Based on footage shot in the early seventies and lost for more than thirty years, NAACP IMAGE AWARD winner Esther Anderson takes us on a journey to Jamaica and into 56 HOPE ROAD, Kingston, t... Read allBased on footage shot in the early seventies and lost for more than thirty years, NAACP IMAGE AWARD winner Esther Anderson takes us on a journey to Jamaica and into 56 HOPE ROAD, Kingston, to see and hear the young BOB MARLEY before he was famous. The film shows us the WAILERS' f... Read allBased on footage shot in the early seventies and lost for more than thirty years, NAACP IMAGE AWARD winner Esther Anderson takes us on a journey to Jamaica and into 56 HOPE ROAD, Kingston, to see and hear the young BOB MARLEY before he was famous. The film shows us the WAILERS' first rehearsal, when the idea of a Jamaican supergroup like the BEATLES or the STONES was ... Read all
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Yes, I have been a huge reggae fan for 30 years, and my favourite records of all time, in all genres, Include Bunny Wailer's Blackheart Man. I have not seen The "big" Kevin McDonald film, "Marley" so I cannot compare.
So how do I review this? This film cannot, And should not, be compared to a film that enjoys an unlimited budget. Perhaps this would have allowed for a "better" product ...or just different. Who can Tell? Esther's determination has given us this film, this slice of history, on a shoestring. It is what it is, and the world is richer for it. Whilst I look forward to seeing the "other " film, I cannot for a moment imagine that it would even come near this on one very important feature: intimacy.
This is what gives "Making Of a Legend" such charm. Perhaps also that makes it less commercial, as I'm sure the "other" film appeals to a broader, less partisan audience, whereas this is IMHO one the Marley lover. As such it is invaluable, fascinating, charming, revealing, atmospheric, and given the story it unveils, thought-provoking. How can you put a price on the positive influence Esther had on wising Bob up for his journey into the wider world? It also makes me reflect on The huge influence Family Man had on giving Bob his musical grounding, production values, and making the songs memorable with his basslines. For all of which he has been sadly unrewarded.
I love the "fly on the wall" nature of the modern interviews. I love E's photography. I love the music. I feel as if I have been privileged to read the pages of a very private, very special, up-close-and-personal INTIMATE diary. Thankyou.
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- Runtime1 hour 30 minutes
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