Maggie

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A contagious virus has spread across America that is causing the infected to slowly mutate in to cannibalistic zombies. Wade Vogel's (Arnold Schwarzenegger) daughter Maggie (Abigail Breslin) would be one such person, a young girl grimly aware of her terrible predicament. As the inevitable closes in, father and daughter bond in a final, all encompassing way, before they're drawn towards a terrifying final outcome.

After his much hyped comeback a few years ago, Schwarzenegger has achieved what can only at best be called the most hit and miss results with his new batch of explosive, '80s flavoured action films. There was still something resembling an audience, but most people's tastes have cleaned up quite a bit. And so, out of nowhere, it seems, he delivers this latest offering, which on paper comes off just like one of his regular shoot 'em up type films, with him versus zombies. But instead, he's taken such a plot line and given it a more mature angle, as a more tender and heartfelt examination of the final days of a father and daughter, that shows a departure from his usual type of fare.

As more emotionally driven as the plot is, it doesn't really have the best sense of structure or direction, and instead seems to be driven more on a moody, lingering sense of atmosphere and tension, with the lighting drained out and brightened up in subsequent shots to affect the mood. Debut feature length director Henry Hobson has shown a certain knack and sense of style behind the camera, but he needs to go back to school a little on his structural narrative abilities, and crafting a film that has somewhere to go in spite of it's heart.

So, we have it, then, Arnie's most bizarre film, ever, a totally unexpected and different effort from him that's appeared out the blue. In spite of it's strangeness, it's better than anything he's done lately, and shows a more mature and emotional side developing after so many years. ***

Veteran star Arnold Schwarzenegger shows some real depth and emotion in this decent horror drama that stresses something not always seen in a zombie feature film: the human element. Arnold plays Wade Vogel, a farmer struggling to cope with a fairly apocalyptic future. Many people are succumbing to what the makers of this film call "Necroambulist Virus"; in other words, zombification. Among them is Wades' teen aged daughter Maggie (Abigail Breslin). He is determined to spend all the quality time with her that he can, while she can still appreciate it.

"The turn" into a zombie is a slow and drawn out process in this narrative, written by John Scott 3 and directed by Henry Hobson. It's painful for the loved ones of the victims to have to watch as the humanity steadily drains away. The story can be seen as a metaphor for any number of diseases, or even just the aging process itself. Ultimately, it's a yarn about learning to let go, which people like Wade find very hard to do. Some of his neighbors will go so far as to run contrary to common sense or the afflicted persons' best interests.

Suffice it to say, this is for people who want to see Arnold take on a different kind of challenge. It is nice, after all this time, to see him take more chances and grow as an actor. This isn't for fans who want to see him do bad ass things, which are few and far between. You don't even see very many zombies, or much gore, for that matter.

Set in the Midwest, but shot in Louisiana, this makes decent use of its locations, has a fine music score by David Wingo, and an appropriately drab picture quality.

Arnold does a creditable job as the star. Breslin does elicit quite a bit of sympathy. Joely Richardson rounds out the trio of Hollywood names as Wades' second wife, who is able to accept things that Wade cannot.

Arnold was also one of the many producers on this thing.

Seven out of 10.

I think one of the reasons this film has a fairly low score is that a lot of people are seeing Arnie/zombies and thinking they are going to be watching a big budget blockbuster with Arnie running around blowing heads off. This, for me, was much better. It was slow moving, thoughtful and Arnie's performance as Wade in it was a revelation to someone who has never been a huge fan. Breslin's depiction of a troubled teen, Maggie, facing her own mortality and horrific end was subtle but effective. A lot of people have been questioning why make it a zombie film and not just any infection but without Maggie's disease making her ultimately dangerous, Wade would not have had to wrestle with his conscience in what he had to do, making the whole film pointless. If you preferred The Road to The Walking Dead then this is the film for you. If you're an Arnie fan expecting the usual fodder then I would suggest skipping this and digging out your Terminator box-set.

2015 TRIBECA FILM FESTIVAL: Zombies have been all the craze for quite sometime with shows like "The Walking Dead" and films like "World War Z" dominating the box office. I've never been such a fan of the genre as something about the undead just hunting on human flesh never seemed appealing. In Henry Hobson's "Maggie," where he recruits Arnold Schwarzenegger and Academy Award nominee Abigail Breslin as a father- daughter pair that spend the final days together before the young Maggie transforms into a zombie is one of the more compelling works on the genre seen yet.

Charismatic and truly very moving at times, it's surprising to see where debut screenwriter John Scott 3 brings this compassionate tale. We're introduced to Maggie as her father Wade, just after finds her after a two-week search. She's brought to their farm home where her step-mother Caroline (played by Joely Richardson) and her two younger siblings reside. As Maggie's transformation is sure to become erratic and certain, the entire family sits on the edge as their beloved daughter deals with not only her changing self, but addressing the surroundings of her friends and a future that is now to never be.

In his most reserved and accessible performances of his career, Arnold Schwarzenegger proves what happens when you work with some of the most talented people in the business for decades. You're surely to pick up some of their ticks and beats. Internalized as any performance seen by an actor, Schwarzenegger digs deep to show the soul of a broken man, helpless against a virus that is taking away his most precious gift. In addition, he fights for his daughter's right to live out her final days from the local authorities who believe she must go to quarantine, where the infected are put to death. It's a shocking display of emotion from the former governor of California in what will surely be a talking piece of many following a viewing.

Oscar-nominee Abigail Breslin truly is a talent. "Zombieland," which many will think of based on themes, kept her at an arm's distance in terms of allowing the environment to reveal itself through her actions. In other zombie films and TV shows, the ongoing theme and narrative is survival. "Maggie" takes it in a different direction. You see the deterioration of not just the person's body, but their hopes and dreams. Breslin displays the broken heart of a girl who sees her former boyfriend get taken away despite pleading with his father to stay just one more day. You see the realization of her new self in the behaviors she acquires along the way. And most importantly, and probably the most heartbreaking, is in the final interactions with her friends and in the truth of a future that will never come. Breslin shines like no other. It's happy to see her stretching her acting capabilities at this point in her career.

The technical traits of "Maggie" are spot on for the most part thanks to director Hobson. In his feature directorial debut, Hobson hones in on the tone of an emotional drama, not a horror film with something extra to offer. I think back to something like M. Night Shymalan's "The Sixth Sense" when the thrill factor was secondary to its story and characters. Hobson captures most of those things. Cinematographer Lukas Ettlin paints the canvas beautifully as we've seen in other efforts like "The Lincoln Lawyer" and TV's "Black Sails."

"Maggie" is a moving drama. Echoing the moods of hard-hitting films but with the charisma of any entertaining blockbuster you would see this summer. It's well worth every dollar of an admission ticket and is one of the more enthralling and captivating films of the spring.

First of all, this is not a horror movie. You might not even call it a zombie movie, even though people transform into zombies, urging the autorities to put people in quarantain which is the final stage before simply killing them. It's also not an action movie. IIt's an effective drama, that serves well as a metaphore for children groing up, transforming, and the inability of adults to transform with them. The biggest surprise is Arnold Schwarzenegger who makes you forget his action roots and is a loving father who choses his daughter above everything else. But It's mostly Breslin who sucks the audience into her slow and inevitable transformation, and the emotions that comes with it.