Blood Ties
- 2013
- Tous publics
- 2h 7m
IMDb RATING
6.5/10
22K
YOUR RATING
Two brothers on either side of the law face off over organized crime in Brooklyn during the 1970s.Two brothers on either side of the law face off over organized crime in Brooklyn during the 1970s.Two brothers on either side of the law face off over organized crime in Brooklyn during the 1970s.
Zoe Saldaña
- Vanessa
- (as Zoe Saldana)
Featured reviews
Love the movie. One of the best movies I have seen. Excellent story and good screenplay to go with it. However, need to be patient to follow the story line effectively through. Not a simple straightforward story which we usually see in movies. Good family crime drama. It is a thriller reaching the climax at the end. Like the ending too. The starting and the ending of the story blend together very well. In fact all the actors and actresses portrayed their parts very well indeed. The story is adapted from a French novel and movie. Clive Owen did a very good job as the other brother. Good choice of 60s music back ground. If you like simple straightforward action movie, then this is definitely not your type. Watch it patiently and you will love the movie!
(66%) A very convincing in terms of period detail crime drama featuring a solid cast and a decent character based story that satisfies through its toe- tapping soundtrack. Clive Owen has a truly fine on-screen presence and he's really great in this, and because he and everyone else are also good, along with the few nice bits of gripping and intense action, meaning that the undebatable flaws in the script, and a couple of minor issues here and there don't really matter that much. This will likely get seen by about half as many people than it deserves, but despite that, and for Mr Clive Owen especially, this is worth a very nostalgic trip to the cinema.
On the beginning, I have to admit, that I've never got familiarized with the style both of Guillame Canet and James Gray, probably because barely any of their previous works acquired broad distribution in my country. Hence, while stepping into the cinema room, I didn't know what kind of emotions or thoughts the upcoming movie would release in me. Neither did I know what the movie would be about nor how it was admitted by professional critics. I was sitting on my chair, being curious what values may bring the movie, boasting with appearance of quite astonishing amount of gifted actors. After the showing, the question was partially answered.
While in other movies representing the genre there is one character the story focuses around, here we have two, both standing on the opposite sides of the law: the notorious criminal, who, having spent a long-term sentence in jail, is being released and his younger brother, Frank, turned out to be a devoted policeman. The past and social positions occupied by both of brothers are sources of the tension growing between Chris and Frank, which is especially visible in the attitude of the police officer. However, he has the feeling of being partially responsible for the path his brother has taken. In the childhood period, Frank failed Chris, which resulted in his first jail sentence.
The whole situation is being observed by third party characters, the most interesting of which is a prostitute performed by Marion Cotillard. Climbing on peaks of her acting skills, the actress successfully presents a wreck, that believes in no chances on brighter future, even while being a mother of two Chris' children. In opposition to her, the rest of those observers fails to attract any attention. Even while having such great actors like James Caan or Lily Taylor, Canet and Gray do not know how to connect their characters with the story, not to mention about Mila Kunis. Her character just exist in the movie's world.
I have the feeling, however, that the screenwriters put enough effort to present the main plot in a satisfactory way, being supported by two great actors. Despite the conflict between two brothers, viewers can sense that there is still a thin bond between them, even though Frank urgently tries to conceal it. All scenes between them are well paced and written. Confrontation of muffled Billy Crudup with impulsive Clive Owen gave an interesting result - it's the former convict, that through his attempts to fix the situation acquires our sympathy more than the cold policeman.
I'm not gonna praise the movie's capacity to convey the 70's atmosphere, because this feature has become common. However, what needs to mentioned about are dialogues. They are juicy and full of vulgarisms, that perfectly give the viewer a notion about the social environment the movie tells about. The presented world is devoid of any kind of beauty.
After all, I accept the vision presented by Guillame Canet and James Gray. In spite of it's flaws, the movie presents the main plot in enough absorbing way to attract viewers. There is a tie between me and this movie, even though it is not as strong as it should be.
While in other movies representing the genre there is one character the story focuses around, here we have two, both standing on the opposite sides of the law: the notorious criminal, who, having spent a long-term sentence in jail, is being released and his younger brother, Frank, turned out to be a devoted policeman. The past and social positions occupied by both of brothers are sources of the tension growing between Chris and Frank, which is especially visible in the attitude of the police officer. However, he has the feeling of being partially responsible for the path his brother has taken. In the childhood period, Frank failed Chris, which resulted in his first jail sentence.
The whole situation is being observed by third party characters, the most interesting of which is a prostitute performed by Marion Cotillard. Climbing on peaks of her acting skills, the actress successfully presents a wreck, that believes in no chances on brighter future, even while being a mother of two Chris' children. In opposition to her, the rest of those observers fails to attract any attention. Even while having such great actors like James Caan or Lily Taylor, Canet and Gray do not know how to connect their characters with the story, not to mention about Mila Kunis. Her character just exist in the movie's world.
I have the feeling, however, that the screenwriters put enough effort to present the main plot in a satisfactory way, being supported by two great actors. Despite the conflict between two brothers, viewers can sense that there is still a thin bond between them, even though Frank urgently tries to conceal it. All scenes between them are well paced and written. Confrontation of muffled Billy Crudup with impulsive Clive Owen gave an interesting result - it's the former convict, that through his attempts to fix the situation acquires our sympathy more than the cold policeman.
