Coyote

Coyote is a contemporary sci-fi story that deals with themes of class power conflicts, immigration at great danger for a better life, and the backward steps our world appears to be taking when it comes to LGBTQ rights. It is an important and profound commentary wrapped in an exciting and gripping drama.

The film's visuals are rich and evocative, from a gritty Eastern European slum to a lavish English countryside manor, to some mysterious seaside location. The acting, lead by Therica Wilson-Reed of Netflix's The Witcher series, is excellent, and the editing is tight and moves the film along at high pace. Together, all these strengths pulled me in and kept me almost literally on the edge of my seat till the surprising conclusion. (I'm pretty sure I was gripping the couch at times!)

Finally, the main characters are compelling, and I cared about them right away and rooted for them to find a way through a dark and treacherous (though lavish at times) landscape. I'm trying to write a review that doesn't have spoilers, so I'll say this: Watch Coyote, and If you're on the fence about it, just view the trailer and you'll see what I mean!

Thoroughly enjoyed this movie. It provides commentary on issues which are sadly becoming more relevant all of the time and the plight faced by a great number of real people. By using teleportation as the basis for the plot the film does feel somewhat like an extended Black Mirror episode, albeit perhaps one with less humour than we'd expect from Charlie Brooker. The acting is good and the relatively small number of locations are used to good effect with some gorgeous visuals. The soundtrack fitted well and the sparingly used visual effects did not distract from the action. Please do see this, it's a sombre look at a world we could easily become.

Drawing inspiration from contemporary news, the film ingeniously weaves a dystopian lens into its central storyline. It masterfully uses science fiction as a vehicle to shed light on the challenges and consequences of our present reality. This genre twist elevates the film beyond mere entertainment, provoking thoughtful contemplation on the world we inhabit and the paths we may be heading towards.

The film left me profoundly moved and reflective. It is a rare find a film that manages to provoke both intellectual and emotional responses. If you're seeking a film that dares to explore the depths of the human condition while providing a compelling narrative, this is a must-watch. Don't miss out on the opportunity to witness the birth of an amazing filmmaker.

Do not let the low average rating deter you. The film is the victim of bot attacks online, as most of the negative reviews, at this point, come from countries where the film isn't even available yet. These days, any film that deals sympathetically with the LGBTQ+ community, in any way, is likely to become a target of this nonsense. The best way to fight this kind of stuff, is to SEE THE FILM!

And, if you do, you will not be disappointed. This is a great little sci-fi film that shows what we all learned in the 1950s: you can make a great sci-fi film without BILLIONS of bucks! Yes, it's obvious that there wasn't that much money here. But, the concept and the execution are what carries this off. I kept thinking, over and over, "Cronenberg. Cronenberg. Cronenberg". Not that there's a lot of body horror, there's not. But the icy-cold delivery, and the off-kilter concept behind it all, definitely owe something to The Master.

Just go watch it. The acting is spot-on, the direction is perfect, the script is based on a concept that is unique and intriguing. If you're a sci-fi fan, I can't see how you wouldn't enjoy this.

Watched as part of the Romford Film Festival.

Great example of a smaller film playing to its strengths. After a compelling opening sequence, the story is largely contained to a single location. But it's a great one at that. The grand scale of the house compliments the underlying story themes of class and status well.

As with all good sci-fi, the central story feels lifted from todays news, albeit with a dystopian lens that gives it a genre twist.

Therica Wilson-Reed does a good job of holding focus in an ensemble of female leading roles, balancing strength and vulnerability.

An intriguing script that works around the classic investigation, 'all is not what it seems,' plot thread kept me second guessing exactly where it was going.

All in all I think this is a really thought provoking debut effort from Dustin Curtis Murphy and I'd be interested to see what comes next.