Dimensions

The strong points of the film: Excellent production design, excellent costumes, excellent acting and excellent music. All combine to an esthetic whole which is much better than the sum of its parts.

The storyline is similar to one of the HG Wells novels, especially the Time Machine. But in this particular instance, the Time Machine is only able to bring someone a few years into the past. It is a limitation which encapsulates the entire plot, as there are several limitations put upon the film because of its low budget. Set in a Great Gatsby-like setting in the early 1920's, the film could easily have been one of HG's lesser-known stories.

Fortunately for this reviewer, the Director is savvy enough to understand her limitations, and to keep the film utterly under control for the entire length of time it takes to unravel the mystery that is set up in the opening scene, when an old man arrives in the middle of a garden party and begins the education of the guests in the physics of the 4th Dimension.

As the plot progresses, a young genius named Steven is beside himself with a mission to right a wrong that happened in his childhood, and is obsessed with finding a method to return to the past to do so. We suspend our disbelief at his feeble but well-intentioned attempts, and when one of the experiments backfires, we wonder if Steven will give in to his demons and descend into madness. It almost happens--if it were not for "the love of a good woman".

So that there are no spoilers in this review, I will summarize by saying that there is a final resolution which neither disappoints nor does it fail to engage our deeper intellect. Since I encourage anyone tired of the mall-screen movies of the 2000's, (with their overblown heroes and ridiculously unrealistic plots and absurd bombastic gun combat and fight scenes), to take a breath and let themselves be drawn into a meditative state as they sail down a lazy river and be contented with the calm, thoughtful work of art that was so effectively made into this film.

First things first! Do not take the negative reviews of this movie and dodge watching this!! Unless you are a close minded fool who can't use an imagination this movie is great. If you cannot open up to sci-fi fantasies such as this do yourself a favor and quit watching sci-fi.

With that said...

This movie is an excellent thought provoking film that really gets the gears turning. It does a great job of putting theoretical time travel into perspective while doing so in a way that isn't too geeky or brain melting.

It was actually better than I had expected and deserves a better score than it got. Don't expect lots of action scenes or crazy super futuristic technology that blows your mind but rather philosophical theories of time and space and the personal implications that they have on relationships.

This movie is definitely not one where you can anticipate whats coming next and has a few twists that keep it very interesting.

Overall an amazing film that should have received much more attention that it got. Being an avid movie lover that has blazed through netflix and other movie services I was surprised to have not seen or even heard of this one until fall 2014.

Displayed as Dimensions (2014) Really Dimensions (2011) AKA Dimensions: A-Line, a Loop, a Tangle of Threads

Henry Lloyd-Hughes, Born: August 1985 in London, England, UK

I accidentally stumbled onto this critter. It is one of the most fun-sounding least plausible stories.

Cambridge, England, 1921 Three young friends frolic around the countryside. Even at this early age attachments and rivalries are created. Whoops, someone threw a jump rope into the well which sets off a series of events in these lives and friendships.

Years later Stephen and Conrad each blame themselves for not retrieving the jump rope which inadvertently causes the demise of their friend Jane.

Stephen, the son of the scientist, is inspired to create a Time Machine and as his main target intends to correct the past.

Will he succeed?

Or will he mess up time for the rest of us?

Or is this whole Time Machine a concept of his mind?

This is one of those movies that you cannot fast-forward through as the description of how time works, which is displayed in the introductory credits, and elaborated throughout the story is that time is a series of dimensions running parallel with every decision. Or at least he is 99% sure. Therefore, if one goes back into time and changes it, they create a new timestream and not change the stream that they were in originally.

Following the timeline or parallel universe theory will help make the story and even the ending quite clear. There are no loose ends. The original appearance of the professor (Patrick Godfrey) and the subsequent appearance of the professor even though similar are two different timelines.

Do not waste your time with plausibility. Do spend your time with the intertwining love stories and relationships. Why was he compelled to leave the one he now loves Annie (Olivia Llewellyn) to travel back and make a correction that he cannot be a part of?

