Between the Canals

Fantastic micro-budget Irish crime drama. Shockingly low IMDb rating, especially in contrast to its positive reviews. I guess the film-going public are STUPID (or don't understand the thick Irish accents, in all likelihood). 'Mean Streets' comparisons are apt in its depiction of working-class best friends tied up in petty crime, and the conflict of interest that begins to develop between them. It takes a turn for the weird with the introduction of a bisexual Nigerian drug dealer with a sword.

However, its financial limitations show in the film's length of an hour and twelve minutes, credits included, as is a musical montage of pictures of Irish people. However, it's brilliant what Mark O'Connor did with so little. Review by Jack from Letterboxed

One of the funniest pieces of television ever produced was the episode of I'M ALAN PARTRIDGE where the title character is networking with a couple of Irish TV producers and Patridge is convinced they're members of the IRA because that's what Ireland is famous for along with every stereotype of the Emerald Isle . Watching BETWEEN THE CANALS one gets the impression it was directed by Alan Partridge

Should I be honest or should I be politically correct ? Well I am the sort of guy who says things like "I didn't recognise you with your clothes on" to a female colleague at work only to find her boyfriend is sitting just outside of earshot in her car so I'll just revert to type You see this is very small budget film making and is no doubt a labour of love and I don't want to hurt anyones feelings so if you worked on this film and don't like honesty then stop reading at this point please

From the opening titles every cliché is dug up quicker than an Irish potato field . Michael Collins , black and tans , slums etc etc appear in a photo montage and that gives a hint we're going to be watching the oxymoron of "stereotypical realism" . Stereotypical in that all Dubliners are likable rascals who enjoy a drink interspersed with the occasional gangland murder and realism in that the acting style is mainly down to adlibbing by people who couldn't act their way out of a wet paper bag . This technique never really works and is a distraction . Somewhat fortunate then that there's little in the way of substance to distract this audience member from what's happening on screen . The story is very weak and with the exception of the F and C words I couldn't make out a word that was being spoken

Apologies if I've hurt any feelings with my brutal honesty but if it's any consolation I look forward to a sequel which will no doubt be called MONKEY TENNIS

This is Barry Keoghan's first film and Peter Coogans early days. Hes the staple of the film. Bad acting overall, but lots of the cast were not actors and inner city locals. So I assume director was going for realism.

Its basically a day in the life of several Dublin north inner city scumbags. Messy story but most of the dialogue is genuine of the characters.

I watched this film before reading any reviews, and was immediately suspicious after the first set piece of Jonny and the dustbin.

The main character made an enviable mirror image and obviously studied the Jonny from Meanstreets Character in detail.

The film I think would have reaped benefits from a more subtle influence rather than a direct ape.

The main Character in particular compels empathy, and the bleak environment will seem all too familiar to UK Towns and Cities not just Irish.

The dialect is difficult to comprehend at times, but is authentic and worth the effort to understand.

All the same, I found the film compelling and enjoyed the characters.

The characters were established early in the film and the acting, I thought, was superb, a few of the young children were clearly aware of the camera, but the acting was a million miles from wooden. Some of the devices and sub plots from TV shows like The Wire are kind of inevitable when the movie is dealing with a similar sub-culture. Although I am an English speaker who is fairly used to Irish accents, I found, not the accent, but the vocabulary and expressions of the protagonists quite hard to follow.

The story was well written and although it had a limited narrative,it was, almost like a documentary, able to describe the community quickly and the main players were put into context simply by showing authority and deference,a nice touch. There is an inevitability about this type of tale and most of tension comes from waiting to see how and who is responsible for the denouement. I will have to watch it a few more times to follow the dialogue but as I love Irish films, for me, it will be an investment worth making.