During the summer of 1968 a teenage boy goes to work for a matchmaker who has survived the Holocaust - both their lives are forever altered.During the summer of 1968 a teenage boy goes to work for a matchmaker who has survived the Holocaust - both their lives are forever altered.During the summer of 1968 a teenage boy goes to work for a matchmaker who has survived the Holocaust - both their lives are forever altered.
- Awards
- 4 wins & 7 nominations total
Yarden Bar-Kochba
- Nili Burstein
- (as Yarden Bar Kochva)
Yael Levental
- Tikva Abadi
- (as Yael Leventhal)
Kobi Farag
- Moshe Abadi
- (as Kobi Faraj)
Eyal Shehter
- Arik Burstein (Adult)
- (as Eyal Schechter)
Ya'ackov Bodo
- Advocate Segelson
- (as Yaacov Bodo)
Ben Kippris
- Yoram
- (as Ben Kipris)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Sensitive, funny and smart. This movie stay with you days after watching. The directing is accurate and Adir Miller is great as the main actor (The match maker). The story really reflects the life in Israel in the late 60s' and early 70s'. The sad story of the holocaust survivors, combined with the stories of those Jews who were born in Israel, and those who immigrated from other countries rather then from Europe, or those who immigrated before WWII is shown in a very delicate way through the story of a young teenager and the matchmaker. The movie also raises some interesting moral issues and as said, It leaves you to think about it days afterwards. Great movie!!!
"The Matchmaker" (or Once I Was in Hebrew) is a movie by Avi Nesher, one of Israel's finest directors and one who has shaped Israeli cinema for decades.
The movie centers around the memories of an author, when he was a kid in 1968 in Haifa and the relationship he had with his father's childhood friend, Yankale Bride (Adir Miller).
Yankale Bride is a Matchmaker who recruits Erik (Tuval Shaffir, the author) for a summer job to search for people who wish to get married. The movie centers around all of Erik's tales and adventures during that summer vacation: How he falls in love with Tamara (Neta Porat), how he writes about his life as a mystery book, his love for spy and mystery tales and his encounter with the secrets of his fellow Yankale Bride.
Adir Miller and Maya Dagan are a good duo together throughout the whole film. The rest of the cast is perfect and lovely. The focus on the characters is really delicate. The movie shows the struggle of the characters facing the aftermath of the Holocaust and how people didn't know much about it.
The movie in general focuses on the theme of coming to age among kids, most certainly Erik, who narrates the movie throughout its span. Overall I really enjoyed it, Avi Nesher is known to be a director who focuses on many themes and genres in his movies, just like Spielberg. Even though many believe his movies to be too deep and heavy, this one is less heavy and more emotional and entertaining. Highly recommend it.
The movie centers around the memories of an author, when he was a kid in 1968 in Haifa and the relationship he had with his father's childhood friend, Yankale Bride (Adir Miller).
Yankale Bride is a Matchmaker who recruits Erik (Tuval Shaffir, the author) for a summer job to search for people who wish to get married. The movie centers around all of Erik's tales and adventures during that summer vacation: How he falls in love with Tamara (Neta Porat), how he writes about his life as a mystery book, his love for spy and mystery tales and his encounter with the secrets of his fellow Yankale Bride.
Adir Miller and Maya Dagan are a good duo together throughout the whole film. The rest of the cast is perfect and lovely. The focus on the characters is really delicate. The movie shows the struggle of the characters facing the aftermath of the Holocaust and how people didn't know much about it.
The movie in general focuses on the theme of coming to age among kids, most certainly Erik, who narrates the movie throughout its span. Overall I really enjoyed it, Avi Nesher is known to be a director who focuses on many themes and genres in his movies, just like Spielberg. Even though many believe his movies to be too deep and heavy, this one is less heavy and more emotional and entertaining. Highly recommend it.
