[go: up one dir, main page]

    Release CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie Spotlight
    What's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV News
    What to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily Entertainment GuideIMDb Podcasts
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsAwards CentralFestival CentralAll Events
    Born TodayMost Popular CelebsCelebrity News
    Help CenterContributor ZonePolls
For Industry Professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign In
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro

Retour à Séoul

  • 2022
  • Tous publics
  • 1h 59m
IMDb RATING
6.9/10
9.9K
YOUR RATING
Park Ji-min in Retour à Séoul (2022)
Watch RETURN TO SEOUL | Official Trailer (2022)
Play trailer2:03
3 Videos
99 Photos
Drama

A twenty-five-year-old French woman returns to Korea, the country she was born in before being adopted by a French couple, for the very first time. She decides to track down her biological p... Read allA twenty-five-year-old French woman returns to Korea, the country she was born in before being adopted by a French couple, for the very first time. She decides to track down her biological parents, but her journey takes a surprising turn.A twenty-five-year-old French woman returns to Korea, the country she was born in before being adopted by a French couple, for the very first time. She decides to track down her biological parents, but her journey takes a surprising turn.

  • Director
    • Davy Chou
  • Writers
    • Laure Badufle
    • Davy Chou
    • Violette Garcia
  • Stars
    • Park Ji-min
    • Oh Gwang-Rok
    • Guka Han
  • See production info at IMDbPro
  • IMDb RATING
    6.9/10
    9.9K
    YOUR RATING
    • Director
      • Davy Chou
    • Writers
      • Laure Badufle
      • Davy Chou
      • Violette Garcia
    • Stars
      • Park Ji-min
      • Oh Gwang-Rok
      • Guka Han
    • 66User reviews
    • 104Critic reviews
    • 87Metascore
  • See production info at IMDbPro
    • Awards
      • 10 wins & 25 nominations total

    Videos3

    RETURN TO SEOUL | Official Trailer (2022)
    Trailer 2:03
    RETURN TO SEOUL | Official Trailer (2022)
    Return To Seoul: Dancing
    Clip 2:01
    Return To Seoul: Dancing
    Return To Seoul: Dancing
    Clip 2:01
    Return To Seoul: Dancing
    Return To Seoul: Land Of My Birth
    Clip 1:40
    Return To Seoul: Land Of My Birth

    Photos98

    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    + 93
    View Poster

    Top cast43

    Edit
    Park Ji-min
    Park Ji-min
    • Frédérique Benoît AKA Freddie
    Oh Gwang-Rok
    Oh Gwang-Rok
    • Freddie's Korean Father
    Guka Han
    • Tena
    Kim Sun-young
    Kim Sun-young
    • Korean Aunt
    Yoann Zimmer
    • Maxime
    Louis-Do de Lencquesaing
    Louis-Do de Lencquesaing
    • André
    Heo Jin
    • Grandmother
    • (as Jin Heo)
    Hur Ouk-Sook
    • Grandmother
    Son Seung-Beom
    • Dongwan - the Francophone Friend
    Kim Dong-seok
    • Ji-wan
    Emeline Briffaud
    • Lucie
    Lim Cheol-Hyun
    • Kay-Kay
    Régine Vial
    • Gisèle Benoît
    • (as Régine Vial Goldberg)
    Cho-woo Choi
    • Korean Birth Mother
    Ioana Luculescu
    • Romanian Hotel Receptionist
    Nam-Soo Baik
    • Bus Driver
    Shin Dong-ho
    • Tena's Father
    • (as Dong-ho Shin)
    Gun-woo
    • Hotel Bartender
    • Director
      • Davy Chou
    • Writers
      • Laure Badufle
      • Davy Chou
      • Violette Garcia
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews66

    6.99.8K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    9PedroPires90

    Raw

    What stands out the most about this film is its refusal to take the easy route. While viewers may think they can predict the direction after the first act, they are mistaken. The narrative defies predictability, mirroring the unpredictable nature of wounded souls and those who never feel truly at home.

    The protagonist's actions may seem foolish, but what truly captivates is the striking humanity portrayed with raw realism, making it impossible to abandon the desire and hope for her to find solace within. I was left speechless when I found out that this is Ji-Min Park's debut role. A role that made me shed tears on more than one occasion and that is her merit in making us see so well that everything she is, is the result of her life's circumstances.

