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IMDbPro

All Watched Over by Machines of Loving Grace

  • TV Mini Series
  • 2011
  • 1h
IMDb RATING
8.3/10
2.3K
YOUR RATING
All Watched Over by Machines of Loving Grace (2011)
Documentary

A series of films about how humans have been colonized by the machines we have built. Although we don't realize it, the way we see everything in the world today is through the eyes of the co... Read allA series of films about how humans have been colonized by the machines we have built. Although we don't realize it, the way we see everything in the world today is through the eyes of the computers.A series of films about how humans have been colonized by the machines we have built. Although we don't realize it, the way we see everything in the world today is through the eyes of the computers.

  • Stars
    • Adam Curtis
    • Stewart Brand
    • Al Gore
  • See production info at IMDbPro
  • IMDb RATING
    8.3/10
    2.3K
    YOUR RATING
    • Stars
      • Adam Curtis
      • Stewart Brand
      • Al Gore
    • 11User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Episodes3

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    TopTop-rated1 season2011

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    Top cast31

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    Adam Curtis
    Adam Curtis
    • Self…
    • 2011
    Stewart Brand
    Stewart Brand
    • Self…
    • 2011
    Al Gore
    Al Gore
    • Self - Former Vice-President of the United States
    • 2011
    Joseph Stiglitz
    • Self - Head of the Council of Economic Advisers 1995-1997
    • 2011
    Loren Carpenter
    • Self
    • 2011
    Barbara Branden
    • Self - Member of Ayn Rand's circle, 1950s
    • 2011
    Nathaniel Branden
    • Self - Member of Ayn Rand's circle, 1950s
    • 2011
    Robert Rubin
    Robert Rubin
    • Self - US Secretary of the Treasury 1995-1999
    • 2011
    Alvin Toffler
    Alvin Toffler
    • Self - Digital Futurologist
    • 2011
    Randall Gibson
    • Self - Former Member of Synergia Commune
    • 2011
    Michael Ruse
    • Self - Friend of Bill Hamilton
    • 2011
    Peder Anker
    • Self - Historian of Ecology
    • 2011
    Stephen Roach
    • Self - Chief Economist, Morgan Stanley 1990s
    • 2011
    Jay Forrester
    • Self - Systems Theorist
    • 2011
    Steward Pickett
    • Self - Ecologist
    • 2011
    Sam Bledsoe
    • Self - Grasslands Project
    • 2011
    Molly Hollenbach
    • Self - Former Member of The Family Commune
    • 2011
    Kevin Kelly
    Kevin Kelly
    • Self - Editor - Wired Magazine
    • 2011
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews11

    8.32.2K
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    Featured reviews

    9coyote5

    Excellent, yet...

    An excellent series with important messages (including: an imagined potential for systems to liberate us, ended up controlling us). It's Wikipedia page is informative.

    Curtis brilliantly and laudably identifies grave problems. But humanity was so foolish to end up with those problems, the series left me wanting. Nothing I'll say impacts his sound theses, but it's Curtis' only series that moves me to other than praise.

    A primary theme of Curtis' filmography is the tragicomic consequences of ideologies imposed by elites; I love his films so I expect and embrace foolish targets. And identifying problems brings no responsibility to also solve them, particularly when identification is such an impressive contribution. But the fools gallery Curtis necessarily targets while developing the series' theses are so transparent and sterile that I believe more view through them, to depth and substance beyond, was called for. I'm so astonished that their beliefs attracted attention let alone gained currency, and the richly deserving targets are so much more delusional pushovers than in Curtis' other films, that I wanted more. (And I'm more mystified than before by how information processing enchants the analytically-challenged.) Curtis shows both the Internet and systems models fail to deliver things--that it was foolish for anyone to ever imagine they could.

    (Because I'm not as engaged by this series' topic as I am by Curtis' other best work, on first viewing I made large errors because it's complexity exceeded the attention I paid.) In episode one (e1) I thought Curtis drew a parallel between Ayn Rand and the Internet. On second viewing I found I was wrong. Rand and the Internet share the story in e1. And Curtis draws attention to that, such as when phrasing the belief some held that "computers would liberate us from all the old forms of political control, and we would become Randian heroes in control of our own destiny" (e1@58:17).

