Cold Blooded

I was fortunate enough to have seen this film at #MIFF 2012. I had an idea of what to expect but it blew those ideas out of the water. The cast is top notch. Ryan Robbins was believably amoral, Zoie Palmer's performance was quiet and unassuming nevertheless a strong female role model and William MacDonald was positively terrifying. Billed as a modern day cops and robbers, the plot twists and turns, keeping you guessing. The shocking violence often had the audience gasping and then laughing nervously at the screening I went to. The violence was handled shrewdly and moreover believably. I never once felt the violence was there for strictly shock and awe. It was always part of the story and therefore necessary. That said, Cold Blooded resonated with me so much that I found myself thinking of it days later. Always a sign of a great film.

Very dull and boring movie. Very predictable and underwhelming villain. Little to no action and poor script and plot. Pass on this one.

When I filed into a tiny cinema (160 odd seats) at Fantasia Fest, I was pretty sure I knew what I was in for. I'd seen the trailer. It was a crime movie; cops and robbers type stuff. I was expecting criminals and violence. While I got both in spades, I also got a whole lot that I wasn't expecting. Zoie Palmer is wonderfully subtle as Frances Jane, a disillusioned cop who's presented with the darkest kind of ethical dilemma. The real brilliance comes in watching her attempt to navigate it with a morally ambiguous thief (her assignment turned uneasy ally) hanging like a millstone around her neck. Ryan Robbins as Cordero is the very definition of a smooth criminal. The set is stark and void of anything remotely comforting. The size of the cinema fed the feeling of trapped desperation. The violence, though harsh and unforgiving, comes off as purposeful rather than gratuitous. The supporting cast all do great work with their roles, and I'm not ashamed to say I was legitimately terrified by William MacDonald's portrayal of the cold and calculating Louis Holland. So yes, it is about crime. It's also about what happens when the rules that govern your personal code of conduct are quite literally cut away. Director Jason Lapeyre treats Zoie Palmer's character to the most costly personal growth workshop I've ever seen. There are scenes that haunt me still, weeks later. Hopefully distribution isn't far off for this gem. If you're lucky enough to catch it at a festival, don't hesitate. It didn't earn an audience award for nothing. Oh, and bring someone with you, because there's nothing comforting about holding your own hand.

This is an example of a perfect low budget film. Faced with budget limitations talented filmmakers will find a way to embrace and capitalize on their limited means, either utilize the constraints imposed upon them or to work around them in such a way that they are not glaringly thrust into the limelight. In this way great films can be created regardless of the limitations imposed upon the production. Would it be a better film if more resources were available to the same cast and crew? Of course. But as it stands it's far more than good enough.

This is cleverly written with believable, interesting characters. They might surprise us with their actions, but they never behave in uncharacteristic ways - which is especially rewarding as it's easy to see where many high budget Hollywood films would have betrayed their own characters in the interest of "that's how we always do it", or "it's what the audience expects".

By showing clever restraint the film has minimal but effectively staged (and gruesome) violence, which is perfectly in keeping with this gritty thriller. When I say gritty, this movie is tough! It's not called Cold Blooded for nothing and I don't want to say anything about the shocking moments because I don't want to spoil the punch to the gut they deliver!

Intelligent, suspenseful and full of neat twists that feel real as opposed to "written", the performances are all top notch, the direction tight, I honestly can't find a thing wrong with this for a change, and you don't know how much that pleases me. And, for the record, the only reason I am not scoring it a solid 10 is because I am saving that for films that are not only expertly crafted, but have the additional intention and ability to do more for their audience than merely entertain. This isn't an "important" movie, it just is one helluva good one!

5.5 ? Really ? When all that Hollywood crap is getting 7's and 8's ? Very sad indeed. I however never base my viewing on these skewed ratings. I always examine the reviews and try to pick out those, who seem to give intelligent reviews, before watching a film. This piece of cinema was wonderful. An intimate drama with realistic characters and a true female hero, as opposed to the Hollywood glamour model FBI agents. This film has great tension and suspense; one of the best police dramas, which I've seen in quite some time. The plot and setting are minimal, but the characters are great, as is the acting. Wow! I have to write another line, although, I'm sure, that I've seen shorter reviews on here. What gives?