IMDb RATING
6.7/10
5.9K
YOUR RATING
Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.
- Awards
- 20 wins & 8 nominations total
Sayed Ahmad
- Rasul
- (as Sayed Ahmad Wasil Mrowat)
Sven Splettstößer
- Uwe Trinkhaus
- (as Sven Splettstösser)
Najebullah Ahmadi
- Jamil
- (as Najebullah 'Najeb' Ahmadi)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The film is not bad and conveys a clear message. It is authentic to a certain extent. Everyone who grew up in Germany knows the neo-Nazi scene, even if it is negligibly small and insignificant. However, the focus in the film is not on National Socialism, but rather on how one distorts one's view of the world through given circumstances and perhaps also wrong decisions in the youth. The plot could just as easily have taken place in the radical left scene or any radical religious scene.
At the end of the film, you'll learn why the main character slipped into the right milieu. Often it is just bad luck, for example when your caregiver and role model comes up with the wrong ideas in your childhood. But sometimes it's just the rebellion against the parents, while meeting the wrong people at the wrong moment, as the younger Svenja portrays. In the end, Marisa finally managed to create her own view of the world. The question remains whether Svenja can do this too.
I'm certain this is going to be Germany's nominee for the Oscars.
The auteur, David Wnendt, seems to have collected a lot of true stories and pieced them together into a fast-paced, very violent, often harrowing and quite unpredictable plot.
Most of you don't know the East German neo-nazi scene. You'll ask yourself if this is really how these people live and talk. Believe me, it is. This movie is so close to reality it often feels like a documentary. I expected to sit in the cinema nitpicking, counting mistakes. I found just one. (A license plate with an "88" in it. The German license plate office doesn't allow that.) All the actors are unknowns and few of them get to shine. All the adults in this story are wooden and almost all the teenagers are idiots. Their main job is to convey total ignorance about the extent of their ignorance. They do that well. Jella Haase is very good.
But Alina Levshin is the one who's superstar material. This is her movie, and it will be remembered as her breakthrough. Two of the movie's most memorable scenes are long uncut closeups of her face, not speaking, and they're some of the best acting I've seen, ever.
Do see it. Just don't expect to sleep easily the night after.
The auteur, David Wnendt, seems to have collected a lot of true stories and pieced them together into a fast-paced, very violent, often harrowing and quite unpredictable plot.
Most of you don't know the East German neo-nazi scene. You'll ask yourself if this is really how these people live and talk. Believe me, it is. This movie is so close to reality it often feels like a documentary. I expected to sit in the cinema nitpicking, counting mistakes. I found just one. (A license plate with an "88" in it. The German license plate office doesn't allow that.) All the actors are unknowns and few of them get to shine. All the adults in this story are wooden and almost all the teenagers are idiots. Their main job is to convey total ignorance about the extent of their ignorance. They do that well. Jella Haase is very good.
But Alina Levshin is the one who's superstar material. This is her movie, and it will be remembered as her breakthrough. Two of the movie's most memorable scenes are long uncut closeups of her face, not speaking, and they're some of the best acting I've seen, ever.
Do see it. Just don't expect to sleep easily the night after.
The topic of right wing extremists in Germany is a very hot one. The movie tries to stay as real as possible with its depiction of the characters it portrays and the world they are living in. It's not an easy watch and it especially isn't easy to play. Main actress does a fabulous job here.
The morality is clear and that is why the movie does not emphasize on certain things. You'll either like this approach or you'll think it's takes the matter too lightly. Whatever the case don't expect your usual mainstream approach. The movie will not resolve everything or not in a satisfying kind of way. The acting alone is worth watching it of course.
The morality is clear and that is why the movie does not emphasize on certain things. You'll either like this approach or you'll think it's takes the matter too lightly. Whatever the case don't expect your usual mainstream approach. The movie will not resolve everything or not in a satisfying kind of way. The acting alone is worth watching it of course.