    The experiende Oh Gwan-rok, in the role of the biological father, is also outstanding, but this is not just a film of performances. It boasts brilliant scenes, expertly paced storytelling, daring technical choices, and a secure, risk-taking direction, all complemented by a flawless soundtrack.

    PS: The main theme of this and the one of "Decision to Leave" are two haunting melodies that linger in my mind, compelling me to delve deeper into the history of South Korean music.
    7gricey_sandgrounder

    Good enough despite some confusing narrative choices

    As an audience member, films that cover the topic of adoption, there are expected themes of identity involved. But instead we get more of a random style of set-pieces within the conventional moments that represented identity in a unique way.

    For the most part, it worked for the character and the story. But there were some that I just couldn't get on board with and some were even so random they were unforgivable.

    I really liked Park Ji-Min's performance. I enjoyed the attitude that she gave to the leading character and the spontaneous moments that she orchestrated were largely memorable and one of the strongest parts of the film.

    I liked the overall look. It was able to give us some effective imagery in different environments and never feel like different films.

    The pacing was gentle. There were some purposeful lingering shots which worked well for the most part. Also, the camerawork was respectful with its wide shots as it let the pictures do the talking instead of taking over and turning it into something that wasn't intended.

    As mentioned, I wasn't invested with every decision made. Some of the choices in the narrative in the second half made no sense to me. There were others I appreciated, but just wasn't a fan of them.

    Despite that, I thought this was still a good enough drama that was worth my time. It's got a solid leading performance that you're willing to invest in. It also poses some interesting representations on the themes of identity that I've not seen before.

    I cannot forgive some of the random moments in the second half. But nevertheless, there was enough engrossing moments to keep me guessing how this would end.
    8lewianbra

    A shot at an explanation of her behaviour

    I saw this film yesterday and I thought that it's an original and unique film, but somewhat difficult to enjoy. An issue that many people have is that they can't connect to Freddy, the main character, and I get why. Her behaviour is often erratic, and then at times repelling and harsh to others. As she really takes centre stage in this film, it can be hard even for the spectator to put up with her behaviour, even though it is nowhere near outright evil. I thought a bit more about this, and will share my view of it. I won't reveal any detail of the film that you can't find in any generic introduction, so no spoilers, however if you want to watch this and build your own understanding unaffected by my interpretation, you may not want to read on.

    I actually know well a person in a similar situation to Freddy, somebody from outside Europe who was adopted to Europe at the age of half a year. There are clear parallels also in behaviour. Being abandoned is a primal experience for adopted children. In these cases an additional thing is that the environment can clearly see that the parents are not the biological parents, and some may think the child "doesn't belong" in the country to where it was adopted. This will add to their experience of being somewhat odd and maybe not really accepted, even though the adoptive parents themselves may not convey anything of that kind. What I see in Freddy is a very strong tendency to keep up and defend her own independence fiercely, particularly if somebody else gets closer. The biological parents have given her away, so it is hard to handle and accept for her if she meets them again and they want some closer contact. I think there is much fear of being abandoned again involved. She may also have tried extra hard to become a proper French person when growing up, potentially facing some prejudice but also encouragement there, and she may identify South Korea as a place that abandoned her, even though there is also curiosity and a certain feeling of connection that she has difficulties allowing for herself. So she develops this rather ambivalent relationship to South Korea and the people there, sometimes behaving extra strange, sometimes getting closer, then again wanting to run away when indeed somebody gets a bit closer. There may also be an element of trying to prove life wrong, trying to show to herself that ultimately she isn't rejected by South Korea and her biological parents, but with a lot of suspicion and self protection at the same time. So thinking about this a bit longer, ultimately her behaviour makes a lot of sense to me, even in its superficial inconsistency.

    So after a day I think this is actually very well done and convincing, and I'll give it 8 stars, even though I hadn't felt like that yesterday when the film ended. Note, explanations are not normally given in the film. She does what she does but she really isn't communicative about her motives, so we can only speculate. But it makes all sense to me, given also my personal knowledge of such a person.
    7j-m-d-b

    Wants to tell a bigger story

    I could not watch this film without any expectation or prejudice, as I know someone who has a sibling that is an adopted Korean child. However I still tried to keep an open mind, and I think the film is executed well.

