A journalist, who is more of an activist teams up with the sister of a murdered model, as she gets interested in the case and wants to bring justice to her case.A journalist, who is more of an activist teams up with the sister of a murdered model, as she gets interested in the case and wants to bring justice to her case.A journalist, who is more of an activist teams up with the sister of a murdered model, as she gets interested in the case and wants to bring justice to her case.
- Director
- Writers
- Stars
- Awards
- 4 wins & 15 nominations total
Myra Karn
- Jessica Lall
- (as Myra)
Yogendra Tikku
- Sanjit Lall
- (as Yogendra Tiku)
Mohd. Zeeshan Ayyub
- Manish P. Bharadwaj
- (as Mohammed Zeeshan Ayyub)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's a good movie.
That's not just my opinion. All the people leaving the 75% occupied theater had the same feeling. One of them clapped when the movie finished. Others were silent admirers.
I understand it's not the best way to start a film review but what's the point in beating around the bush when something is clear from the onset. It feels really good when you are looking forward to a film and when you watch it; it not just delivers just what you wanted it to deliver but also surprises you with something additional.
To start with, No One Killed Jessica (NOKJ) is not just an ordinary film. It's a film with an imperative story to tell and a gigantic point to make. It shows a ferocious face of the society but it also shows how sometimes hope comes in from an unforeseen source.
Starting with a slightly protracted monologue by Rani, NOKJ takes you back to the 1999 case mentioned above and opens one page of history after another. The first half is 100% based on truth, the second half goes a bit filmy adding some necessary Bollywood touches to the story. The good thing, however, is that the story has been kept near original as much as possible. How Jessica was killed, how the witnesses turned hostile and how the judicial system responded to the whole thing. The filmy twist is Rani Mukherjee taking control of the proceedings to bring justice to the Lall family. It might not have happened the way it is shown in the film but it did eventually happen.
Vidya Balan has done an extraordinary job. Languorous body language as the nerdy girl, poignant expressions of a broken yet determined sister and angry demeanor of someone who has given up hope; she has handled it all very well. It's difficult to say that its one of her best performances because with Ishqiya, she has raised her bar too high to better. Nonetheless, almost flawless. The costume designer has given her shapeless masculine clothes which add to the barefacedness of her role.
I am not a Rani Mukherjee fan but I have to admit that she too has put up a wonderful show in NOKJ. The first surprise was her look. She looks matured but certainly not bad. She was never skinny but here she oozes sex appeal. Surprising, as far as I am concerned. Her performance is very vigorous. She has restrained herself from going over the top which has helped the cause. Her chemistry with the co-star Satyadeep Mishra as her boss is very natural. She is one actress who is very good at swearing and she gets a free-hand at that in NOKJ. Her portrayal of Meera; she is probably playing Barkha Dutt here; is a woman who is opportunistic, street smart and a self-proclaimed bitch. Rare.
Supporting cast is perfectly assembled. Rajesh Sharma has grabbed the most powerful role of his career; much stronger than Ishqiya and Khosla KA Ghosla. Satyadeep Mishra is also good in his cameo and should get bigger outings in the future. Geeta Sudan as Jessica's mother is brilliant in a couple of scenes. Samara Chopra as Naina Sehgal is the best of the lot. Her court scene with the lawyer is stunning.
I loved Rajkumar Gupta's Aamir and was looking forward to the director's next outing. Just like Aamir, he has picked up an interesting and important subject and has treated it in a similar unglamorous way. He will probably never work with Yash Chopra and Karan Johar. I particularly liked the director's attention to detail in this drama. Showing Windows 98 on the monitor screen in old scenes, old Pepsi logo on the walls, absence of mobile phones etc. were small things which could have been overlooked. There was a minor hiccup though when they failed to spot IDEA mobile's banners in the background of a shot. Cinematography could have been better though. Unnecessary addition of some humor could also be avoided.
