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IMDbPro

God Bless America

  • 2011
  • 12
  • 1h 45m
IMDb RATING
7.1/10
73K
YOUR RATING
Joel Murray and Tara Lynne Barr in God Bless America (2011)
On a mission to rid society of its most repellent citizens, terminally ill Frank makes an unlikely accomplice in 16-year-old Roxy.
Play trailer2:21
2 Videos
99+ Photos
Dark ComedyParodySatireComedyCrimeDrama

On a mission to rid society of its most repellent citizens, terminally ill Frank makes an unlikely accomplice in 16-year-old Roxy.On a mission to rid society of its most repellent citizens, terminally ill Frank makes an unlikely accomplice in 16-year-old Roxy.On a mission to rid society of its most repellent citizens, terminally ill Frank makes an unlikely accomplice in 16-year-old Roxy.

  • Director
    • Bobcat Goldthwait
  • Writer
    • Bobcat Goldthwait
  • Stars
    • Joel Murray
    • Tara Lynne Barr
    • Mackenzie Brooke Smith
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    73K
    YOUR RATING
    • Director
      • Bobcat Goldthwait
    • Writer
      • Bobcat Goldthwait
    • Stars
      • Joel Murray
      • Tara Lynne Barr
      • Mackenzie Brooke Smith
    • 258User reviews
    • 228Critic reviews
    • 56Metascore
  • See production info at IMDbPro
    • Awards
      • 1 win & 5 nominations total

    Videos2

    Greenband Version
    Trailer 2:21
    Greenband Version
    God Bless America
    Trailer 2:17
    God Bless America
    God Bless America
    Trailer 2:17
    God Bless America

    Photos166

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    + 160
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    Top cast99+

    Edit
    Joel Murray
    Joel Murray
    • Frank
    Tara Lynne Barr
    Tara Lynne Barr
    • Roxy
    Mackenzie Brooke Smith
    Mackenzie Brooke Smith
    • Ava
    Melinda Page Hamilton
    Melinda Page Hamilton
    • Alison
    Rich McDonald
    Rich McDonald
    • Brad
    Maddie Hasson
    Maddie Hasson
    • Chloe
    Larry Miller
    Larry Miller
    • Chloe's Dad
    Dorie Barton
    Dorie Barton
    • Chloe's Mom
    Travis Wester
    Travis Wester
    • Ed
    Lauren Benz Phillips
    Lauren Benz Phillips
    • Donna
    • (as Lauren Phillips)
    Guerrin Gardner
    Guerrin Gardner
    • Tampon-Throwing Tuff Gurl
    Kellie Ramdhanie
    • Melissa Tuff Gurl
    • (as Kellie Marie Ramdhanie)
    Aris Alvarado
    Aris Alvarado
    • Steven Clark
    Romeo Brown
    Romeo Brown
    • John Tyler
    Sandra Vergara
    Sandra Vergara
    • American Superstarz Judge
    Jamie Harris
    Jamie Harris
    • American Superstarz Judge
    Alexie Gilmore
    Alexie Gilmore
    • Morning Show Host
    James McAndrew
    James McAndrew
    • Morning Show Host
    • Director
      • Bobcat Goldthwait
    • Writer
      • Bobcat Goldthwait
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews258

    7.173.2K
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    Featured reviews

    9RainbowCastel

    God Bless Arrogance and Stupidity!

    I loved this movie. This is "The One" Feel-Good movie I've been missing since long time.

    Each day and night after work or watching world and local TV news if you start feeling frustration because of stupidity of people, politicians, dictators, and pointless empty TV shows like the ones in this movie, you need something to calm yourself down.

    This is a movie that takes all those rage and poison out of your mind and make you sleep well at night.

    It is as satisfying as playing Doom in God Mode, just to shoot those Evils with that Shotgun or your shiny BFG9000, after those long, long meetings with stupid PowerPoint slide readers!

    It is as satisfying as a long run in Castle Wolfenstein, bringing down those Nazis shouting Achtung, one by one, after a long night working after hours ... again!

    It is as satisfying as scratching and slowly removing that crust off your healing wound. It hurts, tingles and your mind says stop, but you continue playing with it because feels so good!

    This movie is like Daily Show on steroids! Take this movie as a medication to your frustrations and calm down.
    7bluestemz

    "No one has any shame anymore, and we're supposed to celebrate it."