    Curtis shows the Internet couldn't do all the things some people believed it would. And he mentioned that the Internet can do some of those things, but he didn't note that those things it can do were the ones antithetical to Rand, which I think he should've given the attention he draws to Rand and the Internet in his story together, both failing fools.

    Curtis notes "the Internet had played a key role…brought millions of people together" (e2@52:05) for revolutions in former Soviet states last decade. As we again saw during 2011's Arab Spring, in contrast to Rand's non-embrace of community, online social media's ability to manifest a collective consciousness can play an encouraging role in enabling a revolutionary wave.

    So while Curtis is correct that machines have not liberated us from traditional political structures, they can galvanize the action necessary to start. Thereafter OF COURSE it's up to us to organize the realization of our vision (since, as Curtis points out, "the machines…offer…no ideas about what comes next" {e2@58:09}). (Incidentally, Curtis' "The Century of the Self" explained that politicians today cede power to the unconscious desires of swing voters, which also deliver no organized or coherent vision forward.) Curtis notes hippie "communes {failed because they} deliberately had no hierarchy of control or authority" (e2@20:33). I lived in a 250-person alternative community of "hippies", and it ran beautifully because like most hippies and non-hippies then and always, we weren't foolish enough to think organization wasn't necessary.

    (OTOH, while hierarchy is often necessary, marriages can work without one spouse having authority over the other. Had communes remained small enough, and bonding been very strong, people's hearts could've done at least some of what was lacked by, and thus doomed, communes. That might suggest a way forward globally; particularly if Carpenter's 1991 "Pong" experiment {e1@9:21} demonstrated collective connection. Changing people could change politics; the Dalai Lama received an uncommon {anti-Randian} education, and he turned out pretty well; humanity should commit to universally high psychological health/development.) Foolish targets abound. E1's computer visionaries were naïve fools, and Ayn Rand's philosophy is the product of a nearly peerless psychological/emotional infant.

    E2 brings more idiotic beliefs, such as that inherently lossy models can faithfully reflect reality, and that disturbed ecosystems "would always try to return to an original balanced state" via a purely imaginary "underlying mechanism" (e2@5:03). It's pathetic that Forrester's systems model for the planet's ecosystem "could not imagine a future where human beings, unlike machines, would behave in ways that they hadn't before" (e2@35:35).

    Regarding the ecosystem model, while Curtis correctly points out it's not true, neither does it have no truth at all. There are interactions between different things in the natural world; they influence each other positively and negatively. The existence of interactions can foster a degree of stability (relative to hypotheticals with minimal interactions), albeit to an essentially dynamic reality (at all scales). The reality of interaction--for example that human actions can cause great harm--makes that part of the ecosystem model of use in understanding, and of motivational use (towards achieving optimally vital results). I think Curtis should've acknowledged these values of the ecosystem model, since they were all anyone who wasn't foolish ever thought it was really right for.

    {Perhaps asserting that interactions can foster some stability needs no justification. But just in case, a simple hypothetical: a habitat containing grazing animals. Too many of which might cause dramatic population decline, for example from increased risk of epidemic or from stripping the habitat; later (after the epidemic ends or the habitat recovers) the grazers' population might soar. But add to this hypothetical a different animal that preys successfully enough upon the grazing animals to lower such risks, and both the habitat and grazing animal population could gain relative stability.} The series is so densely packed that little could've been added without requiring another part, but with another part I think it could've been substantially stronger. I can't fault Curtis, but I also can't say that all that it did prevented me from feeling more was called for.
    5ben-1606

