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IMDbPro

Mars et Avril

  • 2012
  • Not Rated
  • 1h 30m
IMDb RATING
5.8/10
894
YOUR RATING
Paul Ahmarani, Benoît Charest, Caroline Dhavernas, Jacques Languirand, Robert Lepage, François Schuiten, and Martin Villeneuve in Mars et Avril (2012)
"Mars et Avril" is a Canadian science fiction film starring Jacques Languirand, Caroline Dhavernas, Paul Ahmarani and Robert Lepage. The feature film, based on the graphic novels of the same name published by Sid Lee and la Pasteque, is written, produced and directed by Martin Villeneuve. Almost entirely shot on green screen, Villeneuve's striking feature film debut has a significant amount of visual effects. Belgian comic book artist Francois Schuiten ("The Golden Compass", "Mr. Nobody") is the production designer, former ILM Senior Compositor Carlos Monzon ("Avatar", "Transformers", "Star Trek") worked as VFX supervisor, and Oscar-nominated Benoit Charest ("The Triplets of Belleville") composed the original score. The film was financed by Telefilm Canada, SODEC, Les Productions du 8e Art and the Harold Greenberg Fund, and is distributed in Canada by Alliance Vivafilm. "Mars et Avril" is produced by Martin Villeneuve, Benoit Beaulieu and Anne-Marie Gelinas for Mars et Avril Inc. Executive producers are Robert Lepage and Lynda Beaulieu for Les Productions du 8e Art, as well as Pierre Even and Marie-Claude Poulin for Item 7.

"A trippy science fiction fable about the musicality of the universe that's set in Montreal and on the Red Planet, the sumptuously designed 'Mars et Avril' is certainly one of a kind." - Boyd van Hoeij, Variety
Play trailer2:05
6 Videos
71 Photos
DramaFantasySci-Fi

Based on an acclaimed graphic novel, Mars & Avril is set in Montreal of the future, at the dawn of the first human landing on Mars, and tells the story of a musician who becomes obsessed wit... Read allBased on an acclaimed graphic novel, Mars & Avril is set in Montreal of the future, at the dawn of the first human landing on Mars, and tells the story of a musician who becomes obsessed with his muse.Based on an acclaimed graphic novel, Mars & Avril is set in Montreal of the future, at the dawn of the first human landing on Mars, and tells the story of a musician who becomes obsessed with his muse.

  • Director
    • Martin Villeneuve
  • Writer
    • Martin Villeneuve
  • Stars
    • Jacques Languirand
    • Caroline Dhavernas
    • Paul Ahmarani
  • See production info at IMDbPro
  • IMDb RATING
    5.8/10
    894
    YOUR RATING
    • Director
      • Martin Villeneuve
    • Writer
      • Martin Villeneuve
    • Stars
      • Jacques Languirand
      • Caroline Dhavernas
      • Paul Ahmarani
    • 12User reviews
    • 70Critic reviews
  • See production info at IMDbPro
    • Awards
      • 2 wins & 10 nominations total

    Videos6

    MARS ET AVRIL - Making of (English subtitled)
    Full Movie 22:11
    MARS ET AVRIL - Making of (English subtitled)
    Mars et Avril - Trailer (English subtitled)
    Trailer 2:05
    Mars et Avril - Trailer (English subtitled)
    Mars et Avril - Trailer (English subtitled)
    Trailer 2:05
    Mars et Avril - Trailer (English subtitled)
    Mars & Avril
    Trailer 2:05
    Mars & Avril
    Deux immortels : Prélude à Mars et Avril (English subtitled)
    Clip 1:17
    Deux immortels : Prélude à Mars et Avril (English subtitled)
    MARS ET AVRIL - Creating the Visual Effects
    Clip 2:52
    MARS ET AVRIL - Creating the Visual Effects
    Martin Villeneuve: How I made an impossible film (TED2013) - French subtitled
    Clip 10:52
    Martin Villeneuve: How I made an impossible film (TED2013) - French subtitled

    Photos71

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    Top cast19

    Edit
    Jacques Languirand
    Jacques Languirand
    • Jacob Obus
    Caroline Dhavernas
    Caroline Dhavernas
    • Avril
    Paul Ahmarani
    Paul Ahmarani
    • Arthur
    Robert Lepage
    Robert Lepage
    • Eugène Spaak - tête
    Jean Asselin
    • Eugène Spaak - corps…
    Stéphane Demers
    Stéphane Demers
    • Bernard Brel
    Jean Marchand
    Jean Marchand
    • Pneumatologue
    Kathleen Fortin
    Kathleen Fortin
    • Modèle d'Arthur
    Marcel Sabourin
    Marcel Sabourin
    • Capucin
    André Montmorency
    André Montmorency
    • Pierrot
    Gabriel Gascon
    Gabriel Gascon
    • Arlequin
    Emanuel Hoss-Desmarais
    Emanuel Hoss-Desmarais
    • Marsonaute no. 1
    Pierre Leblanc
    Pierre Leblanc
    • Marsonaute no. 2
    Richard Robitaille
    Richard Robitaille
    • Marsonaute no. 3
    Khanh Hua
    Khanh Hua
    • Serveur automate
    Michèle Deslauriers
    Michèle Deslauriers
    • Standardiste
    • (voice)
    Émilie Blake
    • Secrétaire du Pneumatologue
    Denis Gravereaux
    Denis Gravereaux
    • Cosmologue no. 1
    • Director
      • Martin Villeneuve
    • Writer
      • Martin Villeneuve
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews12

