A young CIA agent is tasked with looking after a fugitive in a safe house. But when the safe house is attacked, he finds himself on the run with his charge.A young CIA agent is tasked with looking after a fugitive in a safe house. But when the safe house is attacked, he finds himself on the run with his charge.A young CIA agent is tasked with looking after a fugitive in a safe house. But when the safe house is attacked, he finds himself on the run with his charge.
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Featured reviews
I just got back from the movie theater, and am I glad that I was wrong. The movie is fantastic, electrifying. Do know that I don't just 'get off' on any action flick. In most cases, I just watch and forget. This was actually, fantastic. I don't have a single bad word to say about it, the way it was directed, acted or anything else. Everything was simply fantastic.
I realize my words sound absurd, and the score looks the same, but it really is worth it. I didn't see an action movie this well written, and this well acted in a really, really long time. Of course, by the end of the movie, any experienced watcher will figure out the ending by himself, but even though you 'get it', it's still extremely fun to sit through and see how the pieces connect.
I really hate long reviews, so I'm trying to make this one as short and sweet as possible. Lastly, have in mind that not one cast member failed his role. Ryan was fantastic, even better then I could've imagined (a nice showing of his acting skills after Green Lantern and Change-Up), and Denzel, what to say that hasn't been already said about that man's acting. Phenomenal doesn't cut it.
Go and see it. It's much better then anything else thats currently 'showing'.
Ryan Reynolds plays the rookie "Matt" who's basically just a housekeeper at a CIA safe house in Cape Town, South Africa. One day they bring in "Frost" (Denzel Washington) who is basically James Bond with a bad attitude. One thing leads to another, bodies pile up, and Matt finds himself attempting to bring in Frost all by himself, despite a few armies of thugs & spies hot on their trail.
What makes this film work, much like in "Silence of the Lambs" is the dynamic between the fresh faced rookie and the wise Mr. Miagi prisoner. As events unfold, we see a pupil/teacher relationship develop even though the teacher is supposedly the bad guy. Ryan Reynolds, just like Jodie Foster in Lambs, pulls this off perfectly by seeming young & inexperienced without seeming stupid. On the teacher side we have the excellent Denzel Washington who, just like Anthony Hopkins, conveys a magnetic aura of authority and control, even though he's the one in handcuffs (or in Lambs, a restraining hockey mask). Of course "Safe House" is more of a fast paced action flick than the slow psychological "Silence of the Lambs", and that leads me to my criticism.
This is just a personal opinion, but I feel like the hyper chaotic camera work and ADD edits killed a great opportunity for a powerful presentation. Note to directors: when you have a colossus like Denzel Washington in front of the camera, just tell your camera man to chill. Tell the gang in the editing room to put down the scissors. Just let the talent speak for itself.
Instead--I'm not exaggerating here--I started counting at least 1 cut every 2 seconds. And even when the camera was given more time, it would be constantly shaking, zooming in & out, darting about the room like a paranoid crack addict looking for a Starbucks caffè latte. I realize that this was a conscious stylistic choice, and definitely this chaotic style works to elevate bad productions to passable. But when your underlying material is GOOD, then why distract the audience with camera theatrics?
Ok I'm done with my opinion. Back to the facts. This is a good movie. It has a great story. These are great actors. Regardless of how you prefer your cameras & edits, it's worth checking out.
In Safe House, Tobin Frost is one cool fugitive, but then he's played by one of Hollywood's coolest actors: Denzel Washington. Guarding him is young CIA agent Matt Weston played by the prominent film actor, Ryan Reynolds. Together they make good acting possible; if only this crime adventure would let them.
Instead, their moments are mere interludes to the cacophony of guns and gore, a smorgasbord of thriller clichés planted in neat rows by director Daniel Espinosa and blossoming glass and guts ad nauseam. As the cool Frost escapes numerous captures and Weston follows him (they've discovered the "safe house" is not so safe), I wish they'd sit and talk for an hour because the older agent has much to tell the younger about love (Matt has a questioning girlfriend) and survival in the den of thieves known as espionage—global that is. Frost has a computer file with the names of bad cops, some of them friends and supervisors. So nobody's safe.
Among the vulnerable are seriously good actors like Sam Shephard, Vera Farmiga, Brendan Gleeson, and Robert Patrick. The shame is they have parts so formulaic as to obliterate their acting excellence.
Anyway, you get the routine. The only surprise is that this type of film continues to entertain us even when we know the plot points. In part that's because we like to see good/bad guys played by the likes of Denzel work their way through some challenging puzzles and achieve some success just as we try to do in our daily lives. Also we get to see multiple car crashes without being in them, a wish we may have subconsciously when we experience road rage.
I suggest you leave your rational hat at home (most of the plot makes little sense) and wear your thrill-seeking one because this film will fulfill all your demands for excitement without touching a nerve in your left brain.
The actors were hand-picked perfectly for their roles. Ryan Reynolds is the actor you have to use when you want to put a likable, relatable family man in a difficult situation. As a CIA operative caught up in something far outside his experience, he fits in perfectly. As for Denzel Washington, there is little that he can't do. For the unique character of Tobin Frost, there is no better man to fill the role. Together they form a storyline that merely needs to be able to stand on its own two feet. The storyline does stand on its own. That being said, it is the weakest part of the movie. The twists have all been seen before. This movie doesn't offer new plot points to the old conspiracy theory movie. It merely adds new characters. The new characters are great, but it is not enough. In order for the movie to be great, it needed to give something new to the story.
I must say that the end was beautiful. Without giving anything away, it was gracefully preformed. It wrapped up the loose ends that too many other movies simply leave hanging. It adds a whole other dimension to Ryan Reynolds' character. It will, without a doubt, leave you wanting more but somehow completely satisfied.
Safe House is worth a trip to the theatre. With thrillers such as this one, the action is better on the big screen. Between the action and the actors, you will not be disappointed. Next to Liam Neeson's The Grey, this is one of the best action movies so far this year. The thing is, it could have been even better. Too bad.
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Did you know
- TriviaDenzel Washington was actually waterboarded during the filming of some of the torture scene, though only for a few seconds per take.
- GoofsWhen Weston enters the safe house for the first time he opens the fridge and there is a stock supply of O positive blood. If this is for transfusion in an emergency then O negative is the universal donor.
Almost 40% of people have O+ blood.
- Quotes
Tobin Frost: That house was a secure location. Whoever crashed it didn't stop by a gas station and ask for directions to the nearest safe house. They were invited. Someone told them, Matthew. Think about it. Someone you know, so you better ask yourself, can you trust your landlord?
Matt Weston: Go ahead. You're not gonna get in my head.
Tobin Frost: I already am in your head. They're going to isolate you, Matt. They're going to be real nice to you at first. They're going to put their arm around you and tell you things like, "You did a decent job, son. We'll take it from here." That's when you know you're screwed. Forget about me, they're going to focus on you. They're going to try and make a connection between you and I. So that if this all goes wrong, they'll have something to fall back on in their little Senate hearings. I'm not your only enemy tonight.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #20.85 (2012)
- SoundtracksRebel Blues
Written by Lëk Sèn, Yves Abadi (as Y. Abadi), Adrien Biehler (as A. Biehler), Miguel Saboga (as M. Saboga)
Performed by Lëk Sèn
Courtesy of Louxor Station & Putumayo World Music
Details
Box office
- Budget
- $85,000,000 (estimated)
- Gross US & Canada
- $126,373,434
- Opening weekend US & Canada
- $40,172,720
- Feb 12, 2012
- Gross worldwide
- $208,076,205
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1