Sam Stuart (Mason) battles with depression and alcohol addiction. He is trying to hold down his job as a night-time radio presenter. He is also in love with Emily (Marshall) but is afraid to... Read allSam Stuart (Mason) battles with depression and alcohol addiction. He is trying to hold down his job as a night-time radio presenter. He is also in love with Emily (Marshall) but is afraid to show his feelings in case of where this will lead. Along with some others they are member... Read allSam Stuart (Mason) battles with depression and alcohol addiction. He is trying to hold down his job as a night-time radio presenter. He is also in love with Emily (Marshall) but is afraid to show his feelings in case of where this will lead. Along with some others they are members of a modern day vampire clan. Having evolved to tolerate daylight they remain vulnerable... Read all
- Billy
- (as Billie Anthony'Gaddess)
- Pam
- (voice)
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Featured reviews
Not the sulky superhuman vampire now so often now portrayed, but three dimensional characters with very real issues. Although there are some special effects the vampire theme was played down and the human aspects were played up. This gives it substance but may alienate those looking for gore and escapism. The cinematography, particularly impressive in places gave Newcastle-Upon-Tyne and truly existential look and feel.
The leading character Emily – portrayed a certain innocent naivety and vulnerability, while showing a tough side with bite. Sam is a deeper character but harder to read. Both performances reveal actors with a promise of more to come. The film is different because it echoes the lives of real people in contemporary Britain. Take powerful emotions and a dark humour, interleave these with topical issues that concern the undead and you are someway to understanding the triumph of originality that the writer and director has conjured.
The acting is frequently strong and the film espouses an original style that makes it stand out from the plethora of standard vampire theme offerings that flood the market. Very few films have come out of the North East of England. You can count them on half a hand. It has been a neglected area, frowned upon as under-achieving and suffering deprivation.
I hope that there are more original films like this to come and that dowdy image of the North East will be further challenged and finally defeated. This is Rob Burrows first film and the fact that it went straight into the cinema suggests that it has a substance to be reckoned with. I hope Rob stays in the North East to make many more. But then, looking at the talent he has found in abundance and the international acclaim already achieved with his first offering, why wouldn't he?
I enjoyed this film, which I thought was a good effort for something that was produced on a low budget. I think it deserves credit across the board for the the production and in particular for the way that it showed the city of Newcastle.
I did not watch the film at the cinema, however I wish I had. As a first film, I thought it was a great effort and I thought that much of the acting was pretty good. Film for me is about enjoyment and escapism, and I certainly enjoyed watching it.
If you are intending to view this film (or any other like it) you have to remember it is not a 'blockbuster' but a locally produced and self-funded production. It's rare to see film making in this part of the country and I thought this film did a great job of showcasing a less-seen part of the UK.
The profits from this film were also all donated to charity, which I think is really to be encouraged. The cast and crew should hold their heads up and be very proud of creating a genuinely enjoyable movie.
Another embarrassing northern amateur film which really does give the amateur scene a bad name. The fact they set up a premier locally and presented this as a quality film is astonishing. It was, to say the least, awkward.
I also suspect that people involved in this film have posted reviews on this site, it just makes it all the more cringe worthy.
Please don't encourage this 'director' to made anymore rubbish.
He needs to go back to his day job, and yes, I'm quite sure he has one and I'm most certain that it has nothing to do with making movies.
The leading lady looked out of depth, and generally possessed little charisma or ability at portraying her role. 5 of us began watching the film, 2 walked out and 1 fell asleep.
A shame considering it is a local film. I wanted to enjoy this film, but ended up hating it. I will however keep my eye out for more films by Rob, as he seems to have a good eye for directing, however was let down by some (not all) of the cast.
Perhaps more time perfecting the role, and less time bragging on Twitter about how great the leading lady thinks she is could improve the film!
When I finally got to see it, I was hugely disappointed. I was shocked at how poor some of the acting was by certain cast members, and the overall script lacked quality, depth, and structure.
It was also quite obvious that the editing was done by a beginner, rather than someone who knows what they are doing - this shows throughout the film.
I don't really have anything positive to say about the film, I would seriously advise people to stay clear of this one!
Did you know
- TriviaDead Frequency was first screened India soon after its completion having received Official Selection at the Stepping Stone Film Festival in the fall of 2010. It was then taken on by and received A further theatrical screening in the North East of England at Cineworld in 2011. Since then it has been screened at intervals by Viva TV (Europe). In September 2012 it was further screened in London after receiving Official Selection at the Portobello Film Festival. Dead Frequency was first seen on video-on-demand in the USA before being taken onto the USA's Amazon Prime in Spring 2015. It is also on release in many countries (including it's native UK) on Google Play, but as with all the Solarus films it's main following has been in the USA.
Details
- Runtime1 hour 18 minutes
- Color