Twenty Twelve

Twenty Twelve

This was comedy gold from start to finish. I would of course caveat that by saying that to really understand it you needed to be a Gamesmaker or other employee at the 2012 games.

Either way it was Not entirely unintelligible for those that weren't.

This is perhaps a near perfect mockumentary and as the show progressed the situations really morphed into farce, it was brilliant.

The timing and casting was award winning and this continues with W1A. I think maybe GCHQ would be a good next step lol

They've tried to take the functionality of office(UK) into this. But the storyline is boring. Characters are mediocre, plotl ine is meh. Overall nothing great to watch tbh.

I only watched this for Jessica Hynes, came here from watching Spaced. But this is really disappointing.

The finest comedy show since the 1997 first series of i'm Alan Partridge. Similar to Partridge you can watch this show again and again and see things you missed first time around. Magnificent casting with my vote as the best of the lot going to the NO Nonsense head of contracts Yorkshire bloke Nick Jowett played by the wonderful Vincent Franklin. All the cast play the parts very well very well indeed and there are a few cameos thrown in for good measure.For anyone who hasn't seen it please watch it you will NOT be disappointed. I believer Hugh Bonneville and Jessica Hynes are reprising their roles in the follow up about the BBC. I wonder whether that will work without the rest of the cat of twenty twelve.. We shall see.........

By the same writer as the wonderful "People Like Us," the shows are riproaringly funny and daringly satirical without being the least bit nasty. Recommended for everyone, whether interested in the Olympics or not. The humor is deadpan; you have to listen and look closely. You have simultaneously the experience of being trapped in a very familiar world and the sense that the camera and narrator give you some breathing room from it. The characters are recognizable types and yet individuals; their actions deplorable and yet forgivable. Characters with extremely limited screen time make indelible impressions, and even characters with no screen time at all. Real people are invoked and sometimes appear (e.g., Sebastian Coe); the sets and location shots also give a documentary feel. Two generations of Americans have gotten a enormous kick out of watching a few episodes and look forward to seeing the rest. Everything is done impeccably---in contrast to the fiction!

Anyone tuning into this show hoping it to be a match for W1A, forget it. This has none of the wonderful casting of W1A, missing essential components Hugh Skinner's Will and David Westhead's profane under-the-breath pronouncements that spoke for us, the audience. The rapid fire idiocy around the table is stilted, having none of the hilarity of its successor. But all is not lost. Hugh Bonneville is as expected, wonderful, although his character is much more refined in W1A, here more abrupt and a bit mean. And Olivia Coleman is wonderful as always.