I'm not gonna praise the movie's capacity to convey the 70's atmosphere, because this feature has become common. However, what needs to mentioned about are dialogues. They are juicy and full of vulgarisms, that perfectly give the viewer a notion about the social environment the movie tells about. The presented world is devoid of any kind of beauty.
After all, I accept the vision presented by Guillame Canet and James Gray. In spite of it's flaws, the movie presents the main plot in enough absorbing way to attract viewers. There is a tie between me and this movie, even though it is not as strong as it should be.
Blood Ties tells the story of two brothers, one cop and one convict, making their way through their dysfunctional lives in the early 1970's. Director Guillaume Canet gives the audience an unabashed view of what life looked like then, including the bad hair, tacky clothes, and even the awful paint colors on most interior walls. He observes, rather than explains, and lets the viewer absorb the uncomfortable interactions between the characters, rather than force those moments onto those watching. He even incorporates music of the period into the story, in a Scorsese like way.
Clive Owen plays Chris, who is just released from prison and is having hard time adapting back into society, trying to keep on the straight and narrow and not violate the terms of his parole. This is not helped by the allure of getting sucked back into the world of violent crime, as many of the people he runs into in the real world are criminals and/or ex cons. Adding to his stresses are his cold ex-wife, played by Marion Cotillard, who demands years of back child support payments soon after Chris's release. Having seen Owen in mostly strict dramatic roles, this role, while also dramatic, gives Owen a chance to smile a bit, exploring a range of emotions and embracing his inner rebel, reminiscent of a Nicholas Cage.
On the flip side of the family, Billy Crudup plays Chris's brother Frank, a cop trying to reconnect with his ex, played by Zoe Saldana. His life is difficult as well, with a somewhat meek personality not particularly suited for law enforcement, and trying to help Chris fit back into the real world. The cast is rounded out by James Caan, playing the brothers' ailing dad, and Mila Kunis, playing Chris's young love interest.
The expectation of this movie should be set in that the audience is watching a drama, not an action or cops-and-robbers movie. Having said that, I found Crudup's performance understated, but that may have been the vibe that director Canet was looking for.
Clive Owen plays Chris, who is just released from prison and is having hard time adapting back into society, trying to keep on the straight and narrow and not violate the terms of his parole. This is not helped by the allure of getting sucked back into the world of violent crime, as many of the people he runs into in the real world are criminals and/or ex cons. Adding to his stresses are his cold ex-wife, played by Marion Cotillard, who demands years of back child support payments soon after Chris's release. Having seen Owen in mostly strict dramatic roles, this role, while also dramatic, gives Owen a chance to smile a bit, exploring a range of emotions and embracing his inner rebel, reminiscent of a Nicholas Cage.
On the flip side of the family, Billy Crudup plays Chris's brother Frank, a cop trying to reconnect with his ex, played by Zoe Saldana. His life is difficult as well, with a somewhat meek personality not particularly suited for law enforcement, and trying to help Chris fit back into the real world. The cast is rounded out by James Caan, playing the brothers' ailing dad, and Mila Kunis, playing Chris's young love interest.
The expectation of this movie should be set in that the audience is watching a drama, not an action or cops-and-robbers movie. Having said that, I found Crudup's performance understated, but that may have been the vibe that director Canet was looking for.
IF YOU EXPECT THIS TO BE A CLASSIC Hollywood GANGSTER MOVIE, YOU WILL BE DISAPPOINTED! It's not, it's way more than that, it's almost entirely based on the characters development. As the movie unfolds, we learn more and more about the lives of the two brothers, and the circumstances in which they keep finding each other, which makes it very hard for them to connect on a brotherly level. The actors play their roles to perfection, very believable, specially Clive Owen and Marion Cotillard. The cast is exceptional and bring out the essence of the period. I really enjoyed this movie from beginning to end, and I'm glad it wasn't action based. I didn't find the 2 hours long like some of the viewers, although I understand it's not for everybody who usually expect more dynamical plot from a 70's movie.
Did you know
- TriviaMatthias Schoenaerts was cast after starring opposite Marion Cotillard (who is the partner of director Guillaume Canet) in De rouille et d'os (2012). Canet has said that he chose Schoenaerts after hearing Cotillard praising his acting several times. Schoenaerts and Canet had met up briefly on the set of "Rust and Bone", when Canet went to visit Cotillard.
- GoofsThe story opens in 1974 but the song playing in the background on the record player is "New York Groove" from Ace Frehley's 1978 solo release and even the original by the band Hello was not released until 1975.
- ConnectionsFeatured in Blood Ties: Behind the Scenes (2014)
- How long is Blood Ties?Powered by Alexa
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Box office
- Budget
- $25,500,000 (estimated)
- Gross US & Canada
- $42,472
- Opening weekend US & Canada
- $26,912
- Mar 23, 2014
- Gross worldwide
- $2,566,435
- Runtime2 hours 7 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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