Replicas

It definitely stands out in home invasion subgenre. Creepy atmosphere from beginning to the end, unsettling for the viewer.

Lead actors played their characters very well and were convincing in their portrayal of a grieving family. I like the grayish tone present in the entire movie, it is almost black and white. The only thing that I don't find very convincing is how our main characters weren't more careful from the beginning. I mean, those intruders who presented themselves as a family were very awkward from the beginning, I wouldn't let them in in the first place... Overall, very nice movie that is sadly underrated and not very known, but it is definitely worth a watch. Don't expect a lot of blood, the atmosphere is really scary itself and also the constant suspense, you won't be able to take your eyes of the screen.

In Their Skin (formerly "Replicas") is Regimbal's directorial debut, but armed with a strong cast and a solid screenplay, he creates a web of worthwhile scenes that will stick with the viewer. Perhaps misguidedly toying with the horror genre early in the film, he chooses the focus on the drama, the characters and story and let you decide if you are endeared, amused, scared, uneasy, entertained or otherwise.

Regimbal stays with this beautiful ambiguity for most of the feature and gets fine-tuned performances from his story and character-driven cast that allows for the "replicas" to reveal themselves slowly, but surely. The suspense is high and the dark humour as well. A beautiful piece with a slow burn pace. We left the Montreal FantAsia screening and director Q&A with more questions than answers, but with deep satisfaction of exploring a compelling concept with complexity, dexterity and depth.

I hadn't heard of this movie until I was scrolling through an online site, so I thought I'd kill a bit of lockdown time and watch it. Starts with a scene on a bridge, a guy in his underwear struggling to get away from someone. He falls and is killed by an unknown assailant. Cut to the Hughes family travelling to their vacation cottage, clearly struggling after the death of their young daughter. Quick stop at a gas station and the attendant tells them they're early, the usual families aren't due for a couple of weeks but one or two have arrived.

Early next morning Mark Hughes hears a noise and goes outside to find a family outside his house, they explain they are leaving him some firewood. Mark is initially rude to them, but softens and caves in to their suggestion they call back later for a meal.

What then ensues is pretty predictable, the pushy Father, the timid - mentally challenged even - wife and the creepy son, try to find out about the loves of the Hughes. As the evening progresses tempers become frayed and the Hughes ask their guests to leave. Following that we're talking a straight home invasion movie. There is quite a bit of brutality, a pretty gross forced sex scene (because everyone is watching) and a couple of revelations.

It's very predictable, and you kind of wonder why the Hughes would even invite these awful people into their home. The Hughes' son is a drippy, teddy bear clutching nine year old who clearly has issues, whilst rhe son of the other family is quite possibly the oddest, creepiest bad actor ever.

I enjoyed it, probably wouldn't hurry to watch it again but it's a good movie. Selma Blair and James D'Arcy outact everyone else on the screen.

A lot of the press for this seems to be categorizing it as a "home invasion" thriller, and while it certainly fits the profile, I kind of like that I came into it (without having dug my way into the "R" section of the program yet) thinking it was going to be something a little more fantastical. That's fine; it had me looking at the characters for signs of weird behavior which was awarded in spades.

No matter what's actually going on, this is a tense little movie that establishes its atmosphere early - and finds ways to balance gloom and something intrusive while doing so. Director Jeremy Regimbal does a pretty nifty job of playing the two families in the movie as mirror images of each other, showing them tightly wound and then letting loose in the final act without ever letting the tension go slack.

Good stuff.

Funny Games. Cherry Tree Lane. Them. The Strangers. All part of this trend of 'home invasion' films where the 'nice' family is held hostage my nasty intruders in the comfort of their own home.

If you've seen any of those then you've basically seen 'In Their Shoes.' Here we have the 'nice' family who we are supposed to be able to relate to, being tortured in their holiday home by the 'nasty' family.

Even if you know nothing about this film, you'll guess what's coming. For most of us our 'Spidey senses' would be tingling when a family of over-friendly simpletons come delivering wood in the small hours of the night. However, the nice family are too nice for their own good and invite them in for tea. Big mistake.

The first half of the film is basically 'character building.' We - the audience - can see the other family are basically nut-jobs and know what's coming. You can pretty much skip the first 50 minutes before the violence starts. Then, when it comes, it's all what you'll expect from a home invasion film.

If you've never seen one of these types of movies before, then you might find it pretty intimidating and scary. However, I've seen all the movies I've mentioned, therefore I've basically seen this one. The whole 'home invasion' genre is currently a bit stagnant. No film-maker seems to be able to introduce anything new to it, therefore this is just more of the same.

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