    Bobcat Goldthwait's latest feature as writer & director is a hilarious & articulately written black comedy commentary on contemporary American culture, or lack thereof. Yes, mass media's influence on the devolution of society has been tackled before (Oliver Stone's Natural Born Killers & Euros Lyn's Fifteen Million Merits, for example) and the script has it's issues (which are plausibility/suspension of disbelief related IMO) but the dialogue does have monologues & diatribes that I think really do shine. The acting is FTW, and the whole small budget meets meaningful repartee feel of the piece threw me back to Mark Osbourne's 2000 film "Dropping Out". Most definitely catch it if you can! 8D
    10chw_davidson

    Captures our age of narcissism and stupidity

    I saw this movie's premiere at the Toronto Film Festival. I loved it. Bobcat Goldthwait has given us a hilarious comedy that perfectly satirizes our self-centred, celebrity-obsessed, uncritical age. Throughout the dark comedy Joel Murray delivers a perfect performance as one of the last thinking men, who has grown weary of life and society. In between the action and the comedy, Joel Murray's character delivers scathing indictments of society that had the Toronto audience break out into spontaneous applause. Besides being hilarious, this movie is really an interesting exploration of the insensitivity and thoughtlessness of modern popular culture. This movie is the antidote our "reality show," celebrity-obsessed, know-nothing-and-proud-of-it culture. The film's outlandish violence perfectly captures Horace Walpole's epigram, "This world is a comedy to those that think, a tragedy to those that feel." Unfortunately, as the movie points out, few people are now capable of either thinking or feeling.
    7agrising

    I really wanted to love it

    Instead, I liked it and would gladly watch it again. God Bless America had so much potential. Its first half an hour or so goes as you expect, over the top dark humor with non-stop truth hitting relentless social commentary and then...Roxy walks into the movie. From this point on, unfortunately, without saying much, the movie falls into several paradoxes and loses its focus.

    At its core, GBA is a good social satire with nonstop commentary on the problems with pop culture and society, but on the same coin, the movie tries so hard that it feels like a rant by an angry liberal rather the good satire it initially set out to be. Furthermore, Roxy becomes one of the characters you want dead as the movie goes and her character, along with her and Frank's relationship, appears so idealized and forced, that it just affects the movie for the rest of its running time.

    The good, however, lies in the great shooting scenes, some of the great commentary made by Frank (most of what Roxy says makes you roll your eyes if not question what in the world the movie was going for), the dark humor, the targets for satire, the over the top story, its entertainment, and overall its a solid 9/10 movie but...

    The bad lies in the second act, on Roxy's faulty and forced character, its endless rants between our two main character that makes you want them to kill themselves as the next person on their killing spree, the people targeted (whats wrong with high fives and country music? When did this movie become about taste rather than appropriate satire part?) and so on...it just bit itself in the tail.

    I really wanted to love this movie. I almost did. Instead every time I went to smile and applaud the commentary, something matter of taste or the character discontinuity got in the way...good movie, definitely one everyone should watch, but sadly, for what it could have been and set out to be, very flawed.
    7DonFishies

    A darkly hilarious treatise that could have been so much better

    The moment I read the synopsis for God Bless America, I had to see it. It was one of the first films I signed up for at this year's Toronto International Film Festival, and one I had to wait most of the week to get the opportunity to see. I wanted to adore it, despite hearing mixed things about it. But as I found out, this experience might never have been intended to be adored.

    Frank (Joel Murray) is sick of everything in his life. His neighbours are inconsiderate, his daughter hates him, and he cannot connect with anyone at work because all they want to do is sit around and talk about reality television. After he finds out he has an inoperable brain tumour, Frank sets out to rid the United States of the filth that corrupts it. He finds an early fan and confidant in precocious teenager Roxy (Tara Lynne Barr), and decides to bring her along for the ride with him.

    God Bless America is not so much of a film as it is a treatise on what is wrong with pop culture in the modern United States. Writer/director Bobcat Goldthwait packs the film full of allusions and satires of reality television primarily, but trickles down to political news shows, celebrity gossip, social networking, texting, and more. Despite how cheap it looks, he manages to depict just the right imagery, the right dialogue and the right attitudes to truly sell the ideas the film brings up. And as the film starts to edge closer and closer to real life, Goldthwait starts getting his characters to start dishing out justice in the most ridiculous ways possible. He does and says what a lot of people are scared to, and bravely attempts to dissect and take down an institution that has been thriving for well over a decade. Nothing is sacred or off limits. While the film was clearly intended to shock and disgust with how darkly hilarious it is, it also sets out to teach and not so secretly try to right the wrongs we continue to allow invade our lives.

    But this element of teaching veers into the realm of preaching, and is what holds Goldthwait's film back from being truly enjoyable. While I was initially amused at watching Murray's Frank spout musings about the human condition and what is wrong with society, that amusement quickly faded. By around the halfway mark, it becomes increasingly clear that the film has no real set direction or even a real point of existing. It is an extended rant that would have worked out better as a piece of stand-up. You can easily tell where Goldthwait has veered off track and lost any idea of what points he wanted to make, and he struggles to find his way back more often than he should. The film clocks in at just about 100-minutes, but twenty of those minutes could be chopped out if he stopped circling around and just make his points.

