Hot Docs has wrapped its 11-day hybrid edition, handing out three more cash prizes, announcing audience top picks, and tipping the hat to the 225 films from 63 countries that screened during the festival.
The animated documentary “Eternal Spring,” by Jason Loftus, won the Rogers Audience Award for Best Canadian Documentary, which comes with Cdn. 25,000 cash, and also claimed the top spot in the overall audience poll of cinemagoers and online doc-watchers.
“Eternal Spring,” which had its North American premiere at Hot Docs and has racked up other awards this year at European festivals, mixes 3D and new live footage to trace the story of comic-book illustrator Daxiong, a Falun Gong practitioner, who fled China after police began cracking down on members of the outlawed spiritual group.
Mark Bone’s “Okay! (The Asd Band Film),” which follows four autistic musicians as they prepare for their first live gig, is the second Roger...
The animated documentary “Eternal Spring,” by Jason Loftus, won the Rogers Audience Award for Best Canadian Documentary, which comes with Cdn. 25,000 cash, and also claimed the top spot in the overall audience poll of cinemagoers and online doc-watchers.
“Eternal Spring,” which had its North American premiere at Hot Docs and has racked up other awards this year at European festivals, mixes 3D and new live footage to trace the story of comic-book illustrator Daxiong, a Falun Gong practitioner, who fled China after police began cracking down on members of the outlawed spiritual group.
Mark Bone’s “Okay! (The Asd Band Film),” which follows four autistic musicians as they prepare for their first live gig, is the second Roger...
- 5/9/2022
- by Jennie Punter
- Variety Film + TV
Chan Tze Woon’s “Blue Island,” a doc-narrative hybrid exploring Hong Kong’s recent protest movement and ensuing crackdown, won Hot Docs’ Best International Feature Documentary Award and a Cnd. 10,000 cash prize, it was announced Saturday in Toronto at the festival’s awards ceremony, held at the TIFF Bell Lightbox.
The film was cited by the jury for its “evocative use of re-enactments interwoven with traditional documentary forms to create a rich, socially-grounded cinematic tapestry.”
North American rights to “Blue Island” were picked up by New York-headquartered documentary distributor Icarus Films in advance of the film’s world premiere at Hot Docs, which is an Academy Award qualifying festival for feature documentaries. Produced by Peter Yam, “Blue Island” now automatically qualifies for consideration in the Academy’s Best Documentary Feature category without the standard theatrical run, provided it complies with Academy rules.
The International Feature Documentary Competition section saw the...
The film was cited by the jury for its “evocative use of re-enactments interwoven with traditional documentary forms to create a rich, socially-grounded cinematic tapestry.”
North American rights to “Blue Island” were picked up by New York-headquartered documentary distributor Icarus Films in advance of the film’s world premiere at Hot Docs, which is an Academy Award qualifying festival for feature documentaries. Produced by Peter Yam, “Blue Island” now automatically qualifies for consideration in the Academy’s Best Documentary Feature category without the standard theatrical run, provided it complies with Academy rules.
The International Feature Documentary Competition section saw the...
- 5/7/2022
- by Jennie Punter
- Variety Film + TV
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