    5.8894
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    Featured reviews

    4schorschi100

    post-futuristic aesthetics combined with Flash-Gordon retro style, but incoherent story...

    Perhaps my biggest problem with this movie were my high expectations due to a few reviews I read which highly appraised it. In my opinion the story, the core of which exhibits some potential, is its main flaw. Shallow, non-developing characters, missing plausibility, incoherent dialogs and confusing plots are disguised behind artsy (admittedly quite nice) sceneries, wonderful music and post-futuristic-combined-with-retro aesthetics. Which per se is not a problem, but it cannot substitute for the missing parts of the whole product. I understand that a low-budget sci-fi movie is a great challenge, but then again not every challenge must be taken. I have seen a fair amount of other low-budget sci-fi productions (e.g., from eastern Asia) with amazing performances, non-existing props, but excellent stories (notably with a philosophical extension). At least there the movie makers did not constantly flood the scenes with blue color, lit-up close-ups à la "It is time for my close up mr DeMill" and floor smoke like discos back in the 80's...

    All in all, it is a waste of time unless you happen to be a huge fan of the Flash-Gordon or "a trip to the moon"-by-Georges-Melies type of movies and if you don't care about script coherence. The generous four stars are just for the atmosphere and the music.
    9corentinlecorre

    "Dreams are the gateway to all that is possible"

    It was luck that led me to discover this movie, a few years ago, as if it came to me in a strange way. I approached it without expecting anything, only driven by my curiosity for Quebec science-fiction cinema. What a confusing and beautiful experience it is to dive into the universe of Mars et Avril.

    This first feature film from director Martin Villeneuve is a dreamy and poetic experience, juggling with so many philosophical and artistic references without ever falling into the free quote. It is easy to feel the deep love the director has for science fiction cinema and Franco-Belgian comics and there is something very touching about it, as he managed to work with the legendary François Schuiten (The Dark Cities).

    It is certain that this film will not appeal to everyone, because it is a contemplative experience, which does not give the viewer all the keys to understanding, but if you let yourself be carried away by its strange and dreamy atmosphere, the experience will be wonderful.

    What is really amazing about Mars et Avril is the fact that Martin Villeneuve and his teams managed to create such a visually impressive production with only 2.3 millions USD's budget. This great tour-de-force led him to the TED scene to talk about the creative process.

    I highly recommend watching this first great Quebec science fiction film. Mars et Avril is rich, intriguing, fascinating and refreshingly poetic !
    8Aurora2025

    A very nice effort in displaying the journey through imagination and beyond consciousness

    I extremely enjoyed this movie. I personally do not like slow rhythm movies but I confess I didn't even forward a second. The actors were great the concepts and symbolism all over the movie scenes challenged my mind to think more deeper. The story connected love,music and infinity together. The only lame part was that elevator. it could be sth else. It was more cooler that that girl only existed in Jacob's dream and he could bring her back to reality. It is one of the few movies that show consciousness as a whole new world yet not fully discovered by human. I strongly recommend this movie. I am not an expert to criticize the movie but in general it was a really nice effort and i don't get why its ranking is not over7.

    that view from the top of the stairs that looked like an infinite spiral was amazing. The ending can be interpreted in many ways. I want to accept that Avril stays alive in real world but there is also the possibility that the real reality was that one Jacob traveled to at the end so he dies and leaves the virtual reality.
    8eliwilli2

    Beautiful film

    I think this film is exquisite and intelligent. Perhaps not made for the ordinary moviegoer and maybe a little bit too long, but certainly brilliant in its context and perfect visually. One must pay attention to detail to appreciate the depth of this artwork. Costumes, make up and hair did a magnificent job creating a "futuristic" look. What does the future hold? How will we dress, what will we drink, what will we do? The music and sound effects are magnificent, the visual effects are extraordinary. Futuristic Montreal is quite beautiful. Art department created a warmth that is perfectly in sync with the slow drawn out feeling of this new universe. If our future it is anything like this film where beauty and thought, where love and passion seem to be the principal motivators, I am looking forward to it. To appreciate the film, one must also listen carefully to the discourse about music, the universe and time and about love and beauty. I believe this film should be watched more than once.
    10puckcub

    What to expect, when you're not expecting a Free Trip;

    A love story of purity, expressions of perception inverted from reality, Misunderstood emotions, immature minds mixing with old souls. Substitution, simulacra and discovery. Personification, possibility, Potential.