    Freddie is the only character that is really fleshed out and I think that's right. There are several other characters, notably Freddie's father, that are treated with respect by the film but they are not given a lot of depth. But since it's not their story that is being told they all have to take a back seat to the little girl that it's all about.

    After watching this I did a little digging and I found that adoption, foreign or not, is culturally, politically and therefore historically laden in South Korea. You have to want to go looking for it as the film does not push the subject too heavily, but it certainly has several scenes referring to this subject from the institutional rather than the personal viewpoint.

    I do think the film has some problems in finding the right tone and there are segments that do not help progress the story. The whole birthday party segment might be nicely shot but does not really add anything.

    All in all it's a good film and it triggered me to learning a bit more about its subject matter.
    7pchs0114

    A Fresh Yet Flawed Exploration of Identity and Belonging

    The film offers a fresh and nuanced perspective on the complexities of identity, home, and emotional upheaval. The central character's multi-year quest to return to her place of birth serves as an intense focal point for exploring the intricate emotions and challenges related to adoption and self-discovery. However, a minor drawback lies in the occasional reliance on clichés, which briefly detract from the otherwise innovative approach.

    The narrative structure stands out for its inventiveness, seamlessly weaving multiple timelines in a way that enriches the emotional landscape. The fragmented narrative is both audacious and purposeful, reflecting the protagonist's evolving inner world.

    Beyond visual appeal, the film's cinematography serves as a narrative tool, adding layers of meaning to characters and themes. The score acts as the emotional backbone, elevating key moments and offering another layer to the viewer's experience.

    In summary, the film emerges as a deeply affecting and intellectually stimulating exploration of identity, adoption, and the pursuit of true belonging. With its compelling storytelling, captivating performances, and visually arresting cinematography, it provides not just entertainment but a profound cinematic experience.

    More like this

    Un beau matin
    6.9
    Un beau matin
    Les feuilles mortes
    7.3
    Les feuilles mortes
    Passages
    6.6
    Passages
    Perfect Days
    7.9
    Perfect Days
    L'innocence
    7.8
    L'innocence
    Le mal n'existe pas
    7.0
    Le mal n'existe pas
    Les bonnes étoiles
    7.1
    Les bonnes étoiles
    Diamond Island
    6.6
    Diamond Island
    Le Sommeil d'or
    7.2
    Le Sommeil d'or
    La salle des profs
    7.4
    La salle des profs
    Le ciel rouge
    7.1
    Le ciel rouge
    La Chimère
    7.3
    La Chimère

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The movie is based on the life of Laure Badufle, a friend of director Davy Chou. Like Freddie, she was born in South Korea, stayed a year there before being adopted in France. At age 23, she came back and lived for two years there before returning to France. A few years after that, Chou accompanied her to South Korea, when they met her biological father and grandmother. According to him, the meeting was full of emotions, of regret and bad communication, with the translator struggling to convey Badufle's anger into polite Korean.
    • Quotes

      Tena: [to Freddie] You are a sad person.

    • Connections
      Featured in Amanda the Jedi Show: This Movie Saved My Life (and the one's that almost ruined it): Best and Worst of 2022 (2023)
    • Soundtracks
      Petals
      Written by Shin Jung-Hyun

      Performed by Lee Junh-Hwa

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    FAQ18

    • How long is Return to Seoul?Powered by Alexa

    Details

    Edit
    • Release date
      • January 25, 2023 (France)
    • Countries of origin
      • France
      • Germany
      • Belgium
      • South Korea
      • Romania
      • Cambodia
      • Qatar
    • Official site
      • MK2 Films (France)
    • Languages
      • English
      • French
      • Korean
    • Also known as
      • Return to Seoul
    • Filming locations
      • Seoul, South Korea
    • Production companies
      • Aurora Films
      • Vandertastic Films
      • Frakas Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • €2,200,000 (estimated)
    • Gross US & Canada
      • $798,774
    • Opening weekend US & Canada
      • $27,315
      • Feb 19, 2023
    • Gross worldwide
      • $2,175,376
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 59 minutes
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

    Related news

    Contribute to this page

    Suggest an edit or add missing content
    Park Ji-min in Retour à Séoul (2022)
    Top Gap
    What is the Canadian French language plot outline for Retour à Séoul (2022)?
    Answer
    • See more gaps
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb app
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb app
    For Android and iOS
    Get the IMDb app
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.