    Great subject and characters but poorly executed

    big ideas. At some point though, I began to feel that the narrator is manipulating information to conform to his conclusions. For instance, he attacks the global financial system and its architects, and portrays them as causing only suffering. But he leaves out the huge increase in global prosperity that has occurred over the last decades. He says that China kept its exchange rate artificially low, and used the trade surplus to lend back to the US instead of helping its own citizens. He leaves out that average Chinese citizen's income is maybe 7 to 10 times what it was 25 years ago. There's a story here and it's not all good or bad. The characters highlighted in the film are interesting and important - but the film misses an opportunity to reveal something more profound about the mysteries of our times - instead I think it leads viewers to simplistic conclusions that can perhaps be as damaging or more than Ayn Rand's philosophies.
    8lance-dal-le

    A narrative about narratives

    Bombarded with images, sounds, and ideas that at times overgeneralizes and in other instances create bizarre connections, Curtis's documentary is deceptive, its true purpose buried in impressive editing and storytelling. This documentary is not actually a documentary, but is a story about how stories take on lives of their own and infect the imaginations of many human beings, especially those whose influence on the world makes the infections all the more dangerous.

    Flitting from idea to idea, Curtis weaves a narrative by linking somewhat disparate topics and attempts to convince us, the viewers, that his story is true. The world has been manipulated by an elite via computer networks. The idea of a balance in nature contributes to our misguided attempts at understanding nature. We become machines ourselves in the subjugation and erroneous divisions of colonized territories. But ah, these are just stories.

    Be careful of stories and ideas, Curtis warns, for they have a habit of dictating reality. In presenting us a somewhat plausible explanation of various events in recent history, he presents a story that may or may not be wholly factual, but satisfies that conspiracy theorist lurking underneath us all. The possibility of us accepting a "story" for "fact" is perhaps the essential point of this documentary. So when viewing All Watched Over, be mindful of that you are watching is simply a narrative about how narratives, if taken too religiously, could have terrible consequences.
    5IonGheorghePetre

    Disappointing documentary

    I am a fan or Mr. Curtis' previous work but this documentary series was a disappointment for me.

    The thing I dislike the most is the biased and simple opinion on computers this documentary tries to promote. Apparently "computers" are powerful things that dehumanize our world, we put our faith in computers and they have failed us, completely ignoring the fact that computers are human made, human programmed and human controlled in every aspects. I expected a much more complex and realistic dissection of the topic.

    This idea is also poorly presented and motivated, for example when briefly talking about the internet, we are presented with the negative opinion of an early internet user, the scene is made in such a way as to suggest that indeed the internet is what that distressed user says. Similar to the cheap techniques a News program would use to influence the public opinion.

    Throughout the documentary I had the feeling that too much emphasis is put on the soundtrack and on the synchronizing of suggestive footage with music rather than actual relevant content and information.

    To summarize, "All Watched Over by Machines of Loving Grace" is tendentious, the idea presented is overly simplified and biased. It gave me the impression it was a bad propaganda movie against computers.
    8keithvgodbolt

    Deserves a fresh look and appreciation as AI is now dominating the discussion space of global competition, conflict and dominance

    I rarely write a review, especially for a documentary, but this struck a revererberant chord especially with the post-2011 world moving through further financial instability, war, extremism and global pandemics.

    It's something of a visual treat with archive footage from the 1950s to 2011 and I feel it's intended as more of an historical discussion piece rather than a predictive warning - but there are warnings aplenty.

    For me, it underlines the conflicting aspects of wanting to challenge the headlong rush to a more technology dependant future, but feeling powerless to be able to influence that when our politicians and governments are allowed to set their own agenda.

    Would be timely to have this perspective on modern history updated, especially as the Western political world seems to teeter on the edge of extremism and nationalism facilitated by the growth of social media and the dreaded Internet. I found it a fascinating synthesis of the people, ideas, technology and ideologies that have brought us to 2024.

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    Storyline

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    • Trivia
      The series was named after Richard Brautigan's poem form 1967.

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    FAQ14

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    Details

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    • Release date
      • May 23, 2011 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • За всем следят машины благодати и любви
    • Production company
      • BBC Productions
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      1 hour
    • Color
      • Color
    • Aspect ratio
      • 16:9 HD

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