What happened to Jessica Lall could happen to any of our friends or family. We all live in similar societies at the end of the day. If we are not immune to such events, we need to have the courage to stand up for our right and fight for it till the end. It might not become a big success, films like this don't. It will still remain one of the finest films to come out of Indian cinema lately. More so, because it covers an important subject. For me, it was a much needed relief after the underwhelming Tees Maar Khan experience.
That's not just my opinion. All the people leaving the 75% occupied theater had the same feeling. One of them clapped when the movie finished. Others were silent admirers.
I understand it's not the best way to start a film review but what's the point in beating around the bush when something is clear from the onset. It feels really good when you are looking forward to a film and when you watch it; it not just delivers just what you wanted it to deliver but also surprises you with something additional.
To start with, No One Killed Jessica (NOKJ) is not just an ordinary film. It's a film with an imperative story to tell and a gigantic point to make. It shows a ferocious face of the society but it also shows how sometimes hope comes in from an unforeseen source.
Starting with a slightly protracted monologue by Rani, NOKJ takes you back to the 1999 case mentioned above and opens one page of history after another. The first half is 100% based on truth, the second half goes a bit filmy adding some necessary Bollywood touches to the story. The good thing, however, is that the story has been kept near original as much as possible. How Jessica was killed, how the witnesses turned hostile and how the judicial system responded to the whole thing. The filmy twist is Rani Mukherjee taking control of the proceedings to bring justice to the Lall family. It might not have happened the way it is shown in the film but it did eventually happen.
Vidya Balan has done an extraordinary job. Languorous body language as the nerdy girl, poignant expressions of a broken yet determined sister and angry demeanor of someone who has given up hope; she has handled it all very well. It's difficult to say that its one of her best performances because with Ishqiya, she has raised her bar too high to better. Nonetheless, almost flawless. The costume designer has given her shapeless masculine clothes which add to the barefacedness of her role.
I am not a Rani Mukherjee fan but I have to admit that she too has put up a wonderful show in NOKJ. The first surprise was her look. She looks matured but certainly not bad. She was never skinny but here she oozes sex appeal. Surprising, as far as I am concerned. Her performance is very vigorous. She has restrained herself from going over the top which has helped the cause. Her chemistry with the co-star Satyadeep Mishra as her boss is very natural. She is one actress who is very good at swearing and she gets a free-hand at that in NOKJ. Her portrayal of Meera; she is probably playing Barkha Dutt here; is a woman who is opportunistic, street smart and a self-proclaimed bitch. Rare.
Supporting cast is perfectly assembled. Rajesh Sharma has grabbed the most powerful role of his career; much stronger than Ishqiya and Khosla KA Ghosla. Satyadeep Mishra is also good in his cameo and should get bigger outings in the future. Geeta Sudan as Jessica's mother is brilliant in a couple of scenes. Samara Chopra as Naina Sehgal is the best of the lot. Her court scene with the lawyer is stunning.
I loved Rajkumar Gupta's Aamir and was looking forward to the director's next outing. Just like Aamir, he has picked up an interesting and important subject and has treated it in a similar unglamorous way. He will probably never work with Yash Chopra and Karan Johar. I particularly liked the director's attention to detail in this drama. Showing Windows 98 on the monitor screen in old scenes, old Pepsi logo on the walls, absence of mobile phones etc. were small things which could have been overlooked. There was a minor hiccup though when they failed to spot IDEA mobile's banners in the background of a shot. Cinematography could have been better though. Unnecessary addition of some humor could also be avoided.
What happened to Jessica Lall could happen to any of our friends or family. We all live in similar societies at the end of the day. If we are not immune to such events, we need to have the courage to stand up for our right and fight for it till the end. It might not become a big success, films like this don't. It will still remain one of the finest films to come out of Indian cinema lately. More so, because it covers an important subject. For me, it was a much needed relief after the underwhelming Tees Maar Khan experience.
A must Watch " No one Killed Jessica " Directed by Raj Kumar Gupta and acted by Rani Mukherjee and Vidya Balan.
