The King of Pigs

I have been disappointed by some of the more recent Korean films that promise to lead the audience into deep dark psychological realms but deliver only rather trite and confusing plots even if the cinematography and acting were stunning.

After being almost overwhelmed towards the conclusion of this animation, I believe that the spirit of Korean cinematic honesty, confrontation, complex psychegeography lives on in works like King of Pigs.

I won't go into the story - the plot is straightforward enough: bullying, high school hell, the sickness of a society based on hierarchy and class, corruption of the system...but the delivery of the narrative gets under your skin in completely original, unexpected ways.

The end twist is utter believable, and delivers a double whammy, so stay glued to your seat.

I can't understand some of the low ratings, though many might find this very difficult to watch due to the horrors depicted. It wasn't an easy film to sit through, but it is worth every effort to do so.

THE KING OF PIGS is a darker-than-dark South Korean anime detailing that country's social hierarchy and its effect on bullying in high schools. It's an extremely depressing piece of film-making, with no happy endings or answers to the many questions posed throughout; at the same time, it's rather a profound piece of work, and one which pays off as completely rewarding to the viewer who invests his or her time in it.

The story is a straightforward, high school-themed tale about a couple of poor kids who find themselves victimised by the rich older students. Into the chaos comes Chul, a guy who believes that one should become a monster in order to take down the bigger monsters. What transpires is never less than gripping, as it involves you in an increasingly dark and twisted tale.

I wasn't too fond of the basic animation here, although it brings favourably to mind the likes of ANIMAL FARM (and LORD OF THE FLIES is an obvious precursor to this story). The voice acting is also a little shrill for my tastes, but despite all this, THE KING OF PIGS is electrifying viewing thanks to the compelling, unique storytelling.

You could write an essay about this movie.

But suffice to say this was formidable. It has the filthiness of a live action drama and the majesty that justifies its animation. We are plunged into a brutal, viscous world that feels all to familiar and convincing. Amazingly vivid characters.

Not a feel good movie but it works on every level.

I see why they chose to tell this tale using animation; some of the stuff that happens to these poor kids is downright foul, and any school that allows these children to experience this type of physical and psychological abuse should be shuttered. The story is heart-breaking, in that you feel for the poor kids, but then you start to realize that society does not make it easy for them, their school doesn't make it easy for them, and they just have to endure. It sucks to watch these kids grow bitter and damaged with each passing minute, and to see their tormentors just laugh off the pain they inflict as "Keeping the students in their place". It's a heart breaking tale of growing up in a society that cares more about keeping their members in line than actually showing affection and love. It is a difficult watch, and one that will not be easily forgotten.

Serious animation is no longer a novelty but the bleakness of this Korean toon is disturbing.

Leaving a girl with a rope mark on her neck, the bespectacled lead 'phones the old school pal, who is having domestic troubles of his own. During their night drinking and walking together, we see flashbacks to their school days, where they were at the bottom layer of a brutal system of bullying.

The director's first feature is done with limited movement and only occasional flashes of striking imagery - the animal headed class mates, the ugly ghost cat, simulated afternoon light. Using female voices for the boys is also alienating. The film is so intense that viewers are likely to forget the exposition and find themselves unsatisfied by the rapid wind-up.

Think of this as a curious companion to the similarly themed OLD BOY and part of the country's ultra-violence cycle, among which it is a stand out.