Venom: The Last Dance

The third installment about the symbiotic anti-hero is a mix of bright moments and disappointments. Tom Hardy once again proves why he is the perfect choice for the role of Eddie Brock/Venom, but even his charismatic performance cannot save the unbalanced ensemble. The film starts off promisingly - with dynamic action and witty dialogue between Eddie and his symbiotic companion. Their relationship is still the best the series has to offer. Hardy brilliantly manages both comedic timing and dramatic moments. The visual effects are impressive in places, especially in the action sequences where Venom shows off his abilities. At other times, however, the CGI feels inadequate and more reminiscent of a video game from the last decade. Some fights are well choreographed, others are a chaotic mix of digital effects. The biggest problem is the script, which tries to be too ambitious. It mixes several storylines, introduces new characters and antagonists, but does not give them enough space to develop. The result is a rushed pace and superficial characters. The film's darker tone is a welcome change, but it often clashes with the comedic elements, creating an unbalanced whole. The film seems unsure whether it wants to be a serious drama or a lighthearted entertainment. Venom: The Last Dance is like a roller coaster - it's ups and downs. For fans of the series, it offers enough fun, but it's hard to call it a significant step forward. This film is like an average song on a great album, but as a whole it doesn't leave a strong impression. Fans will find their own, others may be disappointed.

My relationship with the Venom franchise has been rocky. I have a soft spot for the first one, absolutely loathe the second, and now we come to the trilogy's closer, and thankfully, it's an improvement.

Venom: The Last Dance works best when it focuses on Eddie and Venom's story instead of trying to set up the future of the Sonyverse. If you didn't like the previous Venom films, this won't change your mind. It's still messy, but it gets more right than its predecessors.

This is easily the campiest and most mature of the bunch. It takes its time with the characters, letting us sit with them instead of rushing into the next action set piece. Still being PG-13 it manages to cram in a lot more gore than its predecessors. The action is inventive, and the humor hits its mark. It also doesn't shy away from getting personal and emotional. Eddie and Venom's relationship has never felt more genuine. I'll admit-I teared up a few times by the end.

Some may be disappointed by the potrayal of Knull, but personally, I loved it. He feels like an overlooming threat rather than an one-off villain, and the "God of Darkness" gets a Thanos-esque treatment he deserves.

Now, don't get me wrong-the movie is still bad, technically speaking-but it's self-aware about that. Instead of being "bad bad," it chooses to be "fun bad" and entertain you, and I respect that. Not every movie needs to be great; sometimes being fun is enough.

Even with the lows, I have always found a weird sense of comfort with this rendition of Venom. I have found myself caring more for these characters than maybe even the script intended. So I am happy to say that by the end, it does enough to justify this trilogy's existence - and to such an satisfying extent that I'd rather live in a world where the Venom movies exist than one where it doesn't.

First and foremost, it felt like the makers made every poor decision possible when it came to the sound tracks and music. That which is supposed to amplify the intensity of ride simply let it remain bland throughout, even the climax, even the falling action.

With Venom and Eddie having largely ceased their bickering, their bromance has dwindled significantly in this movie. Being the conclusional piece of this hilarious trilogy, it has fallen short of many expectations.

Of course there was some of those promised action as witnessed in the trailers. But was there something which swept me off my feet which was absent from the trailers? Not really.

While the villain's back-story is rather solid, it could have been more centre-stage. Most of the characters that have made appearance in this movie felt weakly woven together; though the plot could not have moved forward without their roles, they barely left any impact. Speaking of the plot, it largely remains uneventful, with the makers just throwing a few name-sake 3D effect villainous creatures at our faces. There is only one major action sequence throughout the film, that it low-key has bottled down to something I would either skim through, or watch at a slightly increased playback speed.

If the unnecessary scenes, and by that I mean, 'adding no humor or value to the plot' scenes were deleted, it could easily boil down to half its current run-time. That being said, there could definitely be leads from where this movie has left loose ends at, but presently, it stays far aloof from being involved in such a gifting.

I feel like the last of the trilogy has not done justice to the previous two movies, it almost feels like watching a different character. The ending in particular came off to me as a tryhard terrific ending, and even if the clips were good, the track choices really did not work out for me.

Being Rated R probably would have saved this; I am just saying!

This trilogy-capper almost makes me question if I have become more of a movie critic than a movie enjoyer. Then I remembered this is Sony's Spider-Man Universe we are talking about, which gave us films like "Morbius" and "Madame Web." I nonetheless went in here with an open mind, considering I do not mind the two previous "Venom" films that came out. After seeing "The Last Dance," I question whether Sony was trying to set up their universe or give Eddie Brock and Venom the send-off they deserve. I am sadly leaning more toward the former.