I came upon this film by accident. I thought I'd chosen something else on Amazon Prime, but I must have clicked this movie by mistake. The music reeled me in first. Then the time frame reeled me in; I love re-creations of the 1920's. After that, the subject matter piqued my interest. For once there was a screenplay that was cleverly written, without robots, blood, gore and violence.(Well, there was a touch.)

The music had a haunting quality that I loved. It was a smattering of classical pieces, especially by Fredrick Chopin, done in modern fashion, interspersed with the Gramophone effect. I then was wondering how they'd pull off the time travel, and that's where it gets interesting: The mechanism consisted of some steam-punk props, electrical gadgets and an old upright piano. The story line was more or less a romantic novel, but it didn't go too overboard. It's a picture that was a bit difficult to understand, yet very clever. Coming from a family whose father figure was an engineer, it made me think, and I'm still thinking about it. No special effects were necessary. I added my own imagination to it, and there you have it, a very entertaining movie-but you had to work your brain for it!

Very refreshing indeed!

Science fiction is a finicky thing. Depending on your approach and your tastes and background, this flick can either be 1 to 10. I encourage the reader to read the reviews as a form of entertainment in itself, I would also ask the reader to refrain from critiquing this movie as if it had a limitless budget and was hell bent on employing the best special effects possible. In other words, a Hollywood movie. Sadly, too many of our young are trapped there.

It has been my experience that the best SciFi allows you to use your imagination. You read SciFi and imagine great things that Hollywood couldn't begin to portray. "The Time Machine", 1960, must be one of the greatest movies in this subject. It has roots in H.G.Wells' 1895 "The Time Machine" novel. Interesting point, the character in the movie shares a similar name with the author of the book. The acting may not be the best, the special effects not out of this world and the script could use more "airing". Your imagination, however, takes over and fills in the blanks to make it a very interesting movie to this date. If the script and story line can allow your imagination to flourish, then at the end of the movie you find yourself thinking. Although the movie ended.... you're still going.

It's nice to see special effects to replace your imagination every now and then but I find it's best when it is left to the imagination. This is why most stories that try to make the transition from book to movie fail.

On acting.... you may have an idea how a soldier would reacted when facing a platoon of the enemy on his own. We can draw from our limited experience. But has anyone ever met an alien? How does one act when stepping into a time machine? How does one act when they fall in love with someone who wishes to step into a time machine. You can have a whole movie on that alone. Acting in this instance should allow some leeway for the viewer to fill in with their imagination. On the other hand, acting may be what saves the scene such as the end scene to Casablanca with a fake aircraft with little people or La Marseillaise scene sung in defiance to the Germans. In this movie, although the genre was SciFi, the secondary theme was love. Another, loss. Yet another, jealousy. This requires fine acting, not supper acting, and I think it was done adequately well. Not great but well. To tell you the truth, my heart broke for one of the characters.

Lets use our imagination on one angle of the movie.... sound. If you wish to employ frequencies in your experiment and need a fundamental series of frequencies, the piano is an interesting choice. And it's calibrated to some standard. Believe it or not, there are a few established standards in piano calibration and tuning. The piano can be a scientific instrument in every sense of the word. So it wasn't a screwball idea to use a piano. But a piano is also musical. It has Rhythm and beats and bars. Now, imagine an infinite number of future threads to an event. In a song, we may have four beats to a bar. Every four beats you repeat. And repeat. And repeat. Almost as if it is infinite. It generates a Rhythm that explores a theme, or event. Changing notes in one bar with just four beats (4/4 for example) could change the entire theme of the song. Mapping out the future of Victoria's event in the well and navigating it successfully with a sound signature (so may beats to a bar) is an interesting connection to the piano. We can now layer other life experiences to music, such as falling in love, as was the case when they danced through the time map to music, expanding the parallelism to a theme or song. Interesting? How about dancing to music when the old man removed their masks in the beginning of the movie? How about our young hero dancing with the blindfold on in front of the well after removing the welded well cap at the start?

In my experience, I have found that the best attributes to enjoying good SciFi is the person's ability to imagine. Overload the person with special effects and at the end of the movie the person may experience relief (and to beat the crowd out of the theater) instead of thought provocative mesmorization as your view the credits.

Enjoy this movie and see what happens to you at the end.