    And what's worse is that outside of an absolutely stunning realization, the thesis if you will, during the bloodsoaked finale, he does not cover any real new ground in what he is getting Frank to talk about. These tropes he is taking down one by one are things people have been complaining almost as long as they have existed. Michael Moore is consistently churning out documentaries about them every few years. Yes, the majority of the population around the United States (and hell, worldwide) are embracing these ideals and not thinking any differently. But God Bless America is too subversive a film to ever conceivably be watched by these kinds of people. Does Goldthwait really think he can shock these people into submission with his vivid speeches and grotesque and borderline terrorist tactics? Does he think he can get them to rethink everything they follow and do in their everyday lives? If not, then why bother making the film?

    Goldthwait claims that God Bless America is not meant to be a political film. But unless he really wants people to just laugh and forget about it moments later, then there is really no other way one can possibly read it.

    While I felt for how agonizing some of the dialogue must have been to deliver, I really enjoyed Murray's performance as Frank. He is a bit player in dozens of TV shows and movies, and it is nice to see him finally get a leading role. He plays Frank as an upstanding and concerned citizen, one who truly believes in the war he is fighting. He has a quiet intensity about him, and seeing him jump between a tongue- in-cheek innocence and a full blown sociopath is truly remarkable. I am glad that Goldthwait took a chance on him, and I can only hope more directors will follow suit in the future. Barr, much like Chloë Moretz in Kick-Ass, is a revelation. She is ridiculously hilarious and downright terrifying all at the same time. From the moment she walks on-screen, she has an aura about her that never dissipates, allowing her to truly make something of her character even with some rather awful dialogue.

    I think in the end, I appreciated God Bless America more than I actually enjoyed it. There are some really funny scenes sprinkled throughout, and just as many deeply thought-provoking moments. But it is a film that gets too full of itself much too often, and loses track of what it wants to be even more so. Goldthwait is a talented filmmaker (even if he shamelessly cribs his action beats and styles from some rather obvious influences), but I think he could have easily improved on the flaws that plague the film. I hope that the distribution deal he received affords him some time to make the necessary cuts. There is a truly great film somewhere in there, just waiting to appear.

    7/10.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      When Frank is buying the AK-47, the dealer describes it as "The very best there is. When you absolutely, positively got to kill every motherfucker in the room, accept no substitutes." This is the same way Samuel L. Jackson's character describes an AK-47 in the beginning of the Quentin Tarantino film Jackie Brown (1997).
    • Goofs
      When Frank steals his neighbor's car and heads to Virginia, he can be seen driving north on Interstate 81 in Syracuse when he should be going south.
    • Quotes

      Frank: Oh, I get, and I am offended. Not because I've got a problem with bitter, predictable, whiny, millionaire disk jockeys complaining about celebrities or how tough their life is, while I live in an apartment with paper-thin walls next to a couple of Neanderthals who, instead of a baby, decided to give birth to some kind of nocturnal civil defense air-raid siren that goes off every fuckin' night like it's Pearl Harbor. I'm not offended that they act like it's my responsibility to protect their rights to pick on the weak like pack animals, or that we're supposed to support their freedom of speech when they don't give a fuck about yours or mine.

      Office Worker: So, you're against free speech now? That's in the Bill of Rights, man.

      Frank: I would defend their freedom of speech if I thought it was in jeopardy. I would defend their freedom of speech to tell uninspired, bigoted, blowjob, gay-bashing, racist and rape jokes all under the guise of being edgy, but that's not the edge. That's what sells. They couldn't possibly pander any harder or be more commercially mainstream, because this is the "Oh no, you didn't say that!" generation, where a shocking comment has more weight than the truth. No one has any shame anymore, and we're supposed to celebrate it. I saw a woman throw a used tampon at another woman last night on network television, a network that bills itself as "Today's Woman's Channel". Kids beat each other blind and post it on Youtube. I mean, do you remember when eating rats and maggots on Survivor was shocking? It all seems so quaint now. I'm sure the girls from "2 Girls 1 Cup" are gonna have their own dating show on VH-1 any day now. I mean, why have a civilization anymore if we no longer are interested in being civilized?

    • Crazy credits
      The character that tries to buy Roxy at the diner is listed as "The Pancake Eating Pedophile".
    • Connections
      Featured in WhatCulture Originals: 9 Awesome Films That Never Got The Cult Following They Deserved (2021)
    • Soundtracks
      Beat the Devil's Tattoo
      Written and performed by Black Rebel Motorcycle Club

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    Details

    Edit
    • Release date
      • October 10, 2012 (France)
    • Country of origin
      • United States
    • Official sites
      • Official Facebook
      • Official site
    • Language
      • English
    • Also known as
      • Chúa Ban Ơn Nước Mỹ
    • Filming locations
      • Syracuse, New York, USA
    • Production companies
      • Darko Entertainment
      • Jerkschool Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $122,550
    • Opening weekend US & Canada
      • $27,308
      • May 13, 2012
    • Gross worldwide
      • $393,880
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 45 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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    Joel Murray and Tara Lynne Barr in God Bless America (2011)
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