I should preface this review by telling you what I thought of the other two "Venom" films upon rewatch in preparation for this third installment. Those were entertaining yet disappointing superhero films saved by the performance of Tom Hardy as both Eddie Brock and Venom. The first was innocent enough, with a dull first and more engaging second half, a weak villain in Riz Ahmed's Carlton Drake/Riot, exciting action, and Hardy performing nicely. Its sequel, "Let There Be Carnage," surprisingly got better when revisiting it, easily surpassing its predecessor, with Hardy allowed to stretch his comedic abilities with Brock and Venom bickering hilariously. In addition, there is Woody Harrelson's enjoyable performance as Cletus Kasady/Carnage, who manages to rise above the flaws, including the disappointing inclusion of Naomie Harris' Frances Barrison/Shriek. Hardy was allowed to have fun with his characters, and the movies complimented him with a narrative that was not too complicated. The opposite is true for "The Last Dance."

Let's get the positives out of the way first. It is a short list, which I am deeply saddened by, but I want to show you how it is not the worst superhero film out there or even the worst film of the year.

Despite a woeful screenplay, Tom Hardy still does skillfully with Eddie Brock and Venom. He is not allowed to have as much fun as he did in the prior two films, but he is trying his best (right, the positives. Sorry).

The rest of the cast delivered equally solid performances, with the other standout being Chiwetel Ejiofor as Orwell Taylor. Ejiofor always has a commanding presence whenever he is in a movie, with his characters of Baron Mordo in the two "Doctor Strange" films and Bathurst 2020 in the forgettable "Infinite" being the two I can think of at the top of my head. Even if the film is not the best, Ejiofor makes it work, and if it is fantastic, he always steals the show.

The visual effects bring Venom and the other alien characters to gorgeous life. The other two "Venom" movies, granted, had remarkable CGI, but it is worth mentioning, specifically when discussing the positives.

The action is somewhat fun. The "Venom" movies have always had enjoyable action. Unfortunately, "The Last Dance" was the least fun action-wise, but the first scene with action was sweet.

The Venom symbiote is sometimes uniquely utilized. The trailers showcased Venom controlling a horse, and in the film, it is one of its best scenes. I am unsure if this is a spoiler, but he controls other animals, and they introduce other symbiotes, which is fun.

I think that is it for the positives.

I felt the portrayal of Eddie Brock and Venom this time was not good. Again, Hardy tried, but there were multiple times when it felt like he was bored. His character was, admittedly, bored at intervals, and Hardy is a screenwriter, but I am saying how it felt.

The film tries to add new characters, but they are not compelling. The most obvious example is Dr. Payne, played by Juno Temple, who does nothing aside from believing that Brock is not a danger, while Ejiofor wants what is best for the world, considering the alien threat from Knull.

Speaking of Knull, he was worse than Carlton Drake. He only sends alien minions to grab a MacGuffin that Venom has. I have not read the comics, but the impression I get from others and this movie is that Knull has a profound lore not represented here. Having Knull's alien pals and the Area 51 agents as the villains is too much, yet somehow too little.

They also wasted Stephen Graham's Detective Mulligan. The trailers made it seem like Mulligan would be a principal and intriguing character. The only two interesting aspects about Mulligan are he has a symbiote and warns of Knull. That is it.

Furthermore, it does not have that much comedy. "Let There Be Carnage" can easily be classified as a comedy, and I laughed more than I would like to admit. I think two laughs and three to five chuckles were all I had here. The film was not funny outside of the Venom horse and some banter between Brock and Venom.

On top of that, there was not that much emotion. It is due to how much Brock and Venom were not well utilized and the clutter of characters. I did not care about the Area 51 personnel nor the unnamed family who brought Brock and Venom to Vegas. When the ending came along, which heightened the stakes to an unbelievable degree, I did not get emotional. It tried, but it failed to work.

The other two "Venom" movies were entertaining, but this failed to come close. In an era where "superhero fatigue" is becoming more accepted, this trilogy-closer did not try anything new. Fascinating concepts here and there, and many standout scenes fail to save this disappointment in a franchise filled with them.

Technically, a 6/10. Outside of the plot and the underwhelming screenplay, the visual effects remain exceptional, the actors did great, and the film functions.

For the enjoyment score, I wanted to like this film. I had the sneaking suspicion that it might not work, but watching "Let There Be Carnage" increase in quality gave me hope. It was no "Let There Be Carnage" and is easily the weakest of the trilogy. It had the issues that plagued the likes of "Spider-Man 3" and "The Amazing Spider-Man 2," but does not come close to being as entertaining as them. I am so unhappy that the enjoyment score is a 4/10, but this trilogy deserved a better conclusion. Maybe it will get better when I watch it again, but as it stands, it is best for me to recommend you wait until Netflix or even Disney+.

Maybe it's just because of my low expectations toward the series but it was just fun to watch. I've already lost hope for the trilogy to have a decent plot but I can say that this one has a better storyline than the second film.

CGI was fine, I coudn't find any disturbing point. It was interesting to see the other symbiotes. I think those new symbiotes showed more symbiote-ish action scenes than venom when it comes to the fight ironically.

There were a few funny jokes that made me laugh but I didn't really find Eddie's weird obsession for shoes funny, like was it supposed to be funny? Guess it was meant to be humor but well... it was almost tiring.