Casse-tête chinois

Your partner leaves you after she found new love in a far away land. You want to be close to your children so you relocate and become prepared to take any crappy job and live in any type of shithole in order to get by. Sounds complicated?

In case the above is not an intricate enough, you become a sperm donor to help a same sex couple have a child.

In the midst of all this, an old flame comes into town but how can you think about romance? Then again why not? After all, our character does not lead a complicated life, he just...lives.

Incredibly witty with a mixture of European/American sense of humour, it provides a refreshing angle to life itself and how it keeps going with its ups and downs.

This film tells the story of a French man who moves to New York because his ex partner takes their two children there and remarry an American man.

The premise of the film is very interesting, as I haven't thought about how globalised we are. I've been taking weekend overseas breaks for granted, watching foreign films, listening to foreign songs, keeping on touch with foreign friends with much ease. And the film reminds us that life back then was not as complicated. The comedy aspect is done quite well, especially the immigration inspection scene which is quite funny. However, the film takes a long time to reach that comedy stage, and actually the first half of the film is rather boring. One thing I'm truly impressed by is Audrey Tautou's pronunciation of Mandarin Chinese. It's very clear that she took a lot of effort in learning the words, because she even got the tones of every character right!

This movie really surprised me. Having loved L'AUBERGE ESPAGNOLE and connecting with the characters and then re-connecting with them in fun- filled Russian DOLLS, I was expecting the third film to slowly wind down their stories. After all, the characters are boring grown ups now, with kids and responsibilities, so how much more fun can they be. But to my surprise, this film was just as much fun, was just as full of joy and energy as the first films,

Having lived a life pretty close to the age of these characters, I felt an even deeper connection with these characters in this film. True, their lives have become much more complicated, but their stories have become richer, their worldview bigger and their lives deeper and so much more meaningful. Klapisch uses many of the same devices, many similar situations that made the first films memorable, but because the central characters are now so well fleshed out, we journey with these characters as fellow travelers, not only thru New York City (as we did in Barcelona and St. Petersburg) but thru life.

I hope this is not the end of the series. It would be a wonderful to travel to more places with these characters and wonder where Klapisch will take them (and us) next.

Going to new places, especially when you are a bit older and are more likely to have settled down elsewhere, is difficult. About those difficulties, finding oneself and others (and love and work and ...) ... this is what this movie is about. It's mature in its thinking and might not be the entertainment some seek. But for what it is (and for the actors it has in it), it's really good.

It's not that much happens, but that is life (mostly, unless you are a special agent or whatnot). There is also nudity and god forbid intercourse. But there is also comedy and "betrayal" and situations you might encounter in life. And decisions ... decisions and more decisions! What is there in the end?

"Xavier" (Roman Duris) is maybe not the most reliable of husbands, but I did feel a little sorry for him when wife "Wendy" (Kelly Reilly) decides that she wishes to relocate to the United States, and to take their two children with her. Bluntly, she doesn't really care whether he likes it or not. She's met a new man "John" (Peter Hermann) and is going regardless. Surprisingly for him, this really focusses his priories as he realises that he doesn't want to live without them, so he follows suit. He ends up living in New York's Chinatown where he has to try and sort out a job, accommodation and a lawyer for his impending divorce. What now ensues sees this well meaning but hapless fellow leap from the frying pan to the fire on countless occasions. He even manages to get himself embroiled in a marriage of convenience for a couple of lesbians, is on the wrong visa and a reuniting with "Martine" (Audrey Tautou) is only going to further complicate this already messy scenario. Duris is good with these sorts of roles. The lightly comedic, slightly daft character who is usually always reacting to a shambles of his own making, lurching from one mistake to another whilst genuinely trying to be decent and helpful. There's a fun scene in the sperm donating room - you can just use your imagination for that! Tautou always reminds me of Audrey Helpburn - and here, though she doesn't feature so prominently, she owns her scenes - especially those she delivers in Mandarin. There's also an enjoyable dynamic coming from Sandrine Holt ("Ju") and "Isabelle" (Cécile de France) as they all try to stay one step ahead of the savvy immigration inspector (Peter McRobbie) and the thing builds to a denouement that might also have worked well for Peter Sellers. We could possibly condense the first fifteen minutes a little, but otherwise this is an entertaining middle-age crisis romp that I quite enjoyed.