Paris-Manhattan

Alice (Alice Taglioni) is a bit of an old maid or at least those around her believe that. They are collectively working to bring the right man for a good introduction and are constantly working at facilitating romance. All the while, she has already has found her soul mate in Woody Allen whom she instates her hopes and dreams and Allen shares with her the ins and outs of life and discovering love. There are many funny Allen maxims but one that stands out is that the two most important decisions is life is one's work and sex. Full of twist of turns, you realize in Paris-Manhattan that you have to kiss a lot of frogs before you find a prince or it's OK if you never find 'the one'. Life has a way of working out. This is a cute romantic comedy and fun to watch. Saw this as part of the Atlanta Jewish Film Festival

You will watch the movie, and time will pass.. and the only thing you will remember is her. It's what makes this film fantasy.. no way this woman could ever go years without men constantly being on her trail. There is not a scene of which she is on-screen that you are not drawn to watch only-her... and you really don't care much at all what she is saying.. you are just there captivated.

In Paris, the pharmacist Alice (Alice Taglioni) has been an obsessed Woody Allen fan since she was fifteen and has seen all his movies and talks to him alone in her room. When she meets Pierre (Louis-Do de Lencquesaing) in a night-club, she finds that he loves jazz and she believes he is her prince charming. But when Pierre sees Alice's sister Hélène (Marine Delterme), they immediately fall in love with each other and marry each other.

Years later, Alice is a spinster that administrates the pharmacy that belonged to her father (Michel Aumont) and believes that movies can heal many diseases. However her father insistently tries to find a husband for her. When the alarm technician Victor (Patrick Bruel) meets Alice, she does not see any future relationship with him. But one day, Victor brings Alice to meet Woody Allen in Paris and the director gives an advice to Alice.

"Paris-Manhattan" is a delightful French comedy and certainly cult for any fan of Woody Allen. Like the lead actress, I have watched all the movies of Woody Allen and my favorite is Manhattan (but fortunately I have never had a conversation alone with him like she does). When I started to watch the movie, I believed that it was a Woody Allen's film since even the letters in the presentation were very similar to his movies. But when Woody Allen himself appears on the screen, this was the greatest surprise I had. In the end, I loved this great little movie. My vote is eight.

Title (Brazil): "Paris-Manhattan"

I had no expectations about this film, all I knew was it was French about a woman who had a penchant for Woody Allen. When you have no expectations and you see a really good film, you come out thinking: "That was an excellent film." It was so light, delicate, feminine I guess is one of the right words.

People who find this film boring should definitely stick to Bond films, cops and robbers, anything described as an "Action Flick". Don't ever look at any of the films of any of the directors who feature in books about great films. Skip Almodovar, Bunuel, Godard, Fellini, Bertolucci, Bergman, Eisenstein, probably best not to bother with Woody Allen either, they'll just bore your socks off. Come back to them after you grow up!

Alice is a thirty-something single woman living in Paris who has been obsessed with Woody Allen since she was a teenager. She lives her life through Woody Allen's words of wisdom.

Alice's parents try to find her a suitable partner, which she possibly finds while working at the family pharmacy when a local man, Victor, fits an alarm system. The film ends with Woody Allen making an appearance where he assures Alice that Victor is a great guy who is ideal for her.

Entertaining comedy. Occasionally loses its pace and in places the story could be a little tighter.