La Clé des champs

I saw this film last night and when it was over, I was rather disappointed. I came to see what others had said about it and noticed it only ran for 98 minutes. It felt more like 3 hours.

Its only redeeming quality is the depiction of the farming profession in post-Communist Germany. One does get a feeling of what it is like for the younger generation in the area, where the adults still have a bit of the old way in their methods and the kids are not quite convinced it is for them. We see some of the beauty of the farm, but also a bit of the decay that was left over from the old days.

I do give the two leads a bit of credit, both for being easy on the eyes and for conveying tons of meaning with their looks and actions. It does not, however, make up for the lack of plot or character development.

If you like dime-a-dozen action movies, you won't like this beautiful and sensitive film. If you are drawn to the cinematic possibilities for sensitive portrayal of character and struggle, you should like it. The acting is superb, superior to anything Hollywood is capable of. I've watched it several times and have always been amazed at what has been accomplished here.

I loved this movie. The first time Jacob and Marko sit in the abandoned car is one of the most beautiful scenes I have ever seen in any movie, and they hardly say a word; it's all in their eyes and in the way they move. Kai Michael Müller (Jacob) is especially appealing, but both guys are excellent. This movie is far more sensual than movies with nudity and sex (Harvest has none of either).

I should give up trying to understand why other people don't like the same things I do. I can't imagine thinking this movie is slow or boring or dull. I watched it all the way through in one sitting because I simply couldn't break myself away from it. So much was happening that I didn't want to miss any of it. I've seen over a thousand movies in the past five years, and I could count on one hand the ones I've watched in one sitting.

There is no violence in it at all, and only the very briefest flash of hostility from a passing stranger. Nearly everything that happens happens within and between the two lead characters; and even when it is difficult (as it is most of the time for Marko) it is always tender, never violent. Maybe that's why it bores people.

I watched this movie with a pretty open mind; I had no idea what it was about initially, except that there was a gay romance and that it was set on a farm (as the title suggests). Luckily, I love farms and find them to be interesting but this film really tested the limits of that love. The lengthy shots of cows walking around, getting their ears tagged, and of machinery being used or set-up definitely added to the authenticity of the film but it did little to advance the plot, or my interest.

Speaking of plot, there is basically none. Instead, what they have given us is some rather pointless dialogue involving random interns and teachers, who often show up, deliver their insignificant line and disappear for the rest of the movie.

The lead actors are rather good and there is some brilliant cinematography found in the film (especially when they are in the barn and the light is pouring in through the wooden walls; and the scene with the water bursting from the sprinkler), but overall it fails to deliver a gripping plot or interesting characters with any depth. If you want to see a great character-driven drama, set on a farm with gay characters and a good plot, check out The Mudge Boy, Ander, or Brokeback Mountain - but Harvest will likely disappoint.

One of the movies not to be missed. This is not your standard movie with a generic plot/storyline. The movie jumps straight into the lives of 2 young farmers. Using the farming industry as their setting, you quickly immerse yourself in their normal lives. Tough work and work friends who belonged to a different social circle.

Some of the best scenes in this film does not need words, they were meant to be felt. Let yourself sit in the shoes of the main characters and you will understand. So subtle yet it reflects our daily lives; the mundaneness, the yearn for a connection, the attraction to the same sex, the fear of societal rejection.

I always watch this film when I feel down, when hope seemed lost and turn it into a smile before I go to bed. Watch it.