In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cecile, a character who symbolizes desire.In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cecile, a character who symbolizes desire.In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cecile, a character who symbolizes desire.
Johan Libéreau
- Manu
- (as Johan Libereau)
- Director
- Writer
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But a very effective movie. I had no idea watching this, that it would have graphic nudity in it. Nor that it would also include actual penetration (oral sex and more). But that is not the reason I was positively surprised by this movie. The performances did it. And the fact, that the woman actually feel real in this one. They have their problems and desires and feel like well thought persons, which unfortunately even in "normal" movies is not always the case.
If you don't have a problem with the sexual and erotic nature of the movie, you will watch a drama that is very well made. Interestingly enough by a man, who obviously wanted to break with some conventions and clichés. But remember, this is more an drama that is erotic/sexual, than erotic with some added drama!
If you don't have a problem with the sexual and erotic nature of the movie, you will watch a drama that is very well made. Interestingly enough by a man, who obviously wanted to break with some conventions and clichés. But remember, this is more an drama that is erotic/sexual, than erotic with some added drama!
Wow, other reviewers see this as pornography. Take another look. It's about connection and disconnection in French society, in which sex and discussions about sex are used as a central vehicle for showing relations between men and women in French society (or at least younger ones). Note that the director never shows anything above the waist of the nude women in the shower chattering away about sex and men. Note that all the characters are missing each other needs and hence at odds and frustrated. Note the scene in the plaza where everyone is self-absorbed. Note that the author starts the movie with a message that he still believes love is possible.
Where the movie fails most is not in its failure to do more than vaguely allude to the background situation - unemployment and a shipyard strike. Why those are even there is never clarified. Rather, it was the director's inability to bring the story to completion without implanting an implausibly happy ending that left me wondering what was the point of it all. If French social relations are pretty much the same as they were 25 years ago, then the director's gotten quite a bit right. Unfortunately, he didn't know where to go with it. That's why, in spite of the good acting (for the most part), I gave it only six stars.
Where the movie fails most is not in its failure to do more than vaguely allude to the background situation - unemployment and a shipyard strike. Why those are even there is never clarified. Rather, it was the director's inability to bring the story to completion without implanting an implausibly happy ending that left me wondering what was the point of it all. If French social relations are pretty much the same as they were 25 years ago, then the director's gotten quite a bit right. Unfortunately, he didn't know where to go with it. That's why, in spite of the good acting (for the most part), I gave it only six stars.
Director Laurent Bouhnik had an interesting idea, but it didn't translate well on screen. I consider almost every aspect of this film a very rough draft.
1. Character development is almost non-existent. 2. The narrative is choppy and many scenes are unnecessary. 3. The plot lacks direction. 4. The acting is okay at best. 5. None of the characters are particularly likable.
Bottom Line: I've read several reviews that praise this film for it's success in it's depiction of eroticism, however, Bouhnik's overly-heavy focus on sex and erotic behavior doesn't leave enough room for the characters or the story to develop properly. I will admit that there are several (individual) scenes that are strong--diamonds in the rough, if you will--but when the film was over, I had taken nothing from it, felt nothing during it, and was generally uninterested in the story and the characters.
1. Character development is almost non-existent. 2. The narrative is choppy and many scenes are unnecessary. 3. The plot lacks direction. 4. The acting is okay at best. 5. None of the characters are particularly likable.
Bottom Line: I've read several reviews that praise this film for it's success in it's depiction of eroticism, however, Bouhnik's overly-heavy focus on sex and erotic behavior doesn't leave enough room for the characters or the story to develop properly. I will admit that there are several (individual) scenes that are strong--diamonds in the rough, if you will--but when the film was over, I had taken nothing from it, felt nothing during it, and was generally uninterested in the story and the characters.
I viewed the Strand Releasing version, which was stated to have toned down the sex scenes. Their version is still a pretty strong R film with plenty of nudity. There are intermittent B&W nude scenes set in a shower where they are frankly discussing men and their desires. The film is about young people in France, during a time of strikes and unemployment, so they are mainly jobless and aimless, at times destructive and obsessed with lust. The men talk primarily about getting "it", and the women want more then a simple coupling, and also seem to understand the power they have over the men when they withhold themselves. The passionate scenes between them seemed to have feelings that simple porn movies never have. I really liked the one scene where the mother was concerned about what her daughter might be doing with her boyfriend, and the father then assures his daughter that he and her mother also played around. There is an error with one of the women, when she says she needs her glasses to see, and then for the rest of the film is not wearing glasses (she was told she looked better without glasses.) Movie with subtitles.
Good movie to watch for especially the love connection the movie is not bad at all it speaks in moving love.
Did you know
- TriviaFor the film, director Laurent Bouhnik did not favor professional actors but instead posted a small ad open to anyone on the internet. In his ad he stated what he was looking for: "For this film on pleasure and desire, we are looking for actors/actresses aged 20 to 40, professionals or amateurs. who agree to shoot scenes with non-simulated sexual acts. We want to offer everyone the opportunity to apply for the main roles. Amateurs, professionals from theater, cinema, fashion, of any genre or illustrious strangers who believe in their talent. But we are not looking for gymnasts or sex addicts, and this is not a porn star academy. This project is a real cinema film and the strength of cinema comes through interpretation. In order to interpret the characters of our story, we are therefore looking for real actors capable of playing on feelings, of making people laugh, crying, of excitement, capable of conveying emotions to spectators."
- GoofsWhen Matt is about to be hit by the car, you can see that car stop. Then a rough cut is made to the car moving with Matt already on the hood.
- Alternate versionsThe 2012 North America DVD release called "Desire" and is released by Strand Releasing, although is not rated, is a censored version replacing most "hardcore" footage with alternate scenes.
- ConnectionsReferences Alice au pays des merveilles (1951)
Details
Box office
- Budget
- €1,500,000 (estimated)
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