IMDb RATING
5.4/10
930
YOUR RATING
A working mother (Elisa Donovan of CLUELESS) is forced to return to a life she left behind in Texas when her daughter's father (Brad Rowe of TV's GENERAL HOSPITAL) files for joint custody.A working mother (Elisa Donovan of CLUELESS) is forced to return to a life she left behind in Texas when her daughter's father (Brad Rowe of TV's GENERAL HOSPITAL) files for joint custody.A working mother (Elisa Donovan of CLUELESS) is forced to return to a life she left behind in Texas when her daughter's father (Brad Rowe of TV's GENERAL HOSPITAL) files for joint custody.
Featured reviews
The Elisa Donovan character tells the husband whom she refuses to divorce, he needs to grow up; yet she harbors a petty high school jealousy for the girl who beat her out of h.s. Drama role and talks down to the diner owner (also a h.s. Friend). She is so self-absorbed, she hasn't been home in 6 years, she throws childish fits in front of the judge who is deciding the custody of the couple's 9 or 10-year-old daughter & even tries to compromise the judge on the street (can you say stalking). And, oh yes, misses important business deadlines and teleconferences she has sworn up and down she would meet when she knows she up for an EVP position at her bank. I definitely want this broad on my team. Not.
He certainly shares responsibility for not traveling to NY to visit, but when it comes to maturity - he's got her beat.
He certainly shares responsibility for not traveling to NY to visit, but when it comes to maturity - he's got her beat.
Thoroughly enjoyed the movie. I realize that most of Hallmark movies are predictable and soft but I think that is what I enjoy about them. The plot is a gentle play on a theme that we have seen over and over with other films but believable. Maybe the acting is a little more gentle than real life but many of us do not need gritty to get full enjoyment out of the film.
The single only criticism I have is that although the move is set in Texas, you are bout 1800 miles west of Texas, in California. The temps and the dirt and dust are similar, the music is actually very good and fits with my native state but guys we do not have countryside the same as depicted.
Keep making em and I will keep enjoying em.
The single only criticism I have is that although the move is set in Texas, you are bout 1800 miles west of Texas, in California. The temps and the dirt and dust are similar, the music is actually very good and fits with my native state but guys we do not have countryside the same as depicted.
Keep making em and I will keep enjoying em.
I downloaded this for Apple TV for what I call my 'ironing ans folding laundry' movie watching--I look for sweet, relaxing, wholesome movies that will not need a lot of my attention. This movie kind of fit the bill, except for the fact that the entire time I kept thinking, "it makes NO sense at all!"
Basic premise: a single mother with a high-powered corporate job in NYC is suddenly ordered back to her small Texas town where her husband (they're separated but not divorced) has filed a petition for joint custody. Apparently, this goal-getter career woman who left her slow ranching community for more excitement and more challenges is STILL dumb enough to believe she could whisk off her daughter without her husband's approval, ignore his divorce petitions, and even return to Texas to confront the situation without the aid od a lawyer. I mean, seriously: who does this?
Behind this family movie is really a typical Christian message of social morality, marriage as forever in God's eyes and religion as a social cornerstone. Well okay--I don't believe it but I don't mind it, either. I'm fine with that.
It's the total irrelevant lack of logic that gets me! The character of the woman simply makes no sense. We're supposed to believe that she packed up and run off to NY without a second glance, that it never crossed her mind that her actions would have consequences. What idiot would believe they have such rights? Furthermore, the most heartbreaking aspect is the brilliant acting of the little girl playing the daughter. Obviously she misses her dad, her grandpa, and Texas. Why shouldn't she? What kid wouldn't? And yet, simply for purposes of the story--never mind the lack of logic--we have to hear throughout the entire movie about how mother and daughter barely ever manage to visit Texas, about how the dad can barely ever visit his kid in NY, about how far away NY is and soooooo expensive... ! I mean, really! On the one hand, the mother is supposed to have this incredible job, and the granddad a large TX spread, and the dad a successful ranch and yet NO ONE can scrap together 400 dollars top for a ticket doe the kid to be there during the summer, as any kid of divorce? Who believes this crap?
Whoever wrote this is not only an idiot but also clearly doesn't get women. Either this woman is narcissistic, selfish and blind or we are never meant to like her at all. What mover loves her daughter so little that she'd deprive her of her father?
Basic premise: a single mother with a high-powered corporate job in NYC is suddenly ordered back to her small Texas town where her husband (they're separated but not divorced) has filed a petition for joint custody. Apparently, this goal-getter career woman who left her slow ranching community for more excitement and more challenges is STILL dumb enough to believe she could whisk off her daughter without her husband's approval, ignore his divorce petitions, and even return to Texas to confront the situation without the aid od a lawyer. I mean, seriously: who does this?
Behind this family movie is really a typical Christian message of social morality, marriage as forever in God's eyes and religion as a social cornerstone. Well okay--I don't believe it but I don't mind it, either. I'm fine with that.
