Gassed Up

Most certainly not perfect, I'm not convinced by it I won't lie, but... 'Gassed Up' narrowly does enough.

Making your lead characters criminals is always a brave choice, you're almost setting yourself up for failure from a film point of view. I'm personally cool with a movie's main lot not being total good guys, like 'The Fast and the Furious' is literally one of my favourite flicks ever, but it does make it more difficult to root for the people onscreen.

In this execution of making the audience do the aforementioned, I think this film doesn't do the best job. I appreciate the backstory we get for them, well at least for a few of them, and it does work in making you understand their point of views. However, I'm just not sure if it's enough to overcome what the characters are actually doing; it's not like they are Robin Hoods... well, I guess they actually are robin hoods (ha! Get it! Sorry!) but you get what I mean.

There's also an inconsistency in that they avoid going up a level in their activities as they know it'll bring more heat - yet not long after stating that they brazenly take it up a notch anyway. A possible 'out' is they are blinded by wonga but that's unconvincing. All this is just me saying that the writing isn't the best, in my opinion of course.

What does save this is that the feel of the film is competent, it's fairly well put together and moves along at a decent pace. The cast are also positives, with Stephen Odubola being the clear standout as Ash. Taz Skylar and Mohammed Mansaray are alright, though Craige Middleburg and Mae Muller (strange casting for the latter) are more miss than hit. I would've liked Steve Toussaint to have been used more.

Glad I watched this at the cinema though, always nice to support productions from the homeland. Two groups of two were in there with me, though one duo did decide to leave with a good chunk of the movie left; I see other reviewers have noted likewise - ouch! I can possibly see why if I'm totally truthful, but for me I just about got enough out of it. I could easily be rating this a step lower, though.

WHY do we keep giving any air time to this type of scutter life mentality and act like we should care if a single one of the characters does anything but wind up in a gutter or dead.

The storyline is Drama school level predictable with possibly the worst overacting you'll witness outside of WWE. The main character casting is so bad it's almost comical and you're rooting for him to get finished off in every exchange that happens which I assume is the opposite of what they were aiming for and the same goes for the equally unlikable side characters - although they at least dont freak out like a school girl at every turn of a corner.

Over egged 'waste man' style scripting is painful to have to sit through and if anyone talks like that in real life then I'd be questioning how many times they've bounced their head off a toilet seat while trying to pull up their pants half way up their legs before shuffling back off to "tell fam bout da stink in da poop room init'

Unless you're trying to learn how to not act or how to stereotype a race of people so badly that you'd be ashamed to watch them if they were your own family then I'd give this one a wider birth than you'd give StankPants as he leaves the toilet ..... Ya Get Me Fam Ting Init Bruv.

Where do you even begin with this codswallop produced by Amazon? Not one interaction between any of the characters, no matter how big or small had an ounce realism. Everything was so unnatural that you might wonder if this group of supposed actors weren't just caught in a giant butterfly net on a London estate and instructed to speak a load of cringeworthy nonsense to one another in front of a camera. No one comes out of this with any credit. If you've seen one chav movie, you've seen them all. Tune in for a laugh but do be warned; viewing this drivel for any longer than 60 seconds could cause brain damage.

Know what I'm sayin' fam?

Great film making... gorgeous colours and scenes. Young talent is incredible and I'm sure these actors will be seen again. Story kept me interested all the way through and had a fresh new movie making feel.

Ash stands out as the protagonist with a genuine connection that the viewer gains as the film progresses. I laughed, winced and sympathised with him. The story aims to highlight successfully, the various struggles that people live through including seeking asylum, substance abuse, cost of living, involvement in crime and how this inevitability progresses with characters that are believable and live through difficulties that lead them to these decisions.. good and bad.

First up, this film was glamorising street crime in the way Top Boy, Adulthood et al did, but way late in the day; I was hoping this was a faded trend because this has been done over and over (the formulaic random kids in a street gang that swear too much and the Russian crime lords all set in the mean / clean streets of London #yawn)

Classics like 'The Harder They Come', where a protagonist makes a living through struggle by turning to crime, but karma gets back at him for his earlier actions are leaps and bounds over these types of dramas; you know why. Because they have an actual ability to portray a human's struggle not just mix together protagonists that could literally exist the whole production in balaclavas, vapid performances made relevant by young people speaking the mumble slang of modern Britain.

I despise how a company the size of Amazon just pushes a trend.

If any of the film crew were swamped by petty criminals on mopeds, they might have reconsidered the lame nature of trying to glamourize real-time criminality to gain social hits in this awful era of media creation.

This production was a childlike CBBC life drama made to help children try and gain an understanding of the modern world, but with the type of language that makes me think a writer asked Chat GPT to make an hour-long migraine of dialogue using as many swear words and brinkmanship of Stormzy's raw lyrics as it could.

Well done all around on style, lovely lighting and whatnot, wardrobe good, cast.. whatever, dialogue.. dry.

Just stop watching this stuff, guys; let the algorithms get to work on some classics again.