A must watch. I would like to say after Udan In 2010 I have seen such a impact-full movie. A Rang De Basanti recreated. Powerful performances by Rani and Vidya makes the movie more interesting. A very good direction indeed in the first half you will not even for single moment blink your eyes, it has the right power , punch and story which is needed for a good movie. Story is as we all know. For those who do not know, the story deals with a killing of Jessica who works in a pub and is a aspiring model. She is killed by a man who happens to be son of a cabinet minister. And he kills in the rage of just not getting the drink. And all the political bullshit happens to protect him but our Rani who is a famous journalist fights back when she comes to know that Vidya's (Sabrina) effort has gone in vain and the killer got free without any charge.
A good start for the year 2011.I wish Raj makes more good movies. Four and half stars out of five. Enjoy..................
A must watch. I would like to say after Udan In 2010 I have seen such a impact-full movie. A Rang De Basanti recreated. Powerful performances by Rani and Vidya makes the movie more interesting. A very good direction indeed in the first half you will not even for single moment blink your eyes, it has the right power , punch and story which is needed for a good movie. Story is as we all know. For those who do not know, the story deals with a killing of Jessica who works in a pub and is a aspiring model. She is killed by a man who happens to be son of a cabinet minister. And he kills in the rage of just not getting the drink. And all the political bullshit happens to protect him but our Rani who is a famous journalist fights back when she comes to know that Vidya's (Sabrina) effort has gone in vain and the killer got free without any charge.
A good start for the year 2011.I wish Raj makes more good movies. Four and half stars out of five. Enjoy..................
The movie is based on a true story that changed the way journalism and the judicial system were viewed in India. It is about 2 girls who decide to fight against the system which faltered in providing justice, while succeeding in the endeavor also manage to touch the hearts of millions of Indians.
In the movie the director fulfills his promise which was displayed in his earlier movie Aamir, with this brutally honest, yet rivetingly thrilling rendering which makes many points without being preachy or over dramatic.
The movie takes a dig at the aged Indian judicial system and how it is prone to be abused at the hands of the rich. The director looks after and gets right most of the little factual details in the film which is very appreciable and often missing in bollywood.
The movie strengths are that it is so close to the facts of case(visit the wiki page to check out)without sounding like a documentary or going over the top.It has a thriller like pace especially in the second half whereas the 1st half could do with a bit more of editing.
The music is loud but works well to keep the viewers attention when the movie drags a little.But undoubtedly the movie is worth watching for the actors and characters they portray. Catch Rani Mukherjee in perhaps the most daring female character ever written for a heroine in India with her oozing attitude not to mention the flying f words.She has guts to accept that role! Among the side roles only the police inspector's laid back role impresses.But the movie belongs to Vidya Balan who comes back to surprise us over again with a completely deglam, gritty and yet vulnerable role of Sabrina lal.She is amazing.Wish the lead ladies had more screen space together. Kudos to the team for a daring venture avoiding most of the clichés and showing the way forward for Indian movies in 2011.
In the movie the director fulfills his promise which was displayed in his earlier movie Aamir, with this brutally honest, yet rivetingly thrilling rendering which makes many points without being preachy or over dramatic.
The movie takes a dig at the aged Indian judicial system and how it is prone to be abused at the hands of the rich. The director looks after and gets right most of the little factual details in the film which is very appreciable and often missing in bollywood.
The movie strengths are that it is so close to the facts of case(visit the wiki page to check out)without sounding like a documentary or going over the top.It has a thriller like pace especially in the second half whereas the 1st half could do with a bit more of editing.
The music is loud but works well to keep the viewers attention when the movie drags a little.But undoubtedly the movie is worth watching for the actors and characters they portray. Catch Rani Mukherjee in perhaps the most daring female character ever written for a heroine in India with her oozing attitude not to mention the flying f words.She has guts to accept that role! Among the side roles only the police inspector's laid back role impresses.But the movie belongs to Vidya Balan who comes back to surprise us over again with a completely deglam, gritty and yet vulnerable role of Sabrina lal.She is amazing.Wish the lead ladies had more screen space together. Kudos to the team for a daring venture avoiding most of the clichés and showing the way forward for Indian movies in 2011.
