Shehar Lakhot

"Shehar Lakhot" is a captivating series set in a marble mining town, revolving around the character of Dev Tomar. After a decade away, Dev returns to his hometown of Lakhot, only to find himself in the midst of a power struggle and rampant corruption. The death of his brother drags him deeper into a web of criminal activities.

Priyanshu Painyuli's portrayal of Dev is noteworthy, bringing a relatable moral compass to the character that makes him easy to root for. The series boasts a strong ensemble cast, including Chandan Roy Sanyal and Manu Rishi Chadha, who bring depth and entertainment to their roles. Kubbra Sait and Shruthy Menon also deliver compelling performances, contributing to the rich tapestry of characters that make the series engaging.

The narrative is skillfully written, blending exhilarating plot developments with stellar scriptwriting, including witty dialogues and humorous elements. The series also features beautiful locations, with the marble architecture of Kairav's residence and hotel standing out.

While the series is praised for its unpredictable narrative and exceptional character work, it does have some drawbacks. The pacing can be slow, and some narrative threads feel overstuffed. Additionally, the representation of homosexuality in the series has been criticized for being weak and used more as a plot device rather than an integral part of character identities.

Overall, "Shehar Lakhot" emerges as a strong and enjoyable thriller, despite some issues with episode length and narrative complexity. Its engaging story and strong character portrayals make it a series worth watching over time.

Shehar Lakhot, set in a fictional town, has intrigue, plot twists and turns, small-town politics and gritty characters that keep you riveted and at the edge of your seat until the conclusion.

What stood out for me were the convincing performances, especially by Priyanshu Painyuli, who plays the unlucky but endearing Dev Tomar, Chandan Roy Sanyal who plays the menacing Kairav Singh, Kubbra Sait as earnest SI Pallavi Raj trying to do her job against all odds and Manu Rishi Chadha as the creepy, corrupt SHO. Manjiri Pupala as the unhinged, trigger- happy villain's sidekick Bhi, was brilliant and fun to watch.

The writing is clever and keeps you engaged. The plot twists are unpredictable and leave you wanting more. I enjoyed watching this show immensely.

Do not let the negative reviews fool you into not watching this masterpiece. For those coming from dysfunctional homes, who have had aspirations and dreams in their childhood, this movie hits home hard.

There not a single flaw that I can find in the plot. The first two episodes may seem a bit of a drag but you end up realising that they were necessary to set tone and introduce characters.

Almost all actors have lived the characters they played, with the male lead and the quirky villain's side-kick Bhi, taking a leaf out of golden chops book.

The entire police, government and business nexus is shown wonderfully. Decadence in society, insecurities of the younger brother, women's dilemmas and the yearn for freedom is portrayed wonderfully in small video bites, where expressions, actings and settings say more than words can portray. The dark ambience of the entire series gives it a 'morose home town' vibe, which is apt for a plot like this.

Do not miss this for the world! It's wonderfully shot and presented, and the story and characters will stay with you for a long time after you've completed the series.

Watching the first episode and it's trying too hard to be quirky but the story isn't going anywhere. Too slow and boring. The first episode has the younger son returning to a small town and going around from place to place doing nothing in particular. One character breaks a guy's hand and 2 scenes later another character, acting over the top, kills an injured dog. The fat cop keeps on pulling his crotch in every scene and bows down on front of the dog killer. What are these scenes? Is this the best that can be done to introduce characters? Why and how such shows are greenlight, I wonder. They think violence, nasty and brooding characters, abuses is creativity. EDGY is the word used in the industry. Unfortunately they are wrong. They are all rejected film scripts turned into bad webseries.

Step into the mesmerizing world of Shehar Lakhot, a groundbreaking series that not only echoes the grandeur of "Game of Thrones" but emerges as India's very own masterpiece. This magnum opus, rich in narrative tapestry and visual splendor, effortlessly earns a flawless 10 out of 10.

From the very first frame, SL weaves an intricate narrative that transcends the ordinary. The plot, akin to a chessboard with characters as strategic pieces, unfolds with a brilliance that keeps you on the edge of your seat. Every episode is a rollercoaster of suspense, betrayal, and unforeseen alliances, reminiscent of the unparalleled intrigue that characterized "Game of Thrones."

The character development is a symphony of emotions and complexities. Each character is a universe in themselves, evolving through the series with arcs that are as unpredictable as they are poignant. The ensemble cast delivers stellar performances, bringing to life a diverse array of characters that linger in your thoughts long after the credits roll.

Visually, to me it is a feast for the eyes. The cinematography is nothing short of breathtaking, with sweeping landscapes and meticulous attention to detail that transports you to the heart of the story. The production quality rivals international standards, setting a new benchmark for Indian television.

In a landscape filled with good series, SL stands tall as a shining beacon of excellence. It not only lives up to the legacy of "Game of Thrones" but establishes itself as a unique and indispensable addition to the world of television. A perfect 10 out of 10, SL is a triumph that will resonate with audiences globally, showcasing the brilliance of Indian storytelling on a grand scale. Prepare to be spellbound, for this is not just a series; it's a cinematic odyssey.

Loved editing and efforts of editor Suvir Nath.