It's the total irrelevant lack of logic that gets me! The character of the woman simply makes no sense. We're supposed to believe that she packed up and run off to NY without a second glance, that it never crossed her mind that her actions would have consequences. What idiot would believe they have such rights? Furthermore, the most heartbreaking aspect is the brilliant acting of the little girl playing the daughter. Obviously she misses her dad, her grandpa, and Texas. Why shouldn't she? What kid wouldn't? And yet, simply for purposes of the story--never mind the lack of logic--we have to hear throughout the entire movie about how mother and daughter barely ever manage to visit Texas, about how the dad can barely ever visit his kid in NY, about how far away NY is and soooooo expensive... ! I mean, really! On the one hand, the mother is supposed to have this incredible job, and the granddad a large TX spread, and the dad a successful ranch and yet NO ONE can scrap together 400 dollars top for a ticket doe the kid to be there during the summer, as any kid of divorce? Who believes this crap?
Whoever wrote this is not only an idiot but also clearly doesn't get women. Either this woman is narcissistic, selfish and blind or we are never meant to like her at all. What mover loves her daughter so little that she'd deprive her of her father?
Of course this is a "good" movie. If you're looking for good, clean, inoffensive and somewhat inspiring, this is the movie for you. Basically this is why I picked it at the videostore, because I'm tired of movies with violence, sex and witchcraft. So in this sense, it was great.
Now for the technical side of things... The story is more than predictable (despite what the cover says). First of all, the original set-up made me think so much of "Sweet Home Alabama" with Reese Witherspoon and What's His Name (Luke Wilson, I think?), even down to the "I didn't know he was an artist" side of things, although they really did not do anything with that last bit at all. I think the daughter was added just to avoid being accused of plagiarism. Speaking of the daughter, she's pretty good in her role, but the mom... I really had a hard time believing she really was her mom. She sounded like a babysitter trying to sound cool with a kid that she doesn't know too much. She overplays horribly most of the time. The husband is not as bad. The grandpa is the best. Of course we're talking Tom Skerritt.
I'm still waiting to see this Christian movie with a plot that is not so predictable I can resume the whole story in 3 sentences even before the titles from the beginning are finished; where the dialogue is meaningful, but not full of clichés; and where the acting is really professional. Not saying this to be mean, we're getting there, this is better than other things I've seen before. I'm hopeful it's coming soon! Meanwhile, I encourage the studio and the producers to keep working and getting better and better!
Now for the technical side of things... The story is more than predictable (despite what the cover says). First of all, the original set-up made me think so much of "Sweet Home Alabama" with Reese Witherspoon and What's His Name (Luke Wilson, I think?), even down to the "I didn't know he was an artist" side of things, although they really did not do anything with that last bit at all. I think the daughter was added just to avoid being accused of plagiarism. Speaking of the daughter, she's pretty good in her role, but the mom... I really had a hard time believing she really was her mom. She sounded like a babysitter trying to sound cool with a kid that she doesn't know too much. She overplays horribly most of the time. The husband is not as bad. The grandpa is the best. Of course we're talking Tom Skerritt.
I'm still waiting to see this Christian movie with a plot that is not so predictable I can resume the whole story in 3 sentences even before the titles from the beginning are finished; where the dialogue is meaningful, but not full of clichés; and where the acting is really professional. Not saying this to be mean, we're getting there, this is better than other things I've seen before. I'm hopeful it's coming soon! Meanwhile, I encourage the studio and the producers to keep working and getting better and better!
Laura (Elisa Donovan) left her husband Dylan (Brad Rowe) in Texas over four years ago. She took their young daughter to New York, where she got a great job in the banking business. In addition, she has slowly climbed the corporate ladder. As she explains, Laura was hoping her husband would follow HER, as a support for her dreams, but he loves it at his ranch in Texas. Over time, mother and daughter have made various visits to the Lone Star State. But, now, Dylan says enough! He wants shared custody of their daughter and a divorce. Summoned to court, Laura must face Dylan and get the issue settled. Unfortunately, the judge (Catherine Hicks) postpones the hearing until certain conditions are met. Thus, Laura has to bunk with her father (Tom Skerrit) and try to appease her boss on the phone for a week or so. Naturally, Laura and Dylan meet several times and its a reality that the attraction between them remains strong. Will this visit to the south wreak havoc on Laura's plans? This film is a nice romance but it has some major problems with credulity. Its very hard to believe that a husband, deprived of his wife and daughter, would wait four years to settle the matter. But, whatever. The cast is quite nice, with Donovan and Rowe shining as the stars and Hicks, Skerrit, Hicks, Tracey Gold, and John Schneider giving great support. Moreover, the scenery in Texas is lovely. Although it won't rank as a "must see" flick, romance fans who long for new material will find it acceptably entertaining.
Did you know
- GoofsWhen Laura and Kelsey arrive at Dylan's house, he walks out to meet them. In the first shot of the front door, as he opens it, there is a large Indian-themed pot on the porch directly in front of the door. In the next shot, as he walks across the porch, the pot is absent. In the next shot, as Kelsey jumps in his arms, it is there again.
- SoundtracksSomeday You'll Fall In Love
Written by: Scott Nickoley, Jamie Dunlap, and Stephen Lang
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- A Valentine's Date
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was Un amour ne meurt jamais (2011) officially released in India in English?
Answer