The story of Mr. Lincoln and his self-appointed bodyguard, U.S. Marshal Ward Hill Lamon - a banjo-playing Southerner who foiled repeated attempts on the President's life, and kept him functi... Read allThe story of Mr. Lincoln and his self-appointed bodyguard, U.S. Marshal Ward Hill Lamon - a banjo-playing Southerner who foiled repeated attempts on the President's life, and kept him functioning during the darkest hours of the Civil War.The story of Mr. Lincoln and his self-appointed bodyguard, U.S. Marshal Ward Hill Lamon - a banjo-playing Southerner who foiled repeated attempts on the President's life, and kept him functioning during the darkest hours of the Civil War.
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While this film was no doubt overshadowed by the theatrical release of Steven Spielberg's "Lincoln", it's attempts at telling a story are admirable, with a rather modest performance by Tom Amandes as the 16th president, which serves as the true highlight of the film. Lea Coco plays the role of Ward Hill Lamon, Lincoln's self-appointed bodyguard, and merely plays second fiddle to Amandes while brandishing a Southern accent. Perhaps the biggest thing that stands out in the film is its reliance on a green screen for setting and background, which, due to the film's modest budget, is impossible to hide. However, the film succeeds in demonstrating the friendship between Lincoln and Lamon.
I have seen a lot of works on Lincoln, and I think it is a great idea to marry up original Civil War Photos in the background of a true story. That being said, for some reason the script writing on this one is lacking, because while it transfers accurate history, it makes it seem less interesting than it should be. For some reason, I did not get the last full measure I expected from this film.
The acting seems hollow, but part of this is the script. There is also a part of the acting as the actor playing Lincoln, especially late in the film, seems too young for the main role. Their effort seems like a lite walk through serious history instead of the passion the role requires. Some of that passion is from the script lacking passion for the actor to get a grip on as well.
I do like the visuals, and the ways this is done, but the body guard angle struggles with script too. Overall, it does not draw me into the story enough and considering this is one of the most interesting eras of US History, I was surprised by what I expected, compared to what I got out of this one.
The acting seems hollow, but part of this is the script. There is also a part of the acting as the actor playing Lincoln, especially late in the film, seems too young for the main role. Their effort seems like a lite walk through serious history instead of the passion the role requires. Some of that passion is from the script lacking passion for the actor to get a grip on as well.
I do like the visuals, and the ways this is done, but the body guard angle struggles with script too. Overall, it does not draw me into the story enough and considering this is one of the most interesting eras of US History, I was surprised by what I expected, compared to what I got out of this one.
I'm sure there's some peculiar reason for this film film to be lambasted by a particular sort of fellow, but I'm really tired of those fellows. I wish there were a way to click a "hide spittle-flecked rants" toggle.
Alas. Not available.
This beautiful piece of work should be shown in classrooms if only to provide a break from the monotony of formal education and give even the most alienated young American a glimpse into a world not unlike our own-- and parallel to it. Where guys-- just guys like you and me-- found themselves having to act with dreadful nobility during a hateful stretch of misery while, all the while, wearing silly clothing. Pomp and circumstance and stovepipe hats and rivulets of blood and men in stifling wool uniforms blown apart by rifled musketry and women wearing linen tents like trade shows for textile millers...
Damn all war to hell. Hats off for Mr. Lincoln. Amen.
(If you liked this review, you'll like the movie. If not, skip it. There. Surely THAT was HELPFUL.)
Alas. Not available.
This beautiful piece of work should be shown in classrooms if only to provide a break from the monotony of formal education and give even the most alienated young American a glimpse into a world not unlike our own-- and parallel to it. Where guys-- just guys like you and me-- found themselves having to act with dreadful nobility during a hateful stretch of misery while, all the while, wearing silly clothing. Pomp and circumstance and stovepipe hats and rivulets of blood and men in stifling wool uniforms blown apart by rifled musketry and women wearing linen tents like trade shows for textile millers...
Damn all war to hell. Hats off for Mr. Lincoln. Amen.
(If you liked this review, you'll like the movie. If not, skip it. There. Surely THAT was HELPFUL.)
Saving Lincoln is an unique take on that time period,
with authentic photographs of the buildings and people from that era, gave it an unique sense of connection, kinda puts the actors and the viewer back in time,
Tom Amandes take on Lincoln was comical, to the point when watching it, I couldn't imagine this Lincoln being elected President, sometimes he reminded me of the Gov on the Benson sitcom, I had never heard of Ward Hill Lamon before, so there were no expectations of this character, we all know how the story turns out, was just looking for some unknown filler to the pvt life of the President, It's a good one time watch, fast paced and well acted.
I was moved by this film. As someone who has lived in the DC area my entire life, has visited Ford's Theater on numerous occasions, and has been to Gettysburg, Antietam, and other civil war battlefields more times than I can remember, I felt that seeing Tom Amandes' portrayal of Lincoln this evening brought me closer to understanding Lincoln the man than I have ever been. Amandes' Lincoln was not overplayed, but real and genuine. Litvak was bold in creating his Lincoln as a man of faith and emotion, natural charisma and strength. Lincoln's melancholy made him more endearing, not distant. Penelope Ann Miller's Mary Todd was also genuine, a person of real emotion, not the disconnected and distant caricature that she has been portrayed in previous films. Lea Coco was masterful in walking the line between obsessive, monomaniacal protector and best friend of the most indispensable man of his time. No spoiler here, but Coco's finest hour came towards the end of the film in my opinion, when he as Lamon visibly let down his guard for the first time, no longer able to protect his friend. What an amazing piece of art this film is. Seeing the actual images of Civil War soldiers in the hospital behind Lincoln in one scene tapped an emotional well in me as I realized that these were real people, real faces of the men who fought and died for their country, and for this I must say that the Cinecollage method that Litvak has brought to life is a treasure that is capable of connecting us with our history in a way that is unique and of deep value. I applaud the creator and cast for the wonderful film and eagerly await the opportunity to see it again.
Did you know
- TriviaThe film uses historical photos, many from the Library of Congress, as backdrops, with the actors against a green screen. Director Salvador Litvak calls the process 'CineCollage'.
- GoofsLincoln was 6'4" tall, Douglas was 5'4" tall. There is no more than 6" between the actors playing them.
- SoundtracksJimmy Crack Corn/Blue Tail Fly
Original attribution to Daniel Decatur Emmett (as Dan Emmett)
Arranged by Willie Aron
Lea Coco, Banjo
Vocals Performed by Lea Coco and Tom Amandes
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- Lincoln testőre
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- $700,000 (estimated)
- Runtime1 hour 41 minutes
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