Berlin Nobody

The movie touched on some cult recruitment practices and attempted to address the why people get sucked into groups with some slightly on the nose dialogue dressed up as academic banter.

Unfortunately I'm familiar having directly experienced a real cult and it's terrifying groupthink. The use of psychedelics is a cult trope but mostly not the case. Maybe the cult this was based on used them but that's a generally held misbeleif. It doesn't take much to suck the unguarded in. We're social animals and crave community and acceptance.

None the less it did expose some cult standards. Being made to feel special. Group acceptance. False dilemmas to instil fear and compliance. A sociopathic cult leader. Etc.

From a movie/narrative perspective the story was a little flat and one dimensional. A splash of colour should have spruced it up visually. Sub plots were thin and the twist foreshadowing tipped its hand.

Eric did a good job as did his co-stars but I had the feeling they weren't buying the dialogue here and there. Still it was watchable and there wasn't that feeling you'd just wasted two hours of your life.

I just wish it had that extra something.

Stars Ben(Eric Bana of Munich) , a writer who moves to Berlin to find himself surrounded by the dark and dangerous power of cults. The divorced American psychologist studies suicide cults in Germany and, in the process, confronts a personal trauma related to his past. Ben's daughter, Mazzy (Sadie Sink of Stranger Things), begins to fall in love with a boy Martin (Jonas Dassler) who introduces her to the dark underbelly of secret recruiting groups. As their two worlds head toward a risked intersection . Ben will need to race against the clock in order to save his daughter. Meanwhile, the father falls in love for a police forensic psychologist, Nina (Sylvia Hoeks). Purify and start again !.

Jordan Scott adapts and directs the Nicholas Hogg's novel Tokyo, carrying out a passable film , but neither notable, nor extraordinary, but acceptable . The main background in which the characters are presented turns out to be a labyrinth of insecurities and fear of loneliness that leads to vulnerability to cults, a problem of growing and disturbing importance in our society, as occurs in every moment of crisis of values.

There are several interesting themes throughout the film, but they aren't fully developed. Worth mentioning are manipulation, control, extremist ideologies, and vulnerability. These, among others, are the issues that run through this intriguing film about the price we are willing to pay for the mistakes of the past. The film is unevenly paced, first surrendering to empty, aestheticist visual symbolism and then to the final, hasty transformation of suspenseful tension into fast-paced parallel action in the last half hour of the film.

Interpretations are decent enough. Eric Bana as an American social psychologist Ben Monroe who investigates a local cult connected to a disturbing event, while his daughter is passably acted by Sadie Sink who becomes embroiled with a mysterious local boy performed by Jonas Dassler.

Directed by Jordan Scott, daughter of the legendary filmmaker of Alien, Blade Runner, Gladiator I and II, The Martian, she nevertheless fails to relate to her father in terms of film, due to the fact that she does not provide an effective result. Jordan Scott has previously made other films, such as: Cracks, All the Invisible Children and Shorts: The Muse, Portrait, The Initiate, among others. 'A Sacrifice' rating: 5/10. A mildly interesting film with some touches of intrigue, tension, suspense and plot twists.

Eric Bana and Sadie Sink sulk their way through Berlin Nobody, a drab cult thriller given the far less tantalizing title "A Sacrifice" for North American distribution. Bana is an American professor in Berlin working on a complicated thesis about cult mindset and dangerous groupthink, unaware that his teenage daughter (Sink) is slowly orbiting the very same deadly cult via a German boy (Jonas Dasser) she's started seeing. Bana is a brilliant actor who doesn't always choose the best scripts and this is unfortunately one of them, Stranger Things' talented Sink also falling into the same trap. They try to do honest character work but the writing lets them down hard, attempting some complex thematics regarding the cut angle that get left completely open ended like they just gave up in fully exploring their ideas and let the credits roll. Skip.

The description of the movie plot sounded so mysterious and intriguing! With the the topics of cults & murders, i was expecting an exciting & mysterious movie. Sadly, this is more of a slow-paced drama than a thriller. The first hour was the worst, with no intrigue or mystery building. I'm not sure if it is the story, dialogue or action (or lack thereof) that makes the viewing so darn dull. But it's quite bland. Now admittedly, the last 20 minutes were more exciting, and the last bit does rather make some sense of what you were watching in the hour or so previous. The last 20 minutes, however, is not enough to redeem this movie. Unfortunately, despite the good acting & production overall, the story just falls flat.

Most boring monotone movie in every aspect from script,dialog,cinematography,locations & attire.

Sadie may of did well in Stranger Things however,based on this & other performances I'm really not a fan.

Although the rest of the cast,even their acting was average to poor.

This topic of cults is beyond clichéd & has been done,so much better in the past.

I guess because it took place internationally it apparently was more unique,they could of used more locations or something.

Still got over 100 characters to go & frankly,there isn't anything else that is worth talking about.

Finally.. Watch is you need sleep!