War pony

Where the film succeeds is in this ability to make us feel on a dramatic ridge flirting with the precipice. Continuously: the resourcefulness, the negotiation, the daily quest for the right plan, for the money to find for the moment or the one after. Each individual linked to the other, By necessity or tradition. On one side, the comfort of the community, on the other its permanent violence, like two sides of the same coin. Drama can arise from every shot. Everything is survival and misery, but everything is also beauty and kindness. Anything could happen, But in the end we are left with motherly love.

War Pony is a film that impresses with its grounded, authentic portrayal of life on a Native American reservation. The film excels in creating a vivid, immersive experience, capturing the everyday struggles and triumphs of its characters with a raw, unfiltered lens. The performances are sincere and compelling, bringing a deep sense of realism to the story.

One of the film's greatest strengths is its commitment to authenticity. The depiction of cultural and social issues feels genuine, and the attention to detail in portraying the community's challenges adds a layer of depth to the narrative. The cinematography complements this grounded approach, with naturalistic visuals that enhance the film's immersive quality.

However, despite its strengths, War Pony can be a bit tedious and slow-moving. The film's deliberate pace might test your patience, as it takes its time to develop its characters and plot. While this slow pace allows for in-depth character exploration, it can also make the narrative feel drawn-out at times. Some viewers might find the lack of a strong central plot arc to be a drawback, as the film's episodic nature means that it often meanders without a clear direction.

Overall, War Pony is a heartfelt and authentic film that offers a nuanced look at life on the reservation. Its grounded approach and strong performances are commendable, but the slow pace and episodic storytelling may not appeal to everyone. It's a film that rewards patience and provides a deep, albeit sometimes meandering, glimpse into its world.

The movie centers around two different characters: Bill, a man in his early 20s, who is hustling in order to maintain his family and his relationship with his two sons from different mothers, and Matho, a much young boy, who's life is spiraling due to drugs and unstable home life.

I was hesitant to like this movie at first, but Bill won me over. At first he just seemed too obtuse, but over time you learn that he just takes that role when he needs to maintain a relationship. In reality, he is a smart and affectionate young man, who might be somewhat too impulsive, when he sees opportunities, but on the other hand, he needs to make money somehow. He is no father of the year, but maybe if he could just find some calm in his life, he would be.

Matho is a simpler character. He is rebellious and while early on he isn't the leader of his little friend group, he raises to that position later. On the other hand, life keeps dealing him a bad hand over and over again even at his very young age.

For most of the film, their paths are separate and despite the relatively small community, they don't even know each other.

We see a lot of examples of the native American culture they come from. I can't really claim to understand all the metaphorical aspects of certain motifs in the movie, but at the same time the characters have also lost their connection to them, so they don't understand them either.

In many ways this feels more like coming from European tradition of film making than American, as the focus is on the characters, not the story, which is just a vehicle for us to get to know the people.

On the other hand, it's also about the wealth disparity these people experience and the repercussions of that. Crime is casual. Many of these people just do it. It's all around them. The few interactions they have with people outside of their culture are quite racist and there's a strong feeling of their people being used.

Overall, definitely worth a watch, if you are into sort of Oscar-baity dramas, but without the baggage of being real Oscar-bait (thus transcending that pseudo-genre).

There was a great deal to take in regarding this film. My favorite part, which so reminded me of the last scene of FRESH, was when Bill asks Matho if he likes coffee and his answer so expertly and tenderly reveals his inner self and the growth still destined to take place for the two main characters.

Throughout the film their two stories seem intertwined and similar yet as the film extends we see that their trajectories are almost opposite (trying to ascend and trying not to descend) and yet destined to collide, inescapably predictable and refreshingly vulnerable as if one of them may actually be able to overcome the circumstances of their situations only to see that neither can quite generate enough speed to actually take flight.

The film is unapologetic, accurate, true to life on the Rez, and creates many moments that are excruciating to watch. The slow burn fuse in the storytelling is appropriate and effective, could it have moved faster...perhaps, but it gave me a similar vibe to MANCHESTER BY THE SEA and how the film just didn't want to, didn't let you, look away. And it shouldn't. Many great moments, great performances, excellent symbolism, and a plain and raw quality that spoke volumes of truth about human nature, the abject poverty of what is easily considered third world conditions of the reservations in South Dakota, the desperation, the hustling, the utter lack of opportunities, the loss of culture and language, and the blurry delicate lines that must be negotiated for survival and to get one's self even a little bit ahead. I thoroughly enjoyed the film. Not at all uplifting, but definitely makes you think, feel, and need/want to talk to someone what about it. It's a good one!!

I tend to think of the United States as a rich country. One of the world's richest, in fact. And so do all Americans I've ever met. And I know perfectly well that large numbers of Americans are poor. But every now and then I need to be brutally reminded of just *how* poor the poorest Americans are, and how disproportionately these poorest Americans tend to be Native Americans or Black.

War Pony is exactly that kind of reminder, and it does that job beautifully. As far as I understand, the cast is entirely made up of amateur actors, who have grown up on the reservation. If that is true, their performance is very impressive indeed. Having said that, there are brief moments, where the acting comes up a bit short.

I'm very glad that I saw this film, and I happily recommend it. All privileged people will benefit from watching this movie, and all privileged Americans really ought to see it.