10zaaq
1. Not the greatest actors and accents but it boasts carefully written dialogue, captivating characters, and an aesthetically pleasing 70's summer vibe of the region.
2. This movie packs dating angst and teenage nostalgia (for today's boomers), which isn't difficult to relate - mandela effect, anyone? ;P
3. The plot has a nice pace (no stalling/filler imo) and there are moral lessons all along the way. Some lines even came back to me just now; so I decided to recommend it.
Please let me know if you liked me review, it helps :) Thanks
2. This movie packs dating angst and teenage nostalgia (for today's boomers), which isn't difficult to relate - mandela effect, anyone? ;P
3. The plot has a nice pace (no stalling/filler imo) and there are moral lessons all along the way. Some lines even came back to me just now; so I decided to recommend it.
Please let me know if you liked me review, it helps :) Thanks
8Nozz
When they came to Israel, survivors from Nazi Europe did not manage to leave their emotional scars behind.
Even decades later, they found themselves misunderstood by those who had not been "there" in Europe, but in some cases (at least as portrayed in this movie) they thought of love as the great healer and pursued it. They pursued individual love, not free love or universal love, so it is strange that the movie adds a subplot, with an explicit contrast, about the first stirrings of imported Woodstock culture in Israel. Too much, I think. I would rather have seen the story take place ten years earlier and leave out the counterculture. Two cultures, that of the European-born and that of the Israeli-born, would have been contrast enough. I would also rather have seen less effort put into a reconstruction of a square in the Haifa port area that makes it look too vibrant, too colorful, too Fellinesque. (This may be the first Israeli movie that would have benefited from a smaller budget.) But when the movie is on-topic and concentrates on the adult characters rather than on the dream-Haifa set, the period props, or the invasion of American music, it works very well and with the help of some admirable actors, it creates something fresh and good-hearted.
Even decades later, they found themselves misunderstood by those who had not been "there" in Europe, but in some cases (at least as portrayed in this movie) they thought of love as the great healer and pursued it. They pursued individual love, not free love or universal love, so it is strange that the movie adds a subplot, with an explicit contrast, about the first stirrings of imported Woodstock culture in Israel. Too much, I think. I would rather have seen the story take place ten years earlier and leave out the counterculture. Two cultures, that of the European-born and that of the Israeli-born, would have been contrast enough. I would also rather have seen less effort put into a reconstruction of a square in the Haifa port area that makes it look too vibrant, too colorful, too Fellinesque. (This may be the first Israeli movie that would have benefited from a smaller budget.) But when the movie is on-topic and concentrates on the adult characters rather than on the dream-Haifa set, the period props, or the invasion of American music, it works very well and with the help of some admirable actors, it creates something fresh and good-hearted.
After 'The Other Story', I wanted to see more of Nesher's films and found that one. Its not like the previous titles in Nesher's filmography and yet I cried so much at the ending. It really because of the charachters that nesher's having.
Did you know
- TriviaAuthors mentioned by Meir and Arik in the library include Dashiell Hammett, Ernest Hemingway, Shmuel Yosef Agnon (1888 -1970; Nobel Prize laureate writer and a major figure of modern Hebrew writing) and Yehiel Dinur (1909 - 2001; also spelled Dinoor or De-Nur; also known by his pen name Ka-Tsetnik, a Jewish writer and Holocaust survivor).
- GoofsArik has a promotional picture of John Wayne from the film, "The Cowboys:", on his wall. This film was not released until i972, 4 years after this film's setting.
- Crazy creditsComposer Philippe Sarde wishes to dedicate his score in memory of his grandmother Marie.
- ConnectionsReferences Le Kid (1921)
- SoundtracksBalkan Folk Songs
Accordion by Anatolie Gieko
Violin by Pavel Levine
Details
Box office
- Budget
- $2,150,000 (estimated)
- Gross worldwide
- $2,920
- Runtime1 hour 52 minutes
- Color
- Sound mix
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