Sound of My Voice

I read the synopsis for this movie and thought it sounded very interesting. My conclusion: Just read the plot line like a miniature novel and you can appreciate the story much more. I didn't much care for the movie in comparison. I felt it could've been done much better.

I agree with the other reviewer calling the ending a cop-out. There was just so much missing with the movie. It also would've been much better with character actors that had more charisma, particularly with Maggie who is supposed to be incredibly charismatic but just comes off incredibly weird (I'm sure it's sort of the point, but couldn't she have been at least a little charming since it calls it?).

I could spend 3hrs writing a review on how many holes there are in this movie. The acting is sub-par and the plot is beyond terrible. Do yourself a favour and shove a fork in your eyes before "viewing" this movie it may actually improve it. The bland, jittery visual "realism" can't counteract overheated performances of tin-eared dialogue, which strain for pulp but often land at soap.Holds your attention for a while, but fails to build much suspense as it races toward a predictable climax. It probably would have worked better as a series of Webisodes, which reportedly was the original plan.In the end, the film doesn't add up to much of anything, but its individual parts are sometimes greater than its whole.

I saw this film at SXSW where it was playing following the film's premiere at Sundance. The film is about 2 documentary filmmakers who are determined to expose a cultleader, played by Brit Marling, as a fraud. The more time they spend with the cult, however, the more the filmmaker's relationship to each other is tested -- one continues to dismiss the cult as a hoax while the other considers the possibility, ever so slight, that the central claim of the cult leader may be true. Unlike many low-budget Indie films, the pacing was superb -- there was never a dull moment that made the film feel slow. This is partly due to the film's well-crafted suspense - we, as an audience, are constantly asking ourselves the same question that the protagonists ask: could the cult leader possibly be telling the truth? This film leaves you guessing until the end and when the answer is finally revealed, you are left with a desire for more. The only weakness is a few confusing scenes - (e.g., an FBI investigator debugs her hotel room without explanation. A young girl behaves strangely in class and its never revealed why.) According to interviews, director Zal Batmanglij is working on a trilogy that will continue the story -- very exciting news. Perhaps most satisfying about this film is that it shows that you can make a compelling story come to life on a shoe-string budget. I think this film would play well to mainstream audiences and it deserves a wider release.

This movie was okay. It's not fun or entertaining, but it's interesting and pretty well acted. It really should have been a 45-minute pilot for a series, not a movie twice that long.

The interesting idea could have been explained in a few minutes, so spending so long setting it up seemed overindulgent and a little boring.

It might be worth watching if you like slower movies that focus on acting and ideas, rather than entertainment or events.

I saw this at the 2012 Palm Springs International Film Festival. An LA journalist and his girlfriend Peter (Christopher Denham) as Peter and Nicole Vicius as Lorna go underground to investigate a cult led by a woman who claims she's from the future. Brit Marling stars as Maggie, the mysterious cult leader with Richard Wharton as Klaus, her dedicated right hand man who brings the members and potential members of the the small group of followers to Maggie's home where she conducts meetings in her basement. Zal Batmanglij directs and co-wrote the script with Marling. Nice music from Rostam Batmanglij with a good-looking production value thanks to cinematographer Rachel Morrison and production designer Scott Enge. This was originally conceived as a 10 part webisode which is why the annoying and unexplainable numbers from one to ten keep popping up every few minutes. Fox Searchlight bought this and turned it into a theatrical release where it debuted as a big hit at the Sundance Film Festival last year. This comes across as more like a TV pilot for some Sci-Fi channel series than a movie. Even if a sequel to it were made as a film, it would spend the entire film just trying to explain and fill in the many unanswered story line subplots and backgrounds. Just too many loose ends here to a semi-interesting story that takes you nowhere. Would probably make a good TV series but this as a film fall flat. I would give this a 6.0 out of 10.