Beetlejuice Beetlejuice
- 2024
- Tous publics
- 1h 45m
After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia's life is turned upside down when her teenage daughter, Astrid,... Read allAfter a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia's life is turned upside down when her teenage daughter, Astrid, accidentally opens the portal to the Afterlife.After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia's life is turned upside down when her teenage daughter, Astrid, accidentally opens the portal to the Afterlife.
- Awards
- 9 wins & 46 nominations total
- Clive
- (voice)
Summary
Featured reviews
What is lacking in this sequel is zanny antics and the mystery of discovery. In the original we had Geena and Alec learning how to be dead and doing all these weird things to get rid of their human house guests. They were fun characters who did things that were both fun and funny even before Beetlejuice was introduced.
In this one, there is literally nothing going on for about an hour... just a group of depressingly boring people yapping on about their mundane lives.
The inquisitive Lydia is now an old broken yawning shadow of her younger self. She is soft spoken, hate her life and falls for some shallow dude that the young Lydia would have found vomit inducing. Her daughter, Astrid, who I suppose is more like young Lydia, isnt nearly as colorful, and is presented as an airhead who falls for something stupid. She is just a plot point to move the Lydia and Beetlejuice story forward.
That brings us to Keaton and Beetlejuice, who is entertaining but just lacks the old magic and energy. It almost felt like he didnt get enough character development time and that entire cake musical felt like a drag. That brings us to the Juice's wife, who was completely and utterly useless. She has no personality and like Astrid, does nothing interesting and exists only to push the plot forward only to have her part end in a thud. She didnt matter at all.
Long story short, this felt like a money grab. I didnt get the sense that anyone loved making this film. They just went through the motions. I might be wrong but thats how it felt to me.
Still its not the worst movie ever made but I wouldnt want to see it again either. Id say its very average.
Overall, I had a very good time, and I think the movie is a decent continuation of the cult classic. Alfred Gough and Miles Millar, who I've been a fan of since watching "Smallville" as a child, bring their unique storytelling style to the world of *Beetlejuice* in a movie that is very different from its predecessor, but in a fresh way that also respects the original.
Tim Burton, of course, brings his unique style, and this certainly feels like a Tim Burton movie in every sense of the word. The visual effects and production design are beautifully crafted, with that classic feeling of Burton films from the '80s and '90s, but enhanced with today's technologies and more extensive options.
The acting in the movie was excellent from all parties involved. Michael Keaton, in the iconic role, looks and behaves exactly the same, as if 36 years haven't passed since filming the first movie. Winona Ryder, who has become a much more experienced actress since the original film, leads the film proudly, and the great Justin Theroux is hilariously funny in his unique way. Jenna Ortega, while delivering a good performance, feels a bit overexposed to me in recent years, with the sense that her presence is unavoidable wherever you look. I would love to see her take on a more challenging role that presents a drastically different performance from what she usually does, to justify the hype. Another standout performance in the film was Willem Dafoe's, in an excellent and unconventional comedic role. Overall, the cast is packed with big names that are always a delight to see on screen.
Another strength of the movie is the musical aspect - something the first movie was very famous for. From a good choice of songs, especially fun "musical numbers," references to classics from the first movie, and in particular, a slightly different spin on Danny Elfman's iconic and wonderful theme music that will thrill any fan of the classic film.
In general, while I watched the first movie just recently, it's impossible to ignore the amount of fan service in this movie for fans of the classic film - and I mean that in the most positive way possible. It's not the modern, tiring fan service seen in quite a few franchise movies lately, but rather something that honors the original and gives fans who have been waiting for a sequel what they wanted, doing so in a logical, enjoyable way that remains true to the spirit of the story and what cinema should be.
While not a masterpiece or anything of that sort, I had a great time watching this film in IMAX, and I would recommend it to everyone - fans of the original and casual viewers alike.
The biggest problem is that unlike the original it lacks any sympathetic characters. Adam & Barbera were established early and were the catalyst for what was to follow. The 2024 version has no such characters meaning that the catalyst is missing along with any reason for the audience to invest in and care for any shallow characterisations, with the possible exception of Bob.
There are no "moments" in the 100 minute long presentation, nothing with the potential to become classic quotable scenes unlike the original which was peppered with them.
Keaton, Ryder and O'Hara are all criminally under used and struggle with a poor script which left my cinema quiet throughout and with an equally quiet shuffle as people headed out the doors.
You may get something from the movie and I genuinely hope you do, but lower your expectations before the lights dim.
Did you know
- TriviaTim Burton has said that this film would only be made if Michael Keaton would return to reprise his role. Keaton said in March of 2014 that this is the only sequel he's interested in doing.
- GoofsLydia's husband is working as a civil servant in the afterlife, which means he must have committed suicide, a rule established in the previous film. However, dialogue in two separate scenes makes it clear that his death was accidental.
The newspaper in the movie states that the authorities in charge often mistake non suicide deaths for suicide, that might be why he is now a civil servant. Also, the audience doesn't know fully how he died and it's possible he went into a situation where death was highly likely aka a suicide mission.
- Quotes
Richard: [he, Lydia and Astrid see Jeremy at the Immigration kiosk] Don't stamp that passport!
[the passport gets stamped]
Jeremy: [sees them, smiles triumphantly] You're too late, man.
Beetlejuice: [revealed as the official] I think it was Dostoevsky who said...
[Jeremy sees that his passport reads Shit Out of Luck underneath his photo]
Beetlejuice: ... Later, fucker!
[without warning, Beetlejuice pulls the lever, Jeremy falls down the trapdoor and screams violently in the burning flames of hell]
Beetlejuice: Ha, ha! Next!
- Crazy creditsSPOILER: There is a dedication in the closing credits to Bob the Skinner, who died in the film.
- ConnectionsFeatured in Late Night with Seth Meyers: Michael Keaton/Connor O'Malley (2024)
- SoundtracksMacArthur Park
Written by Jimmy Webb
Performed by Donna Summer
Courtesy of Island Def Jam Music Group
Under licence from Universal Music Operations Ltd.
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Beetlejuice Beetlejuice 2024 A.D.
- Filming locations
- East Corinth, Vermont, USA(Winter River, CT)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $294,100,435
- Opening weekend US & Canada
- $111,003,345
- Sep 8, 2024
- Gross worldwide
- $451,900,435
- Runtime1 hour 45 minutes
- Color
- Aspect ratio
- 1.85 : 1