Kriegerin/Combat Girls is the last film of a kind that has become one of Germany's finest exports. I am thinking of films like "Das Experiment" and "Die Welle" which, directly or indirectly, investigate what lies behind a dictatorship like Nazism and the dangers of falling into one again, which sometimes may seem far away. With this film, this time we are taken very close to the reality of a small (supposedly East) German town where far-right extremists rule the place and intimidate migrants. The point of view is entirely coincident with the main character, Marisa (award-winner Ukrainian-born Alina Levshin), who plays the passionate girlfriend of one of the gang's most violent and dangerous subjects. Her acting is amazing and, as already stated by another reviewer, it brings the film to a totally different level giving it the effectiveness of a documentary. The film is essentially about a girl who seems to know very well what she wants (to the extent that her whole body is covered in tattoos which are also political statements), while in fact some events will force her to reconsider not only her set of values, but also a relationship with a man whose deep love quickly turns into the deepest hate. On the background, there is a side story about Marisa's dying Nazi grandfather. She doesn't want to accept that he had been violent to her own wife before she was born, and that relates directly to the violence she in turn has chosen to surround herself with. A 15 years old seeking to be accepted into the gang is also dragged into this spiral of hate and violence - a consequence of her dominating father - until she understand what that really means. The third girl of the gang is always in the background, she's very passive and hardly talks and shows a melancholy which turns out to be a result of life's injustice. This is in my opinion the best German film since Gegen die Wand/Head On. Both educational and a piece of -literally- screaming art. A must see!
I heard someone say that the movie can be educational? The truth is that I would not watch this movie for educational purposes and not even with children under 18 years of age.
The morality is clear and that is why the movie does not emphasize on certain things. I didn't like this approach at all!, it is too black and white, and too much violence.
It's not just racism, it's the way of treating it, racism with violence, the worst there is. This is a hateful group of young people lost in life, whose brain has been spinned and they have no way out, the only thing that makes sense to them is violence, and on top of that they look for it, violence, and provoke it, it is the only way to feel power for them. But what do they care? They have weapons and explode at the slightest, everyone fears them, and rightly so. It would scare me too, a lot! Even the parents and grandfather scare me!
What I found even more racist and frustrating is treating a young man from Pakistan like a real idiot, for seeking help from the person who hates him and has tried to kill him.
The acting is good and realistic and this is the most positive thing I can add. Even the music seemed terrible to my taste.
The movie will not resolve everything or not in a satisfying kind of way. At the contrary, it lacks a sense of justice in one way or another, big time!
As I say, I still can't believe I've seen the entire movie. If you can stand it this story has the ability to drag you in by the very rough and emotional violent ride.
During the first few minutes I sat with my heart racing wanting to kill them all! Judge for yourself.
The morality is clear and that is why the movie does not emphasize on certain things. I didn't like this approach at all!, it is too black and white, and too much violence.
It's not just racism, it's the way of treating it, racism with violence, the worst there is. This is a hateful group of young people lost in life, whose brain has been spinned and they have no way out, the only thing that makes sense to them is violence, and on top of that they look for it, violence, and provoke it, it is the only way to feel power for them. But what do they care? They have weapons and explode at the slightest, everyone fears them, and rightly so. It would scare me too, a lot! Even the parents and grandfather scare me!
What I found even more racist and frustrating is treating a young man from Pakistan like a real idiot, for seeking help from the person who hates him and has tried to kill him.
The acting is good and realistic and this is the most positive thing I can add. Even the music seemed terrible to my taste.
The movie will not resolve everything or not in a satisfying kind of way. At the contrary, it lacks a sense of justice in one way or another, big time!
As I say, I still can't believe I've seen the entire movie. If you can stand it this story has the ability to drag you in by the very rough and emotional violent ride.
During the first few minutes I sat with my heart racing wanting to kill them all! Judge for yourself.
Did you know
- GoofsThe license plate of Sandro's car reads ABI-AH 88. German authorities would not issue such a plate for obvious reasons.
- ConnectionsFeatures Le péril juif (1940)
- SoundtracksHate-Core
written & composed by Johannes Repka
- How long is Combat Girls?Powered by Alexa
Details
Box office
- Gross worldwide
- $718,808
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content