A Dutch prosecutor and detective investigate financial crimes among wealthy elites. As the cases blur work and life, she must trust her instincts to uncover a conspiracy protecting ill-gotte... Read allA Dutch prosecutor and detective investigate financial crimes among wealthy elites. As the cases blur work and life, she must trust her instincts to uncover a conspiracy protecting ill-gotten fortunes at all costs.A Dutch prosecutor and detective investigate financial crimes among wealthy elites. As the cases blur work and life, she must trust her instincts to uncover a conspiracy protecting ill-gotten fortunes at all costs.
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This is a game changer for Dutch TV drama, even cinema. What a well produced, good looking TV drama this is. Unprecedented when it comes to Dutch TV series and/or Dutch cinema.. Never before has there been a Dutch production on par with Hollywood or British productions. Sad but true. There has been some rather good series and films in the past decade or so. But not on this level. Kudos for the location scout: what exciting and relevant locations they found for shooting scenes. And the cinematography and the lightning and the editing. Gorgeous. And all Dutch people behind this all. I guess it is the budget from Disney+ that made it possible to create such an excellent product? More money is a better result? If that is the case, The Netherlands should open up bigger budgets to create this international market worthy drama. Or was Disney+ also involved on other levels? Whatever it is, Dutch drama. From now on, has hit a higher tier....
The acting for the most part is excellent, especially for the main characters. The characters develop. The dad/head prosecutor, the son, the mom/prosecutor, the ambitious assistant prosecutor, the financial crime investigator, all have a story arc. The actual financial crime (apart from the murders) remains somewhat fuzzy, but that's how financial crime by white collar criminals is. Fuzzy and mostly invisible.
And no-one in the establishment is without blame with tax laws offering convenient loopholes easily misused by criminals, laundering money and committing tax fraud at a grand scale. The personal relationships of the people involved muddying the waters. And the tentacles of money reaching into far and unexpected corners.
Loved it.
And no-one in the establishment is without blame with tax laws offering convenient loopholes easily misused by criminals, laundering money and committing tax fraud at a grand scale. The personal relationships of the people involved muddying the waters. And the tentacles of money reaching into far and unexpected corners.
Loved it.
I watched the first episode, and I couldn't bring myself to continue further.
The show suffers from a lack of character development. The focus on the race, sexual orientation, and inclusivity of the main characters feels prioritized over crafting a genuinely thrilling and complex character. This often detracts from what could be a compelling narrative, but unfortunately, this seems to be a recurring theme in modern Disney productions.
The storytelling feels heavy-handed, exemplified by a spouse who leaks information or perhaps a judge whose loyalties are unclear. The whistleblower passing on crucial intelligence to a prosecutor who fails to grasp the importance and lets the whistleblower die while sipping wine at home adds to the feeling of disconnection. This same character is credited as an exceptional DA, yet the portrayal lacks the depth to support that claim. What the audience gets is the image of a housewife dressed up as a DA, which does no justice to the role's complexity. The result is a lack of tension and a plot that struggles to ground itself in reality, offering instead an incoherent blend of scenes that feel superficial and contrived.
The props and technical details further detract from the experience. The documents the character searches through appear random, as does the screen a colleague pretends to analyze. It reminds me of the unrealistic depictions in hacker movies, where poorly researched props become distractions. Accurate details could have provided a sense of believability but were sorely lacking.
A particularly jarring moment was when an entire operation is abruptly called off by a phone call. This breaks any illusion of realism. In actual high-stakes operations, like those led by the FIOT, once they are set in motion, a simple phone call wouldn't halt progress. And for a covert mission, sharing too many details with a large group rather than limiting it to essential personnel only adds to the implausibility. These oversights pulled me out of the story and highlighted how far removed the show is from reality, making it difficult to become immersed.
However, it is worth acknowledging that these shortcomings do not solely reflect the work of the cast or crew. Their performances and technical contributions may still hold merit, but they are let down by writing that leans more on broad strokes than on meticulous world-building. The potential for a gripping story is buried under an array of missteps that overshadow what could have been an engaging narrative.
