High Tide

I saw this at the IFC Center during its opening week in NYC, and I was charmed by it. The intercut scenes did a great job of establishing the setting, and the relationships between the characters were nicely layered. The sex scenes were artfully done and evocative. The story of a Brazilian immigrant in P-town is not high drama, but it is human, and on that level, it did a great job of throwing the spotlight on gay culture and the theme of wanting to escape one's life, through dancing, swimming, drugs, or relief work in Angola. The casting was interesting, the performances very realistic, the cinematography beautiful, and the montages worked well. My husband missed much of the show because he lost his ticket and had to get up to use the bathroom, and he felt the plot was predictable. I however could not have predicted what happened at the end, I don't think he could have either.

This movie is so well done not only for the story line that most foreigners can relate, the gay life's nuances, but also for the photography and scenes cuts.

What seamed to be an ordinary story, was transformed to be a moving sequence of events and little details of life that made it all combined a gorgeous film to watch.

From romance, to drama, to fun, to suspense, the mix of emotions was so captivating to watch and lovely to learn more about the story.

I could not recommend it enough. Me and my friends left the theater crying and wanting for the second one. I hope there is a continuation of the story.

"Director, you did an incredible job! A friend from Brazil recommended this film, and when I saw the trailer, I felt an instant connection - it was like my life was right there. With ADHD, it's hard for me to focus on movies, but this one completely captivated me. The authenticity and emotion you brought to the screen are impressive.

Marco Pigossi's performance in "High Tide" was widely praised! He's a talented actor who brought depth and nuance to the character of Lourenço. His portrayal of the complexities of love, identity, and vulnerability must have been compelling to watch. Congratulations!

High Tide, written and directed by Marco Calvani and starring his husband Marco Pigossi, isn't just a film-it's a mirror. A soft, brutal one. The kind that doesn't flatter but tells the truth, gently, and then walks away before you can argue.

At 49, gay, and newly divorced, I didn't expect to be seen-really seen-by a film that moves this quietly. Pigossi's character floats through his life like a ghost haunting his own body, and I felt every second of it. I've been there. Frankly, I might still be there.

Calvani's script cuts with a poet's precision, carving out themes of shame, isolation, and the quiet cruelty of gay loneliness with zero melodrama and zero apologies. Pigossi, for his part, delivers a performance so naked and unguarded, it feels almost obscene that the Academy will likely ignore it.

This film doesn't beg for attention. It trusts you'll lean in. And if you do, you'll find something rare: a gay story told without polish or pretension, but with the kind of emotional architecture that stays with you for days.

We need films like High Tide. Not louder ones-truer ones.

Marco Calvani captures the beauty and pain of a contemporary gay man ( Marco Pigossi) in Provincetown who is at a crossroads in his life. Excellent performances and never heavy handed, High Tide sensitively navigates the main character's journey and takes the audience along for the ride as it unfolds. Wonderful cast all around and great supporting performances from Marisa Tomei and Bill Irwin. The film has such a lush look about it as Ptown is clearly another character here. We get a sense that down this garden path is just one story of so many in this fascinating mysterious coastal town at the end of the world. Inspired and truthful, I thoroughly enjoyed being taken on this ride and very much look forward to where Calvani will go from here.

Don't want to add too many spoilers but it rings true to me- a man from another country who wants to be free to live his life truthfully and find love after a painful break up. But he's bound by family ties and tradition and struggling to fully come out to those he loves back home. Expectation, disappointment and regret. The shame of not being free to be totally open even in our time is fascinating. As much as society has changed - the pain and difficulties of coming out fully to one's self and one's family is still present. I appreciate seeing this captured so effectively as I often have this argument in life when people talk about how being gay isn't an issue anymore and that it's accepted everywhere.

As someone who had their own difficulties coming out years ago, and also as an actor who has played parts of men struggling with sexuality and identity it really resonated with me so I wanted to write a review here.

I hope the film gets the attention it deserves. I'm sure it will have a nice life on demand. Kudos to the filmmakers and casting and the work of Marco Pigossi who navigates the central role with such love and compassion and sensitivity. He and the director have created something really special in his performances.