Blood Island

First things first.. I really don't know whether the people from the West who aren't that familiar with Asian culture, that too the rural culture would really relate well to this movie. But I think it's one of the most interesting movies I've ever seen, to be frank. I've seen the rural life in India and kinda lived it a bit too and I was kinda really surprised by the similarity that I could find in this movie, be it regarding the gender bias or the illiteracy thing or the domestic violence that illiterate women have to tolerate and just live as if they are born to bear that kind of treatment from sadistic husbands.

As much as I was amazed from the similarity that I could find, I was spellbound by the kind of story telling that this movie was. You would never feel bored although the story goes at a very slow pace, although towards the end it gets to your nerves. The acting by every one of them is appreciable as you never feel that they are really just playing the character in the movie.

I've been watching Korean movies for a while now and have become a big fan of them since, and I certainly think this's one of the best among them. For those who have watched 'Oldboy' or 'I Saw the Devil', you would know what's the kind of gory it would reach. It's truly "Korean", in every way.

If you are a K-movie fan then you would certainly love this one! This one is going into 'My Collection'!

It is difficult to describe the movie. Actually to describe what is attractive and/or exciting about the movie for me. You could say that it begins more than slow, but will build up and be very disturbing toward the end. I'm not gonna give anything away from the story, but if you have seen some Korean movies, you might know what you are getting yourself into here!

It is sort of a character study and a very weird and dark social commentary to (if you want it to be). I liked the group dynamic, I liked the grey tones, I liked that it was different. I can't guarantee though that you will like it. And it might not be the ideal choice to start getting to know Korean cinema. I'm sure though that somewhere along the line, there is an US Remake waiting to happen (if they can pull it off ... they don't seem to be able to do so with Old Boy either).

First of all, don't read anything about the story's content - it may ruin the experience for you.

What do the gender-themed Hollywood thrillers "Basic Instinct", "Fatal Attraction" and "Disclosure" have in common? 1. they all star Michael Douglas, 2. the female lead is the root of all evil. Whenever Hollywood takes gender struggle to bloody extremes, there's an irritating tendency to overly sympathize with the male - probably because the film industry is still pretty much a man's world, with the first female director winning an Academy Award coming around only last year.

In that light, "Bedevilled" - from an equally male-dominated media environment - is a different, surprising film which manages to convey a social message while delivering gruesome - and at times gory - entertainment. What we have here is a social drama/ slasher crossover with excellent production values and top-notch cinematography.

No wonder that the story often feels grossly exaggerated. The entertainment values somewhat linger in the background of an ever-growing tension in the first hour, and then dominate the finale. Therefore the psychological premise - unusually well-established for a mere shocker - appears constructed in the course of the ensuing rampage. Those who expect horror, however, may feel somewhat bored during the exposition, simply because it's so much better and less formulaic than usual for genre movies.

"Bedevilled" is a brilliant piece of entertainment if judged for what it is trying to achieve, pretty much on a par with the testosterone-driven "I saw the Devil". But it's not trying to please as much as the latter. So if you're looking for new angles on old formulas, this one is for you; if you'd rather have a good idea about what you're going to see, you may feel confused.

"Bedevilled" is the tale of two women.Hae-won is depressed by her empty corporate financial job.Close to an emotional break-down she decides to visit her childhood friend Bok-nam who is living on the tiny islet of Mundo.Bok-nam is often abused by her violent husband and his retarded brother.Finally this horribly victimised human being decides to retaliate against her tormentors."Bedevilled" is slow-moving and depressing drama that suddenly turns into bloody revenge movie.The cast is strong,especially Seo Young-hee gives a truly memorable performance as bullied Bok-nam.Consumed by growing anger she becomes a beast.The script is horrific with several scenes of sexual and verbal abuse and plenty of bloody violence.Very brutal pay-off has to be seen to be believed.Check out this savagely beautiful drama.8 islets out of 10.

This film, of which the international title "Bedevilled" is a lot easier to remember than the original South Korean one, and its director Cheol- Soo Jang seemingly appeared out of nowhere but nevertheless left quite an impression at several internationally acclaimed film festivals around the world. Perhaps this is simply because the director is an acolyte of Kim Ki-Duk, or perhaps it's because he actually delivered a unique and hard-to-categorize motion picture that spooks through your head long after you finished seeing it. Throughout approximately 75 minutes (three quarters of the full running time), "Bedevilled" is a very slow and harrowing drama focusing on the life of one poor woman. Then suddenly, almost when you totally don't expect it anymore, the film converts into a harsh and downright savage tale of revenge and oppressed anger. The sudden transition is abrupt and shocking, but also strangely justified and efficient. One moment you're witnessing the "Via Dolorosa" of a seemingly timid and vulnerable young woman, yet the next moment this timid and vulnerable young woman is coloring the entire island blood red with a primitive sickle.

The story opens in modern day Seoul, where the egocentric and obnoxious Hae-Won is close to reaching an emotional and professional burnout. She goes on a vacation to Moodo, the island where she spent her childhood holidays with her friend Kim Bok-Nam. Kim Bok-Nam is very happy to see Hae-Won, because she thinks her friend has come to save her and her daughter, like she begged her to in all those letters. Kim Bok-Nam's life is worse than that of a slave. She's abused and humiliated by her husband and the rest of the island's population, both male and female. Another long series of events, including the disinterested reaction of her friend, slowly lead to a gigantic tragedy.

The first three quarters of "Bedevilled" may come across and dull and eventful – especially when shown at 2am on a Saturday morning in a theater full of horror junkies – but the slow pace and melodramatic atmosphere are fundamental for the film. Cheol-Soo Jang carefully takes his time to illustrate that Moodo truly is a very isolated setting, completely devoid of legislation and social evolution. The elderly intimidate the younger and the men dominate the women, probably just like the generations before them did as well. Kim Bok-Nam endured as much anger and agony as humanly possible, and this is painfully illustrated in great detail during the film's long awakening. I've rarely seen a cinematic character who's vengeance is so legitimatized and substantiated. My hat's off to debuting director Cheol-Soo Jang, scriptwriter Kwang-young Choi and lead actress Yeong-Hie Seo. Furthermore, "Bedevilled" benefices from the truly breathtaking island filming locations and staggering photography. Don't know if it's true, but I read somewhere that the location was selected out of nearly 3.000 islands surrounding the South Korean shore. The selection was based on size, nature and available facilities. Great choice, I'd say. Faint- hearted viewers beware, however, as the extended finale features a large number of grim and shocking images.