A Cold War relic returns amid fears of terrorism but turns out to be a forgotten Soviet space mission. What it brings back will have implications for the entire world.A Cold War relic returns amid fears of terrorism but turns out to be a forgotten Soviet space mission. What it brings back will have implications for the entire world.A Cold War relic returns amid fears of terrorism but turns out to be a forgotten Soviet space mission. What it brings back will have implications for the entire world.
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Other have already spoken of this series as a "pioneer" for a new model of funding, so I'll focus on the dramatic and entertainment merits of the show.
First of all, the production is surprisingly good for it's low budget (reportedly $6k for the the pilot). There are some instances where the low budget becomes apparent - e.g. when the characters see something that's clearly meant to be amazing or shocking, we see it in the actor's reactions rather than the thing itself - but low budget is the card that the series has been dealt and the team work around it very well.
What surprised me the most was the quality of the acting. Sure, some of the fringe roles are a bit ropey - but the central cast are excellent. If anything, the lack of mainstream TV experience of the stars is a boon - it's refreshing to see characters on screen who behave in a normal human fashion, as opposed to the hyper-emotion that's become standard these days.
There are some clichéd moments that serve to convey character relationships and something more inventive would have been nice - but it's a 6-episode series, so there's less room for subtle development. On the other hand, one of the hallmarks of low-budget film making is that the director is often more interested in a specific moment or shot and less interested in how to get there. Thankfully, that's avoided here and the plot advances in a logical yet organic way.
As with the acting, the low budget actually helps with the special effects. In mainstream TV sci-fi, we're used to slow motion action, big red fireballs and CGI backdrops. This series' low budget means that they couldn't do any of that. Instead, the SFX is quick and brutal and the main focus is on the people dealing with the aftermath - just as it is in real life.
The writers have a belter of a sci-fi concept here. I'd love to see this series come back for a second season. The danger is that more money for season 2 might move the show in a different direction - but I hope that the show runners remember that Pioneer One's greatest strength is its humanity.
First of all, the production is surprisingly good for it's low budget (reportedly $6k for the the pilot). There are some instances where the low budget becomes apparent - e.g. when the characters see something that's clearly meant to be amazing or shocking, we see it in the actor's reactions rather than the thing itself - but low budget is the card that the series has been dealt and the team work around it very well.
What surprised me the most was the quality of the acting. Sure, some of the fringe roles are a bit ropey - but the central cast are excellent. If anything, the lack of mainstream TV experience of the stars is a boon - it's refreshing to see characters on screen who behave in a normal human fashion, as opposed to the hyper-emotion that's become standard these days.
There are some clichéd moments that serve to convey character relationships and something more inventive would have been nice - but it's a 6-episode series, so there's less room for subtle development. On the other hand, one of the hallmarks of low-budget film making is that the director is often more interested in a specific moment or shot and less interested in how to get there. Thankfully, that's avoided here and the plot advances in a logical yet organic way.
As with the acting, the low budget actually helps with the special effects. In mainstream TV sci-fi, we're used to slow motion action, big red fireballs and CGI backdrops. This series' low budget means that they couldn't do any of that. Instead, the SFX is quick and brutal and the main focus is on the people dealing with the aftermath - just as it is in real life.
The writers have a belter of a sci-fi concept here. I'd love to see this series come back for a second season. The danger is that more money for season 2 might move the show in a different direction - but I hope that the show runners remember that Pioneer One's greatest strength is its humanity.
I downloaded it due to curiosity and didn't watch it for 3 months but when i started watching it OMG i cant stop thinking about how amazing the plot it has and a good storyline which causes you to go on a roller coaster ride of mind bending sci-fi thriller i will say that it is must for a scifi fan or a physics lover or those who like sherlock holmes stories try this new thing it tastes good i am patiently waiting for the next episodes to come i have seen 3 episodes and it made me hungry for more let it come for a homemade series with low budget this has good actors and i would recommend anyone to see this...
don't want to spoil the fun of thrill and suspense so there are no spoilers in this review..
don't want to spoil the fun of thrill and suspense so there are no spoilers in this review..