In the end, it feels like an opportunity wasted-entertainment that doesn't invite you to believe in its world but instead leaves you questioning its authenticity.
The show suffers from a lack of character development. The focus on the race, sexual orientation, and inclusivity of the main characters feels prioritized over crafting a genuinely thrilling and complex character. This often detracts from what could be a compelling narrative, but unfortunately, this seems to be a recurring theme in modern Disney productions.
The storytelling feels heavy-handed, exemplified by a spouse who leaks information or perhaps a judge whose loyalties are unclear. The whistleblower passing on crucial intelligence to a prosecutor who fails to grasp the importance and lets the whistleblower die while sipping wine at home adds to the feeling of disconnection. This same character is credited as an exceptional DA, yet the portrayal lacks the depth to support that claim. What the audience gets is the image of a housewife dressed up as a DA, which does no justice to the role's complexity. The result is a lack of tension and a plot that struggles to ground itself in reality, offering instead an incoherent blend of scenes that feel superficial and contrived.
The props and technical details further detract from the experience. The documents the character searches through appear random, as does the screen a colleague pretends to analyze. It reminds me of the unrealistic depictions in hacker movies, where poorly researched props become distractions. Accurate details could have provided a sense of believability but were sorely lacking.
A particularly jarring moment was when an entire operation is abruptly called off by a phone call. This breaks any illusion of realism. In actual high-stakes operations, like those led by the FIOT, once they are set in motion, a simple phone call wouldn't halt progress. And for a covert mission, sharing too many details with a large group rather than limiting it to essential personnel only adds to the implausibility. These oversights pulled me out of the story and highlighted how far removed the show is from reality, making it difficult to become immersed.
However, it is worth acknowledging that these shortcomings do not solely reflect the work of the cast or crew. Their performances and technical contributions may still hold merit, but they are let down by writing that leans more on broad strokes than on meticulous world-building. The potential for a gripping story is buried under an array of missteps that overshadow what could have been an engaging narrative.
In the end, it feels like an opportunity wasted-entertainment that doesn't invite you to believe in its world but instead leaves you questioning its authenticity.
I was hooked from the first scene. This was absolutely brilliant. The actors (not all) are the best NL has. The storyline was beautifully layered with suspense, development of the characters and plot twists. Really one of the best shows of 2024. How they portray the political game, the current problems with the Dutch tax authorities and powerplays within a office. Once again briljant. The young actors are all very promising and I'm looking forward to see more of them. Also beautiful scenery shots of different European countries. Hopefully season 2 is already in the making. This story would apply for so many other countries.
When you compare this series to the ones produced and only broadcasted in the Netherlands, this is a massive step up, kind of a similar level to Mocromaffia, but higher.
Good known actors (like Lies Visschedijk, known from Gooise Vrouwen and The Soof movies), good new faces, high production values and well filmed and produced. Would not mind seeing more series like this. Guess it is the money and help from Disney.
The topic is very linked to the current state of affairs. Holland is a tax haven and no matter which parties are in the government the tax rulings and facilitating money transfers to tax havens are keep happening.
Good known actors (like Lies Visschedijk, known from Gooise Vrouwen and The Soof movies), good new faces, high production values and well filmed and produced. Would not mind seeing more series like this. Guess it is the money and help from Disney.
The topic is very linked to the current state of affairs. Holland is a tax haven and no matter which parties are in the government the tax rulings and facilitating money transfers to tax havens are keep happening.
Did you know
- TriviaThe public prosecutor's office is not in The Hague. It's the house of Provincial Government in Arnhem, an eastern town in The Netherlands. Several shots of the series in Luxemburg are actually in Limburg (Netherlands), Vaals (castle Bloemendaal).
- GoofsThroughout the whole show, the emblem of Sylvia's car is removed, except in the last episode where you can see it clearly on the steering wheel.
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