D'une vie à l'autre

In Norway, Katrine Evensen Myrdal (Juliane Köhler) is a middle-aged woman happily married with Navy Commander Bjarte Myrdal (Sven Nordin). Katrine loves her daughter Anne (Julia Bache-Wiig) that is a single mother; her granddaughter Turid; and her mother Ase Evensen (Liv Ullmann) that helps Anne to raise Turid. Katrine's father was a German occupation soldier during the World War II and Katrine was taken by the German government and raised in the Sachsen Orphanage in East Germany. At the age of 20, Katrine escapes from East Germany and comes to Norway to meet her mother.

In November 1990, after the fall of the Berlin Wall, the German lawyer Sven Solbach (Ken Duken) seeks Katrine and her mother out to give the testimony in a trial against the Norwegian state on behalf of the war children. Katrine refuses to testify, but Ase accepts and turns the life of her daughter upside-down when Sven discloses hidden dark secrets from her life.

"Zwei Leben" is a spectacular German-Norwegian film with a credible story of espionage, drama, love and thriller based on true events unknown for great part of the world. The screenplay is very well written, disclosing the truth about the mysterious Katrine through flashbacks like a puzzle. The performances are top-notch, highlighting the fantastic German actress Juliane Köhler from "Aimée & Jaguar", "Nowhere in Africa" and "Downfall" among other great movies. It is different to see Liv Ullmann an old lady after so many movies by Ingmar Bergman. In the end, "Zwei Lebe" is a highly recommended movie with an engaging sad story. My vote is nine.

Title (Brazil): "Duas Vidas" ("Two Lives")

"Two Lives" is one of the best movies I've seen in a long time. I watched it on Netflix. It's a German movie that takes place in Norway shortly after reunification of Germany. Part of the story is about a woman, played by Liv Ullman, who fell in love with a German soldier during the war and they had a daughter. After the war, such women were shunned and the children sent to orphanages in Germany. To say more would give away too much. It's a masterfully written screenplay about fictional people, but such events did happen. One small part I could have skipped, otherwise an excellent portrayal of a sobering story. It's the kind of movie where you watch all the credits roll by at the end because you can't turn it off.

I expected a 'small' film, very Scandinavian and moody about not much of anything. Instead, one of the most intriguing and suspenseful espionage stories ever AND based on a true case! Beautifully scripted, crisply directed and Liv Ullmann deftly underplaying her role steals every scene she is in! The spycraft is top-rate and believable and the human elements, above all, make this endlessly fascinating. I am not easy to please when it comes to Cold War thrillers.

The central character is endlessly fascinating to think about. The way she lives a lie and yet really and truly loves and has a family. Seldom does a movie keep me thinking long afterwards as this did.

A tight, clever and well done drama based on similar true events, as much a a psychological thriller which is not difficult to recommend. Straight away I got the same feeling as when I saw the German Oscar winning film Das leben der Anderen (The life of others) back in 2006. And this Norwegian/German story has similar elements in some ways, though not to be exaggerated, with consequences going back to when the Berlin wall fell, in this great casted movie which has managed to make Liv Ullmann making a comeback.

In a thriller-like manner we follow a woman in 1990 hiding her identity before going into a children's home archives in Germany in search of a secret. Then we jump to Norway, two weeks earlier to find out why this search has started, then understanding the woman is a German with a family living in Norway. We watch her being confronted with old memories, when a lawyer with German accent approaches her at work, wanting her to participate in a lawsuit regarding the so called Lebensborn-kids deported to Germany due to them having a German father during the second world war. The trouble is that she has a secret history in her life, which now is threatening to surface...

Lebensborn is a dark page in the past war history. During the second world war many German soldiers had relationships to Norwegian women. The women was called German-whores due to the hard feeling between the two countries in war. Due to Nazi ideology the children of these relationships was seen upon as extremely valuable, as pure aryan raced kids. Lebensborn was forced adoptions of these small "children of shame" during and after the occupation, bringing them to Germany as orphans, losing their parents. This story is based in these tragic destinies.

The film keeps interest way through, and is well acted and directed. A strong story making lives difficult several decades later.

Sadly the plot falls apart. The more you understand what has happened, the less plausible it is.

The seaside, buildings, mountains, etc. make for gorgeous background.

The characters are portrayed with depth and sympathy. Each deals appropriately with the stresses that they are under, and you can understand their actions.

The plot moves a long at a good pace, with flashbacks becoming clearer as the movie progresses.

But sadly when all is revealed, the plot has more holes than Romeo and Juliet. Coincidences, unlucky timing, unrealistic actions by professionals, ... it has them all.