Viral Factor

Sorry, but I cannot agree with all the rave reviews offered on this site. Here we have a Chinese Jason-Bourne-like character, who is on the trail of, and also abetting and saving a terrorist; a plot that involves possible use of biological weapons, corrupt agents, deadly gunfire and his mama. In short, it's something of a mess, but lots of gun-play, fistfights, and explosions will keep some folks happy.

I was inclined to leave this film early, but I find movies with Jay Zhou (or Chou as it's spelled here) amusing. Mr. Zhou has all the thespian skills of a turnip. He has his sullen face, his angry face, his sad face....in his last several films he does little talking. His shtick is to stare into the distance one way or another, and he plays this to a tee here. He can't act! Will someone please tell his paymaster! In this film a small portion of the dialog is in English, but I doubt anyone will understand Mr. Zhou's thick accent. Good thing there's subtitles! Suffice it to say, in this story the world will be doomed unless Jay Zhou succeeds.

In many scenes, the cops don't just seem helpless to stop the terrorists, they are helpless. The bad guys are near super-human, incredibly resourceful, and it's child's play for them to either gun down or escape from an army of machine-gun toting police. Several scenes definitely strain credulity; the action is not realistic, but clearly is comic-book fare.

An odd addition to the plot was the attempt to introduce sentimentality regarding one of the terrorists. This is a man who kills people, does kill many on screen, and somehow the director wants to show us his "human" side, (in this case with the introduction of a daughter that is little more than a prop in the movie), to induce pity or sympathy for him. Sorry, this guy is a killer (killers don't make good fathers, so the daughter is better off if he's not around), and he should die! John Woo did better at this sort of thing, because his Killer killed other criminals, but in this movie innocent people die. The director has connections and money, and Jay Zhou, but he has much to learn!

The plot is all over the place and you shouldn't worry about it, because it will pull the fun out of your viewing pleasure (if you can call it that). It doesn't make much sense most of the time too, so just try to get on that ride and enjoy it while it lasts. While I do like Asian action cinema in all its variety (be it from Hong Kong, South Korea or Japan), this one does not have the strength other movies do. It is too simple (though it tries to be complicated) and light for its own good most of the time.

The actors are actually good, but I can't shake the feeling that they weren't comfortable with the script either. But the action scenes do not disappoint, which is why I gave it that rating. Still with a bit of emotional power behind it, it could have been even better.

This is another typical action movie from HK that will be loved by those who watch with their right-sided brain but not those with left-sided brain. Better still if watch without working on the brains.Anyway, you have no time for the brain. Scenes are fast, action start right from the beginning till end, mostly well filmed, fast paced but the whole story, main plots and sub-plots right to the action details are full of multi-layered coincidental happenings or actions and events all in the nick time that the audience will find it unconvincing and unbelievable. If only they have paid more attention to the script instead of the action. Revealing the characters or more of the story will spoil the fun, there are also too many loose ends. One important role's mum actually got lost in the middle of the action. Most of the acting are good except for Jay Chou who look lost throughout the movie but it's OK considering his "problem". The location of KL(Kuala Lumpur) made the movie better; instead of usual HK.

The film's plot revolves an International Security Affairs agent who is betrayed and shot in the head while transporting a valuable asset to another country. After recovery, he realizes he doesn't have much time left so sets out to find his estranged brother and also meets up with a doctor willing to look into treatment for his condition. When his brother attempts to kidnap the doctor, they are forced to work together to stop the criminals from unleashing a disease on the world.

This film has a good cast and a bit likable characters, the plotline tho is subpar, the beginning is promising but the focus of the story totally move from being about a chemical virus to a story about two estranged brothers. It also gets melodrama in some places and features questionable editing decisions that hurt the film's pacing and overall story consistency, as well as the viewer's emotional bond with the characters. However, majority of the film is action-packed, it features all kinds of action sequences, be it, foot chases, gun shootouts, hand-to-hand combats, you name it. While some of them are well-choreographed and intense, the others are so clumsy and unrealistic. Moreover, the shaky camera-work and fast-cutting editing makes them headache-inducing at times.

Overall, Viral factor could've been better, if it spends time developing the characters, then maybe it would have leave an impact on the audience. Nevertheless, it's entertaining, and the performances are good; Jay Chou and Nicholas did well in the lead roles. The visuals and overall production value is spot-on.

A team of military special forces are escorting a scientist and his family in the Middle East when they are ambushed by terrorists, intent on taking the scientist's work on a genetically engineered super-strain of smallpox and using it for their own private financial gain. One of the operatives receives a bullet in the head, but declines to stay in hospital to recuperate, instead heading off to Malaysia to look for his estranged father and the brother he never knew he had. As luck would have it, this course of action brings him back in contact and indeed conflict with the terrorists.

Hong Kong does not typically do hi-tech action thrillers very well, and terrorists seeking super-viruses is certainly a red flag when it comes to a Hong Kong movie. The smarter Hong Kong's scriptwriters try to make their characters sound, the dumber they usually come across, and this is no exception. Additionally, credibility-stretching coincidences are rarely a hallmark of a well-written script. One incredible coincidence which becomes the centre-piece of the story, exploring how the effects of random probability or the hand of fate can transform a person's life, can make for an interesting story and film. When your hi-tech action thriller introduces at least 3 unbelievable coincidences in an attempt to make your story about super-viruses seem more coherent, you should probably realise you've taken the wrong track.

In short, the script for The Viral Factor is a mess... ridiculously, eyeball rollingly so, really. The annoying thing is that it's all quite unnecessary... at its heart there is a story of two estranged brothers that have found themselves on opposite sides of the law, but who have to cooperate to protect their family and see if they can find forgiveness and redemption. The implausible coincidences don't really add anything to that scenario, and the whole terrorists with super-viruses aspect is basically not needed, too. They're plot devices that speak of a weak writer, one who feels that the simple motivations of family, love, guilt and redemption just aren't enough to engage the viewer... when in fact they're the only parts of the script that do.

Somehow, the glaring flaws in the story do not derail The Viral Factor nearly as much as you feel they ought to. The writing is awful, but pretty much everything else about the film is good. Dante Lam's direction is strong, the performances from Jay Chou and Nic Tse are good, visuals and production values are excellent and the action scenes are top calibre. Some individual scenes are well written and executed, and there is generally a lot to like about the film. Generally, the further the whole 'Viral Factor' aspect is pushed into the background, the more engaging and enjoyable the film is - and for much of the running time it is indeed relegated to the background.

If Lam had had the confidence to just excise all the hi-tech espionage type fluff and focus on the emotional core of the story, he could have made a great film here... though admittedly he'd have robbed himself of some excuses for staging some quite remarkable action scenes (though I'm sure he'd have found a way). As it is, I guess he can take some credit for managing to produce a pretty solid film despite the self-imposed handicap of a ridiculous script.