Wasteland

I got to catch this at TIFF (My first film ever seen at the festival) and loved it. Great story, pacing, soundtrack, cinematography, writing, acting and direction. First-time writer-director Rowan Athale gets it right. My only problem was that he tries to do too much in his debut. What he does is great, but if he had tried to maybe do less in terms of covering the norms of heist and crime films, i.e. the ____ steps of committing a crime successfully. That's it. Timothy Dalton and Luke Treadway have great back and forth dialogue, and just when you think the film is over and you have unanswered questions, your questions are answered and you are given more of the brilliant story, and a great ending that perfectly ties up everything.

I'm not sure if this will appeal to North American audiences, but it looks like it could be a huge hit in the UK. I loved it, and I highly recommend it.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Harvey (Luke Treadaway) is a bright boy with his head screwed on, who has just been released from prison after being framed for drug dealing by the villainous Roper (Neil Maskell), who was none too pleased that Harvey got shacked up with his ex, Nicola (Vanessa Kirby.) But now he finds himself in an interview room with D.I. West (Timothy Spall), relaying the tale of how he and his friends planned to break in to a run down working men's club and steal Roper's ill-gotten gains from a secure safe located in there, only for things not to work out quite how they seemed.

Something gave me the impression on first glance that this little seen, independent crime flick was set south side, expecting a typical smattering of the usual cockney lingo and rhyming slang, only to get a surprise and find it set north of the border, which allowed for no such stereotypes. And so this debut feature length production from director Rowan Athale seeks desperately to break the typical conventions of the genre, a modest budget offering with aspirations above it's station, which despite being a little messy in it's execution and possibly even a little over ambitious, is still impressively intelligent and complex, and could actually stand to a second viewing just to make sense of it all.

Coming from the plot point of two men talking in a room, it's a dialogue driven film, and it's striving for a Tarantino style of execution and delivery, which it manages with a sense of fluency and eloquence. It's intelligent and well written, but not exactly a realistic depiction of how nefarious types of this background and age group would probably speak. At points it all feels a bit heavy and over bearing, and is a little disconcerting as a result. Still, you can't fault it's ambition, and it's carried out with aplomb by lead stars Treadaway, Maskell and veteran Spall.

While it can't help but project a messy, convoluted sort of feel, it's lying in the gutter but aiming for the stars, a low grade thriller with ambition and intelligence to set it that little bit above the rest. ***

As the credits rolled at the end of this movie I felt a sense of surprise more than anything. Surprised that 'The Rise' was a very good film, exceeding my expectations in every way. A hidden gem almost, a film that I had not heard of until I saw it on Netflix. I am a fan of the genre; the British 'indie' scene is one that I usually enjoy.

This movie is marketed as a heist & revenge movie, which is exactly what it is, but it is not your run of the mill heist flick. It is a powerful, gripping & gritty drama with a great solid plot, good characters & superb acting.

It starts very well, throwing you into the story, the lead character is being interviewed by a detective and he begins to tell the story, showing the viewer how he came to be in that situation. The movie does go down a few gears through the middle of the film but then picks up pace and the final 30-40 minutes are fantastic. I won't ruin anything, but the end of the film is very, very enjoyable. The acting is superb; you genuinely feel for the characters and certainly take sides between the good and bad. The 4 main lads are all convincing and portray their own characters well. There is definitely chemistry between the 4 leads and they do have a realistic, relatable relationship.

One negative I have is that I thought the relationship/girlfriend storyline was a little unnecessary but it is something we have come to expect in almost every film nowadays. To give credit though, it was kept to a minimum and acted more as a sub plot rather than taking centre stage throughout.

I'm not going to say much more as I don't want to give anything away. I'm not sure why this film is so hidden, it never took off and never went mainstream. I know there was a delay in releasing it and it also underwent a title change from 'Wastelands' to 'The Rise'. Overall it is a very impressive film from a novice director/writer with good acting from all the young and upcoming British stars.

8/10

This film had been sat in my Netflix queue for ages and I kept putting off watching it and almost didn't watch it. I'm not really sure why, but I just had a feeling that the 4 leads would be unlikeable one dimensional chavs - I'll admit that I was being a bit presumptuous. All I can say is that I'm so glad that I was wrong.