    The child, caught up in materialism, The father with eyes towards the "impossible"; the lovers, avatars for everything and nothing at the same time caught in a triangle of the mistaken witness, an iteration of soul out of time and place, yet required to bridge the connection now.

    A pursuit of an experience, beyond the mundane, the ordinary. Simple mechanics, yet unexpected results; but what is possible, if you just believe. Or, failing that, just sit and allow what is, to unfold. However, be-careful what you wish for, You may not understand how to cope with the results. A being such, a moment when, a thought unspoken, create the unexpected, within the realms of the expected impossibility.

    If you believe, you may be blessed with the witness to see, or else the comfort of knowing you contributed to the next iteration.

    In a pique of contrasting thought; As much as DUNE is about a Saviour role, this is about the individual. With no group expectation. What is possible for a single soul, with few constraints and a lost purpose? A bitter sweet ending for a love unknown, recently discovered and forever lost except to impossible memory... and that's not even right way to express the messy triangle....

    *Triangle; doesn't play as the typical dynamic until the *scoff* just before the subconscious feedback.

    *I found the discourse between father and son, a little forced at points. To do justice to their relationship, they needed more screen time.

    The 'disbelief' factor .... lost me at about 1hr10 minutes.... i get lost with the technical (visual storytelling) 'subconscious' interpretations of 'unconscious' interpretations by others.

    Though the following instrument scene at least is anchored well, and gave me a point to anchor myself to again.

    Thank you for doing this story. Though it introduces choices I'm still not familiar with, nor ready to contemplate; and thus, leaves me as confused as when i began... the expression of that moment, is enough to sooth my soul a little. A reminder of what was, what is, what will be. The story of connection, of recognition beyond the basic story line. The power of potential. ::hugs:: now i have to go find a box of klenex or a roll of toilet paper, or my shirt if it comes to that. I'm not crying, You're crying! 😛

    It might not have had the same budget (as Dune, and other Big Budget films), with sets and scenery at moments reminiscent of an Art House project, but its arguably just as important in the histories of SciFi gospels. (I need to find my copy and watch it again, in fact; now that i have found the story again. See where it fits, so i may better discuss its contents.)

    But there is a key within, for those who find, that unlocks the most wonderful and frightening doorway of the mind/soul. We need these keys to be continually produced, for there are many who would have them destroyed, for the freedom such keys give to a person. This freedom is scary to any form of uniformity and homogeneity. Yet it allows all things to be possible, if you so desire and your desire is true.

    ---- Slow burn intro, especially if one is not familiar with the different schools of philosophical thought and unable to pickup the subtly blunt almost too on the nose interpretations of the characters roots. But pacing, is a personal thing; so never take a reviewers opinion about such things, unless you're familiar with and agree with their previous or existing expressions. I myself, enjoy a slow burn. As cold as I may be, one thing i learned from nearly freezing to death, a slow burn is better than a flash burn, if you want to get through every bit of fuel to heat energy ratio. If you're used to tossing aside unspent moments, disregarded and unappreciated. Like spare change from a transaction; you may not enjoy this story. But, if you're familiar with the amount of effort it takes to deliver quality, take this one for a spin. At the very least, its some time spent watching a fun scifi story.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Michèle Deslauriers, who's the actual voice of the Montreal Transportation Service which can be heard in the metro, provided the Montreal Teleportation Service's voice in the film. Michele Deslauriers is also Caroline Dhavernas' mother.
    • Quotes

      Avril: It takes an old medium to appreciate a new language.

    • Soundtracks
      L'harmonie du monde
      (3:43)

      Composed by Benoît Charest

      Courtesy of Simone Records (available on iTunes and in vinyl record)

      Under license from EMA Films & Mars et Avril Inc.

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    Details

    Edit
    • Release date
      • January 25, 2014 (United States)
    • Country of origin
      • Canada
    • Official sites
      • BULB page - Official USA site
      • Full movie in HD on Vimeo
    • Language
      • French
    • Also known as
      • Mars and April
    • Filming locations
      • Montréal, Québec, Canada
    • Production companies
      • Imelda Films
      • Productions du 8e art
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • CA$2,300,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 30 minutes
    • Color
      • Color
    • Aspect ratio
      • 2.35 : 1

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    Paul Ahmarani, Benoît Charest, Caroline Dhavernas, Jacques Languirand, Robert Lepage, François Schuiten, and Martin Villeneuve in Mars et Avril (2012)
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