 council of Catholic bishops) and the great social movements of the 1960s and .70s, U.S. nuns left their convents, found their mission with the poor, and grew in their spirituality . often to the chagrin of the Vatican hierarchy. Against this backdrop, .Band...
Sliff’s main venues are the the Hi-Pointe Theatre, Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University’s Brown Hall Auditorium and the Wildey Theatre in Edwardsville, Il
The entire schedule for the 21st Annual Whitaker St. Louis International Film Festival be found Here.
http://cinemastlouis.org/sliff-2012
Here is what will be screening at The 21st Whitaker St. Louis International Film Festival today, Tuesday, November 13th
Band Of Sisters
Band Of Sisters plays at 5:00pm at the Tivoli Theatre
nspired by Vatican II (a 1962-65 council of Catholic bishops) and the great social movements of the 1960s and .70s, U.S. nuns left their convents, found their mission with the poor, and grew in their spirituality . often to the chagrin of the Vatican hierarchy. Against this backdrop, .Band...
- 11/13/2012
- by Tom Stockman
- WeAreMovieGeeks.com
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