Upon his release from prison, Fish is brought to an abandoned restaurant by his old associate, Duke, to celebrate his newfound freedom. However, there's unfinished business that Duke is dete... Read allUpon his release from prison, Fish is brought to an abandoned restaurant by his old associate, Duke, to celebrate his newfound freedom. However, there's unfinished business that Duke is determined to solve.Upon his release from prison, Fish is brought to an abandoned restaurant by his old associate, Duke, to celebrate his newfound freedom. However, there's unfinished business that Duke is determined to solve.
- Sushi Chef
- (as JJ Sonny Chiba)
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Most people praised Mark Hamill's acting (Luke Skywalker), but I found him an annoying, affected gay caricature, until later on where he channelled his inner Joker and became more sinister. Your own appreciation might vary. On the other hand, Tony Todd's(Candyman) was impressive and he just emanated quiet foreboding menace. When he talks about his past to the guy tied up, he's just so good, it's like he brings himself to tears by himself. The sushi girl herself is basically a pretty accessory except for the start and ending where some acting chops are shown. I liked the story and I liked the twists that I didn't see coming. It has a definite Tarantino vibe back when he was better.
Rating: 7 out of 10 (very good)
The storyline is simple. 5 criminals are summoned for a Sushi Dinner by Tony Todd who's waited 6 years for one member ; who was caught; to be released and tell him where he hid the diamonds. What transpires; once the 6 men reunite is a clash of egos and personalities}, which ends up "Opening wounds for the past" or the present in order to get some strait answerers as to what happened to the diamonds?
Tonny Todd hasn't been this sinister since his Candy Man days and Mark Hamill was a real treat. I wasn't aware that he had such a huge career in voice overs. Particularly , lending his voice for tons of Super Hero villains. I've seen some of those animated Batman flicks and whereas Heath Ledger and Cesar Romero were perfect as Joker in their respective eras; I believe Hamill does a perfect Joker in the animated series. He obviously found a way to bring his Joker persona onto the screen for his Crow character in Sushi Girl. Add a little flamboyance and passive lunacy and I believe he gave his best performance ever. I kinda felt his performance like I did when Tarrantino first resurrected John Travolta's career in Pulp Fiction.
Besides the great storyline, we also get a lot of favorites from yesteryear. Danny Trejo donning a Machete was a pure classic Grindhouse element that he also played out in one of Steve Austin's latest action films.Jaff Fahey and Michael Beihn also Starr in minor roles. I would have loved for Michael Beihn to have played one of the characters at Tonny Todds table.
The newcomer; Courtney Palm has one killer bod and seemed perfect for this kinda Tarrantinesque Grindhouse flick.
the action scenes were incorporated in flashback style, but it never got boring. IT actually all takes place at Tony Todd's Japanese Restaurant, so expect a lot of Tarrantino style dialog. Throw in a couple of nail biting torture scenes and Mexican Style stand Off ending and you have the movie that Tarrantino easily could have directed.
The cinematography is very stylish and attractive. Mot just for the naked Courtney Palm, but also for the various decorations amidst the restaurant. It is, after all, Japanese- inspired. Very classy. This is definitely, my kinda flick.
5/10
Truly, I thought, this could be something special. A good cast, interesting idea, and seemed to have some talent attached to it.
Ultimately the result has been a disappointment. I give credit for the attempt, but there are several problems with this film from the beginning.
First and foremost, the music. It's an odd place to start, but stick with me: the music is formulaic, tinny, and lacks the timing to know when to fill the space with notes and when to let the ambient sound give us time to breathe. I don't know whether to blame the filmmaker or the composer, but I know the composer is responsible for the lackluster scoring. There was no vibrancy and life to the music, so it seemed to siphon the energy from the film too.
The cast was fine, although uneven. Specifically, Mark Hamill plays a very odd character that never quite seems the fit into this gaggle of characters.
The pacing is definitely a problem too. After about 30 minutes in we paused to note how long had passed with almost nothing happening. The character introductions dragged and weren't very engaging. The writing is primarily responsible, as the dialogue lacks the same vibrancy that the music does. It feels cheap, in the same way a movie of the week is cheap. And this is not an issue of budget, as I've seen other films do much more with much less. When you don't have the budget to support you, you need to have the script be sharp as a bladed diamond or the audience will drift.
The whole film seems like echoes of Pulp Fiction, as realized through a narrow, uninteresting lens. I realize that on a small project like this the filmmaker likely reads these reviews, so I want to say something specifically to him: I remember you from the panel, and how enthusiastic and excited you were. I could feel the same excitement and energy from the whole cast (except for Hamill, who exudes this persona of a disinterested deity, which suits him). I'm glad you were so invigorated and excited, but this is not the best you could have done.
The script should have been more polished with more engaging dialogue and situations. The editing was at times to frenetic, giving talking scenes an unnecessarily jumpy quality more reserved for action sequences. And the music was really poorly done, and there's no nicer way to say that.
I feel like there are better things for you on the horizon, but I'd be lying if I said this was a great start. You have better projects ahead of you, but you need better material to work with, and better people to help with the creative process, from writing to production. I do believe you have some really interesting work ahead, so don't let negative reviews discourage you. Take them under advisement, ignore the ones that are petty and useless, and become a better filmmaker.
I want to see what you can do next, so show me something.
I wasn't expecting much from this film, I'd never even heard of it until now, just a seen it all before yarn, but what you get is an intriguing blood soaked plot, plenty of twists, a more than satisfying 'twist' finale, and a cool Tarantino style exploitation cast of Tony 'Candyman' Todd, Sonny Chiba, Danny Trejo, Micheal Biehn and an almost unrecognizable Mark Hamill looking like the love child of John Presscott and Eddie Izzard!!
A bloody enthralling slice of cinema that the aforementioned Tarantino could have served out.
Did you know
- TriviaMichael Biehn shot his scenes for free in one day as a favor to his good friend Electra Stone, one of the producers.
- GoofsDuke says that hundreds die in Japan each year from eating Fugu. Only around 35-40 people are treated each year for Fugu poisoning with an average mortality level of 3-4 deaths each year (statistics from 1996-2015).
- Quotes
Sushi Chef: Remember you are a tray. You must not move. You must not make eye contact. You must not react. No matter what you see... or hear.
- ConnectionsFollowed by Sushi Girl: A Documentary (2013)
- How long is Sushi Girl?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Cô Gái Sushi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $750,000 (estimated)
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1