"No One Killed Jessica" is a film based on a famous murder that occurred years ago in Delhi. The character of Meera in the film is a personification of the reporters who went on the warpath when the punk who murdered her was acquitted--even though there was a mountain of evidence against him. How did he get acquitted? In India, there's a long tradition of corruption and folks who are rich and important have been able to literally get away with murder. And, the punk's family is a politician...exactly the sort to remain unpunished. But Meera is determined to make this case huge as is Jessica's sister....to force action and force people to be accountable. The film chronicles the case and is also about the police cover-up and the press insisting that truth prevail.
Non-Indians watching this film might be very surprised by the story and how widespread corruption has been in India. However, as I've seen a couple hundred Indian films, I see that this is actually one of the most common recurring themes in their films--that the police cannot be trusted and the government is run by kleptocrats. So, reporters refusing to let such an injustice get swept under the rugs IS unusual and I can only assume they risked much to expose this conspiracy. I also assume that some pressure must have been exerted on the studio that made this film...yet they made it anyway.
This is a very well made film and I am glad I watched it. I had a couple minor quibbles: the occasional use of the shaky cam as well as some unnecessary musical interludes which are common in Indian films but which didn't really fit the story. But these didn't negatively impact the film and overall it's extremely well made, compelling and worth seeing.
Non-Indians watching this film might be very surprised by the story and how widespread corruption has been in India. However, as I've seen a couple hundred Indian films, I see that this is actually one of the most common recurring themes in their films--that the police cannot be trusted and the government is run by kleptocrats. So, reporters refusing to let such an injustice get swept under the rugs IS unusual and I can only assume they risked much to expose this conspiracy. I also assume that some pressure must have been exerted on the studio that made this film...yet they made it anyway.
This is a very well made film and I am glad I watched it. I had a couple minor quibbles: the occasional use of the shaky cam as well as some unnecessary musical interludes which are common in Indian films but which didn't really fit the story. But these didn't negatively impact the film and overall it's extremely well made, compelling and worth seeing.
It had great potential. It started well, but somewhere in the middle it falls short of delivering the kind of impact that was expected from a film like "No One Killed Jessica". But that in no way takes away the effort that has been put in to make a film like this; something that requires a lot of balls. The screenplay gets a bit overstretched in the second half which becomes the weakest point of the film. Talking of strengths, Vidya Balan steals the show (literally) with a performance that is understated, uninhibited and totally spontaneous. She deserves a standing ovation. Newcomer Myra shows tremendous potential, while Rani as the sour-tongued journalist is delightful but by far not her best. Amit Trivedi's music too is the highlight of the film. Hats off to the entire team for making the movie that deserves to be made, and passing a message that deserves to be passed.
Did you know
- TriviaAll the characters have fictitious names, except Sabrina Lall and her family.
- GoofsWhile the murder was executed on the night of 29th April 1999, and the two friends of Manu Sharma were arrested on 4 May, in the movie the friends are arrested in Oct. 1969 (the news channel flashes this date) way before the murder took place.
- Alternate versionsThe UK release was cut, the distributor chose to remove multiple uses of strong language in order to obtain a 12A classification. An uncut 15 classification was available.
- ConnectionsFeatured in 57th Idea Filmfare Awards (2012)
- SoundtracksAali Re
Written by Amitabh Bhattacharya
Composed by Amit Trivedi
Performed by Aditi Singh Sharma, Anushka Manchanda, Raja Hasan, Sriram Iyer,
Biswajit Chakraborty and Sonu Kakkar
Courtesy of Saregama HMV
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- 沒人會殺傑西卡
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ₹9,000,000 (estimated)
- Gross US & Canada
- $440,525
- Opening weekend US & Canada
- $227,473
- Jan 9, 2011
- Gross worldwide
- $634,297
- Runtime2 hours 16 minutes
- Color
- Sound mix
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