Maybe there are other stories out there like this, but I haven't run across any with these particular details. It's intriguing, fairly well-paced and feasible (to an uninformed civilian like me).
The acting is a little hollow but generally believable enough to not be distracting. There is a reasonable amount of character development. But I get the impression that someone, at some point, exclaimed "where's the humanity?!!" or the like.
Then they wrote in the blond nurse from the childrens' cancer ward and the pissed off convenience store girlfriend. And farmed the parts out to crushes, girlfriends or granddaughters. The scenes with the childrens' nurse are unwatchable and taint every actor that shares a scene with her. They stand out so starkly, I wish they could be edited out... and replaced with characters summarizing any pertinent information around her character's interaction with the subject. As it is, I just fast forward through them.
Generally good submission from what I assume are less experienced writers, director and actors, at a very low budget. It would be nice to see them in future productions, with more resources, to get a better idea of what they're capable of.
The acting is a little hollow but generally believable enough to not be distracting. There is a reasonable amount of character development. But I get the impression that someone, at some point, exclaimed "where's the humanity?!!" or the like.
Then they wrote in the blond nurse from the childrens' cancer ward and the pissed off convenience store girlfriend. And farmed the parts out to crushes, girlfriends or granddaughters. The scenes with the childrens' nurse are unwatchable and taint every actor that shares a scene with her. They stand out so starkly, I wish they could be edited out... and replaced with characters summarizing any pertinent information around her character's interaction with the subject. As it is, I just fast forward through them.
Generally good submission from what I assume are less experienced writers, director and actors, at a very low budget. It would be nice to see them in future productions, with more resources, to get a better idea of what they're capable of.
10joaopft
This show is the future in many ways. As resources in the planet dwindle, the "more with less" approach is sure to invade every aspect of economy, including the production and distribution of entertainment.
This show has a tiny budget (less then $10000/episode), and yet the production is technically clean and actor work, while not exceptional, is competent. Since capital investment is so small, the production has to rely on the bag of tricks of the old school of (theatre) drama: first of all good writing (no special effects to distract us from bad lines, like -- from "The Hunt for Red October" -- "listen, I'm a politician which means I'm a cheat and a liar, and when I'm not kissing babies I'm stealing their lollipops"), competent acting and a thinking viewer. We've seen some excellent attempts from the industry to move in this direction, but the audiences are not quite there yet. But the days of watching flashy entertainment are numbered.
This show has a tiny budget (less then $10000/episode), and yet the production is technically clean and actor work, while not exceptional, is competent. Since capital investment is so small, the production has to rely on the bag of tricks of the old school of (theatre) drama: first of all good writing (no special effects to distract us from bad lines, like -- from "The Hunt for Red October" -- "listen, I'm a politician which means I'm a cheat and a liar, and when I'm not kissing babies I'm stealing their lollipops"), competent acting and a thinking viewer. We've seen some excellent attempts from the industry to move in this direction, but the audiences are not quite there yet. But the days of watching flashy entertainment are numbered.
Very interesting plot, but, unfortunately, the very low budget is obvious at first glance.
I think that it would be a lot better if the producers invest just a little bit more in camera work and illumination. It's a little disturbing.
The bad acting is somewhat acceptable. A little distracting, but, I can live with that. Afterall it's "pioneer" stuff...
I wish good luck for "Pioneer One". I agree that this kind of production is the future. And hopefully this market will get more and more professional and we viewers will be less distracted with secondary things like camera work and be more involved with the plot itself.
I think that it would be a lot better if the producers invest just a little bit more in camera work and illumination. It's a little disturbing.
The bad acting is somewhat acceptable. A little distracting, but, I can live with that. Afterall it's "pioneer" stuff...
I wish good luck for "Pioneer One". I agree that this kind of production is the future. And hopefully this market will get more and more professional and we viewers will be less distracted with secondary things like camera work and be more involved with the plot itself.
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