Emmanuelle (1974) is legendary. Not in any way because the Just Jaeckin classic is an amazing movie, but because it became widely known for two main things:
1) The boundary pushing eroticism of an adventurous woman seeking sexual emancipation/discovery.
2) Sylvia Kristel, a then 22 year-old, who became an icon of perfect beauty.
Although I have never been a fan of remakes, Emmanualle lends itself well to a reimaging simply because sexual attitudes change over time and the original is now over 50 years old.
Emmanuelle (2024) is actually better than I was expecting. The cinematography is especially beautiful, and the tone rather stylish. Noémie Merlant is elegant, somewhat similar looking to a young Phoebe Waller-Bridge, yet her breasts are just as equally voluptuous as that of Kristel's.
Does the movie push the boundaries of today as the '74 classic once did? No, and although it could have well done this, Emmanuelle conciously refrains from drifting into being a piece of generic sleaze by limiting the nudity/sex to where it feels appropriate. Emmanuelle's journey to sexual enlightenment could have had a clearer narrative however.
The addition of Naomi Watts was a rather delightful piece of casting, but regretfully she does not partake in any sexy shenanigans.
Overall, Emmanuelle '24 is a nice enough update. Yet it won't be a significant title 50 years from now or topple the original's reputation.