I'll admit that the first 15-20 minutes of the film did play out as I thought; the characters were annoying at first, the dialogue was a bit shaky, but once the plot kicks in the film seems to find a new gear and I found that the more I watched it, the more enjoyment I got from it.

One thing I did like about this film is the depth and complexities of its characters - we have Dodd (Matthew Lewis) who seems very much grounded and fears change (not wanting to venture outside of his own town, never mind leave the country). We have Charlie (Gerard Kearns) who is an out of work welder with an alcoholic mother who I felt was more a victim of circumstance than anything else. Then we have the mastermind behind the 'revenge' plot Harvey (Treadaway) who finds himself in a difficult place when he has to try to balance his desire to get his vengeance against Roper (Neil Maskell) and his need to try and appease his old flame Nicola (Vanessa Kirby). Each character had their own identity and all the characters felt real and believable -they'll argue, they'll laugh and they ultimately show that can also work well as a team. I really felt when watching this that the 4 leads had been friends for a long time and you could also tell that they all really cared for each other (this in spite of some of the petty squabbles that they all had throughout the film).

One other thing I thought about this film was how clever it was; the film starts out as a standard tale of revenge, but part of the group's revenge is to carry out a heist - I won't say anymore than that, but let's just say that this made the film both exciting and fun to watch. This is where the film really comes into its own as there are various twists and turns throughout the film that will keep you guessing right up till the end.

As well as strong characterisation and a good script, The Rise also benefits from strong and believable performances. For me, Maskell gave the best performance as psychotic drug pusher Steven Roper. Maskell has a naturally menacing look and coupled with his solid acting this made him a particularly effective villain. All the other performances were fine, but Maskell was the one that stood out for me.

The Rise is a really good film and I wish that I hadn't left it in my Netflix queue for so long. The characters are believable, the acting was good, the script was excellent and very clever. If you're a fan of revenge films or heist films then you'll like this film. If revenge and heist films are your 2 favourite genres, then you may just have found your perfect film.

If by chance you happen to have read the plot summary prior to this review and also kept up with the latest British crime flicks, then please believe me when I say this. Although at first look, this may look to be yet another in a long line of dodgy Uk crime yarns. This film, "Wasteland" , is in fact, the real deal. Being an American, ever since back in 98' when "Lock Stock and Two Smoking Barrels" exploded onto the scene, I've been catching everything related to the genre and the locale. In that span of time there has been many brilliant films, but unfortunately there has also been a number of cheap knock offs made for the singular purpose of making a quick buck, again not the case here. First time writer/director Rowan Athale has delivered a fresh, smartly written screenplay and directed it in a slick, exciting manner. As the summary suggests, this formula has been delivered in the past in a variety of techniques. Despite this, Athale has taken his vision, skillfully applied it, combined it with a most capable cast, making for one fun and very engaging film experience.

So as "Wasteland" begins, it introduces Harvey (Luke Treadaway), in a bloody and bruised state, sitting in police custody, across the table from D I West (Timothy Spall). The interrogation by West is just in the beginning stages, we here Harvey is just a fews weeks out of prison after serving a year for innocently taking the fall for a local dealer which for all intents and purposes destroyed his life. Much worse, he's now being held on charges of attempted murder of local businessman Steven Roper, the man responsible for the sinister act that put him in prison in the first place. Before we get to hear much more of the story, the film then rewinds back to when Harvey was picked up from prison by his mate Dempsey, (Iwan Rheon). We are shown the brother like bond he shares with his best mates and the deep set loyalty they have for one another. The group comes up with an ingenious plan to set the record straight once and for all. In the meantime Harvey tries to reconnect with his previous girlfriend Nicola, the stunning (Vanessa Kirby) . What unfolds here is a sometimes funny, exciting, suspenseful and truly engaging story.

This is where I normally would criticize any lows the film may have possessed, such as acting that wasn't believable or up to par, production values that felt low and cinematography or editing that could have been better, but after just catching it again for a second time, I just cannot find any inferior qualities that this film possessed. Instead, I will commend other elements that had a positive affect, one being the sound department, while much of the film was relatively quiet, in the instances where it was used, it managed to provoke emotion and produce a feeling of connection to the film and it's characters. Again, much respect due to Rowan Athale, if this was his first you can count me in for any of his future ventures.