Punch

What starts out looking like a pretty standard slasher it soon becomes its own thing. Yes there are clear influences from classic horror movies but not just the Hollywood slashers you'd expect.

A very British movies, with some familiar faces from UK TV and horror movies. The cast are all great, especially the 3 newcomers who are the leads. So well shot, seaside towns can be as eerie as hell,the soundtrack adds to the atmosphere. Violent but not too over the top and when it's meant to be it is very funny.

I rarely say this nowadays, but I really hope it becomes a franchise. The ending left me begging for more.

Watched at Dead and SudBuried 2023.

Punch is a low budget British slasher horror set in a down-at-heal seaside town.

It's a nice try, but it wears its influences on its sleeve and suffers from an identity crisis as a result. Is this a social commentary on teenage life and subculture? Is this an 80s-style slasher flick with quips and gags and an amusing killer? Or is it a throwback to the more spiritual horror of the original Wicker Man?

The result is tonally incoherent; one minute deadly serious, the next seeking laughs. Characters act in odd ways with unclear motivations, designed to lead to a particularly obvious conclusion.

A main issue is the serious, family sub-plot that utilises suicide in an attempt to raise emotional stakes, but the jarring tonal shifts undermine this at every opportunity. But do we ever really care about Punch's victims? Not really. Attempting to crowbar in the morality rules of stalk-and-slash into a serious narrative just does not work.

The acting performances are fine for the most part, though the older cast often let the side down. And I'm not so sure the peculiarly British character of Punch will travel well; a horror involving a murderous morris dancer troupe, shin-kicking to the death, or cheese-rolling cult might be just as relatable.

Punch would have been a far better movie had it chosen a lane and then stuck to it.

Trying to move on with her life, a teen returning to a small town with her feuding family and old friends tries to catch up with them about what they've been doing since she's been away, but when the festivities are crashed by a masked killer has to find the reason for the rampage and stop him.

This was a fairly fun slasher that does have a few drawbacks. What works rather well here is the somewhat intriguing setup that provides a great small-town folklore for the resulting shenanigans. The initial story about the childhood interactions with the figure offers a touch of the local lore in the area with how they first encountered the story of the mythical figure offers a fine way to wrap this localized figure around the secondary story about the struggles of the family and meeting up with her old friends still in town. These are fine enough at presenting the traditional returning towns member who's trying to catch up with the comings and goings of her old crew about how much they've changed since she's been away storyline while still keeping just enough of a focus on the killer running around the outskirts of the situation to make the traditional slasher setup worthwhile. There's also a rather fun series of immensely fun encounters where the imposing killer takes to the random friends and townspeople she crosses paths with. The initial encounters here, whether the confrontation with the harbinger under the pier or the stellar confrontation with the drunken bride and bridesmaid out on the town, provide a strong starting point to get to know the brutality of the killer here. As it takes far more increasingly brutal and graphic confrontations later on such as the rampage in a neon-lit nightclub or a series of bashings that take place at a seaside gathering, the action here becomes incredibly fun with plenty of atmospheric stalking, brutal kills, and some enjoyable one-liners to add some comedy to the proceedings. Combined with the frantic finale where the reveal of the killer comes across rather nicely with a fleshed-out backstory alongside some standout chases, there's quite a lot to like here. The film doesn't have much wrong with it but there are some issues. One of the main detriments is the rather British context for what's going on here that can get lost in translation. This is quite important as it includes why the killer dons the specific mask or how it ties into the motivation for everything at the end which is a bit too localized to have much universal appeal or recognition. Those that will get it won't have an issue here, while an equally problematic and more accessible one is the irritating ability to always have the killer attack others in pairs which results in one standing around watching as the killer takes out one of them. It happens several times throughout here and is equally frustrating everytime it occurs here, and alongside the somewhat sluggish first half setting up the plotlines to come that are necessary for everything even in this context are what hold this down slightly.

Rated Unrated/R: Extreme Graphic Language, Graphic Violence, Brief Nudity, and drug use.

No pun intended - actually this has quite a few of those. It is not called punch for nothing .. though I reckon you could bat your life on something else too ... did I spell something wrong? I think not ... another pun might be something you just witnessed.

But enough of my weirdness, let's get into the weirdness of the movie. That plays with its location - a friend of mine was raised in a small town like the one we see here. And I reckon there could be more movies like this one - even from the same director. And maybe some of the cast - as in sequels, prequels and all that (not sure about going to space, which was suggested during the Q&A at the Frightfest screening I attended) ... or Ibiza .. though I imagine it would be fun to shoot there and would be quite the different take (again no pun intended).

The actors were nice - well I think good would be a more apt word/description. There is a darkness here and it is not so much the time of day (night) it was shot. Can you dig what the movies does? And where it ends up? That actually may be the biggest issue with the movie ... or its biggest draw ... depending on how you feel about it .. it won't leave you cold (another pun?) that's for sure ...

The visuals in the movie are actually good, but the rest is so bad it doesn't matter by the end. Killer is hard to understand at times with the electro-voice box, characters don't react as they should to events in front of them, and the kills are all boring except for the one with the redhead on the dock. Ending was puzzling and an attempt at a twist I guess. The twist was it didn't make sense or work at all. End credits say 'Mr. Punch will be back' so the makers seemed pretty confident they made a franchise starter. Um, no. It's nice that the friends of the crew gave the movie 8s out of 10, but watch it and you'll want to have a little talk with them afterwards. In the end, I watched this on Tubi, so free streaming. I still want my money back.